La huérfana

The movie is overall good but the husband in this movie is stupid

Every once in a while a film seems destined to slip under the radar either by poor promotion or a trailer that makes the viewer go "meh". Orphan is one of those flicks that, while benefiting from a decent studio push, simply didn't impart any compelling reason to check it out based on the trailer, which is too bad because this is actually one tight little thriller.

Directed by Spain's Jaume Collet-Serra (House of Wax), it tells the story of Esther (Isabelle Fuhrman), a 9-year old Russian orphan who is adopted by Kate and John Coleman (Vera Farmiga and Peter Sarsgaard) , a decision motivated in part by the stillborn birth of their third child.

An oddball from the start, Esther at first charms the Colemans with her personality, artistic flair, and independence, however it's apparent that there's more going on with Esther than meets the eye. She quickly forms a bond with Max (Aryana Engineer), the couple's deaf daughter, by learning sign language, but is resented by their son Daniel (Jimmy Bennett) who views her with contempt. All of which forms a basis for familial tension, further compounded by the skeletons of Kate's history of alcoholism and John's past infidelity.

Telling a surprisingly layered story that strays into uncomfortable territory given how it deals with children in peril, the shiniest gem in this entertaining nugget is that of Isabelle Fuhrman, upon whose performance the movie succeeds or fails. While acting is uniformly top notch throughout, Fuhrman spectacularly establishes herself as one of the most remarkable young talents currently working in cinema, and that's a statement not to be taken lightly. This 12-year-old, who had only one prior film credit on her resume, simply blazes her way across the screen in a performance that ranges from sweet to seductive to psychotic. This is her movie and she makes the most of it, and if she doesn't mature into one of Hollywood's premier stars, I'll be most surprised.

Orphan won't win any awards (despite Fuhrman's impressive performance) and might well get passed over by many based on the trailer, all of which is too bad because this is one stray that movie audiences would do well to adopt.

I enjoyed much of this but there were a few silly moments and I feel if the film had been cut down to 90 minutes we could have got rid of those embarrasing bits and made the whole ting tighter. The acting is fine, especially the two girls and that of Isabelle Fuhrman, who at times seems to be carrying the film, is remarkable. Inevitably, perhaps there are unfortunately those times, as in 'gas lighting' films where we sit frustrated urging those on screen to notice the obvious to no avail and then on we go as everything gets more and more embroiled.

Dark, edgy, twisted, effective, clever, intense, and blackly comic - one of the best "evil child" films I've seen. It's brilliantly cast - Vera Farmiga and Peter Sarsgaard are top-notch as usual, but what really stood out where the natural performances director Jaume Collet- Serra was able to get from the child actors. Usually child actors are painful to watch, but 12- year-old Isabelle Fuhrman gives a terrifying, chilling performance that is worthy of praise. Aryana Engineer in her screen debut as the deaf little sister Max is adorable and almost steals the show in every scene. The stylish cinematography, editing, and sound are fantastic as well.

I saw Orphan at a packed advance screening and the audience had a blast. Collet-Serra knows how to pull the strings and engage the audience, as they were screaming and laughing at all the right moments. There are plenty of fun and playful tension-relieving scenes, and several cathartic moments when the audience erupted into cheers. When the credits rolled the audience even applauded.

The second showing I went to was just as receptive - the audience went nuts. They were collectively screaming, cheering, yelling at the screen, cringing, applauding, and enthusiastically welcoming the comic relief. One guy commented afterwards: "I never get scared by movies but that was the scariest movie I've ever seen." Audience participation for both screenings I went to were very high.

The film improves upon second viewing, with the knowledge of the twist. I was able to focus more on details and clues, and the anticipation of my favorite scenes made for a much more rewarding experience. It's even more chilling and cathartic the second time around.

It's far from perfect though - there are way too many predictable jump/false scares, with the soundtrack blaring to try to startle the viewer. The last part of the movie becomes a slasher flick replete with clichés and a one-liner. There is a talky scene where Esther reveals herself to her adoptive mother that is totally unneeded, as well as a crucial line regarding Danny, the older son, which really should've been cut. It's also a bit long at 2 hours - for an exploitative "B" movie this is unusual, although time is devoted to character development. Esther is multi-dimensional and even sympathetic at times - I would love to see a prequel based on her character.

Orphan is definitely not for kids - aside from the "anti-adoption" angle, there is plenty of dangerous imitable behavior. The violence committed by and toward children is shocking, realistic, and brutal. This is a ballsy film that throws kids into horrific ordeals.

It may be a "B" movie, but it's a damn good one that knows its audience. The basic idea is nothing new (except for the unexpected twist), but you knew that from the trailer and synopsis. If you were still interested or if you're a horror fan that is able to look past some clichés and logical jumps in exchange for horrific chills, you'll have a fun time. The phenomenal child performances alone are enough to recommend Orphan.

Finally, a horror film about adults. Adults with complex issues and children that act like children and not hyper precocious sex models. The reason to see this film isn't to find out the over advertised " Esther's secret" of the film (a MAJOR misstep in marketing. Too many people now enter the film trying to figure out the "secret" before they normally would have been surprised), but rather to see a well-acted (extremely well acted by Vera F.)slow-building suspense story with excellent direction and cinematography. John Ottman's score also serves the film well, without becoming overpowering in signaling this is a "creepy" film. The actress who plays Esther shows a skill in performance that makes one think we may actually have another Jodie Foster to keep an eye on. This film works because we LIKE the characters (Rob Zombie please take note!) and fear for them and their survival. Dark Castle's best film, and it gives one hope that the horror/suspense genre still can be presented with intelligence and depth. Hollywood take note: we don't want a xerox of this film, but we do want more films that share this films strenghts: good script, likable real characters, excellent acting and nice, tension building direction.