CALIFICACIÓN DE IMDb
6.0/10
8.4 k
TU CALIFICACIÓN
Dos familias de distintos contextos culturales y sociales deberán aprender a trabajar codo a codo.Dos familias de distintos contextos culturales y sociales deberán aprender a trabajar codo a codo.Dos familias de distintos contextos culturales y sociales deberán aprender a trabajar codo a codo.
- Dirección
- Guionista
- Elenco
- Premios
- 3 premios ganados y 7 nominaciones en total
Kaira Akita
- Robin
- (as Kaira Whitehead)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Tyler Perry's The Family That Preys is a great drama that delivers both a great storyline and a great moral compass. I watched it on TV half an hour ago, and when I came to check it out here on IMDb, I was absolutely shocked that it only has 3.3 stars!
Tyler Perry does a great job of setting up scenarios filled with broken people in broken relationships, just struggling to get through life. Without giving too much away, he presents people in poverty, wealthiness, friendship, and infidelity, so there's always something you can relate to, either by personal experience, or through someone you know.
If you haven't seen this movie yet---GO SEE IT!!! Don't let the extremely low rating fool you. I'm white, young, liberal, and still enjoyed it, so you don't have an excuse either. :)
Tyler Perry does a great job of setting up scenarios filled with broken people in broken relationships, just struggling to get through life. Without giving too much away, he presents people in poverty, wealthiness, friendship, and infidelity, so there's always something you can relate to, either by personal experience, or through someone you know.
If you haven't seen this movie yet---GO SEE IT!!! Don't let the extremely low rating fool you. I'm white, young, liberal, and still enjoyed it, so you don't have an excuse either. :)
I saw this movie last night, and found it entertaining, with great acting, and intriguing twists. Perry's movies get better and better. Most of his early work, I did not take very seriously, and did not pay to see in theaters. I thought "Why Did I Get Married" was his best. The Family That Preys, in my opinion ties with it. I think southerners, with insider's knowledge of complicated relationships between Blacks and Whites, (especially between wealthy Whites and the people who work for them), viewers familiar with Faulkner's work, family stories passed down from generation to generation will walk away with a special, "ah ha" that reminds me of so and so and "miss" so and so...moment.
So often family secrets cross color lines, friendship and loyalty have a unique southern flavor. Proximity to the powerful often holds special dangers and temptations. I think most memorable are the strong women who in their unique southern style, play for keeps while holding their heads up, cursing while wearing hats and gloves, in ladylike form. If you've ever lived in the South, you know what I'm talking about. Southern Belles, matriarchs, supportive wives--who have a manipulative, strategic side--are so often the real backbone of the family.
Am I the only one who noticed (thankfully) the absence of the "N" word, or similarly distasteful references? The audience knew why Alfre Woodard's character said, "He won't marry you", without any reference to race.
So often family secrets cross color lines, friendship and loyalty have a unique southern flavor. Proximity to the powerful often holds special dangers and temptations. I think most memorable are the strong women who in their unique southern style, play for keeps while holding their heads up, cursing while wearing hats and gloves, in ladylike form. If you've ever lived in the South, you know what I'm talking about. Southern Belles, matriarchs, supportive wives--who have a manipulative, strategic side--are so often the real backbone of the family.
Am I the only one who noticed (thankfully) the absence of the "N" word, or similarly distasteful references? The audience knew why Alfre Woodard's character said, "He won't marry you", without any reference to race.
This is a great movie about business with morals and wit. Superb performance by all actors and actresses. Worth watching more than once
Another film filled with secrets and surprises. Good set-up of plot and characters, if a bit predictable. Writer, director, producer, actor Tyler Perry (best known for his "Big Momma" franchise) goes for a bittersweet comedy-drama that delivers well. We were quite satisfied with the story and filming. A lot of restraint (no one swears in the film, for example) and non-preachy religious themes. We sat through the credits. Great song sung by Gladys Knight. Woodard's arc is grand. Definitely recommended. Perry is evolving well in his milieu as his empire grows. A fun update of Southern Gothic genre and good performances all round, save for Taraji P. Henson, who is all tics and gestures. Surprised at the IMDb fan-base low rating ( <3/10 ). Perry is a natural to bring our "Hayes Hotel" musical to the big screen or Atlanta and Broadway! - Frederic Kahler
My rating is 6.5. Okay, this is not an Oscar film--but for what it is, for Tyler Perry's "genre" if you will--it's decent and at the very least watchable. It's tailored for Perry's audience in that the substance or breadth or depth of the plot or characters is (apparently) not his focus, but rather generating conversation amongst movie-goers seems to be his aim...which he does maybe better than anyone else. For all his flaws, Perry knows his audience.
That said, let me offer honest criticism. The movie is entertaining and keeps you watching, but it is not refined. It's Hershey's not Godiva if you catch my drift. The main dig I will give is that there is almost no character depth. The characters are one-dimensional and thus the movie's IQ is diminished. There is little thinking involved; it--like most of Perry's works--is emotion-based. I found the plot rather clever, so no dig there. But it's the characterization surrounding the plot that could have used more attention.
So in sum, this movie is watchable and enjoyable. It's not deep, it's not enriching, it's not life-changing. It's just quintessential Tyler Perry...and all that that entails.
That said, let me offer honest criticism. The movie is entertaining and keeps you watching, but it is not refined. It's Hershey's not Godiva if you catch my drift. The main dig I will give is that there is almost no character depth. The characters are one-dimensional and thus the movie's IQ is diminished. There is little thinking involved; it--like most of Perry's works--is emotion-based. I found the plot rather clever, so no dig there. But it's the characterization surrounding the plot that could have used more attention.
So in sum, this movie is watchable and enjoyable. It's not deep, it's not enriching, it's not life-changing. It's just quintessential Tyler Perry...and all that that entails.
¿Sabías que…?
- TriviaTyler Perry's character works in the construction business. In real life, Perry was a construction worker before hitting it big in plays and movies.
- ErroresIn the scene where William breaks up with Andrea, it switches between two different camera shots as they are speaking. In one camera shot, Andrea's hands are on William's shoulders, and in the other, they are not.
- Citas
Alice Pratt: [after Charlotte has bought a vintage car] I've never seen you drive! Where's Morgan Freeman?
- Bandas sonorasBlue Nitrous
Written and Arranged by Andy Farber
Performed by Brent Runnels Band
Published by Syd-Ben Music Group
Courtesy of Tyler Perry Studios
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- También se conoce como
- Tyler Perry's The Family That Preys
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 37,105,289
- Fin de semana de estreno en EE. UU. y Canadá
- USD 17,381,218
- 14 sep 2008
- Total a nivel mundial
- USD 37,105,289
- Tiempo de ejecución1 hora 51 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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