Pereval Dyatlova

No one knows for sure what actually happened to the trekkers but the most plausible and likely theories are the ones that are dramatised here and presented as the conclusion in the final episode.

The series cleverly uses two styles to tell its story. The hike is shot in black and white and the subsequent investigation is filmed in colour. Flashbacks and backgrounds of the characters are also shot in colour.

The back stories of the older characters mainly concern the war and are completely fictionalised to impart a sense of creepy horror to the series. The indigenous people, the Mansi, are also portrayed as shamanistic communers with nature whose superstitions mesh with the account but are not the cause of the tragedy.

There are hints and suggestions of darker political and military forces at work - this is now in the public domain - which unfortunately led to a rash of conspiracy theories. However, the conclusion reached by the initial and the subsequent investigations seems to be sound and that's the line taken by this programme.

There is enough information made public for the programme makers to have been able to reconstruct most of the hike and the investigation. The conversations are fictional, of course, and the reconstruction of the final hours has, of necessity, to be speculative.

It's a worthy series to watch. The director managed to convey the flavour of the Communist times with élan and accuracy. I didn't quite binge watch, but I had seen all eight episodes within three days. I'm glad I saw this.

I suggest you watch it. Very different from what we have been fed for decades by the already declined Hollywood and most of European cinema. Nice, smooth plot, but the film direction is the masterpiece.

It's so closed to the investigation materials. Actors are great here. The best movie about Dyatlov Pass Incident

Told in flashbacks, the series unfolds an intriguing narrative that poses interesting existential questions and dissects such canonized Russian subjects as WWII very boldly. It's also an effective, albeit slow-burning horror story, gorgeously filmed, intelligenty written and well acted. If you like eerie mountains, Soviet nostalgia and Nazi mysticism (stupenduous Wewelsburg castle!) , go for it.

Oh my God was this a beautiful surprise!

I honestly loved every minute of it & I'm still in a kind of haze.. and worn out.

Storytelling - pace.. just ace! And so beautifully executed.

The camera was insane. It had a graphic novel feel, some stills could be paintings... during a war flashback i thought i was in a flight simulator.. The set design was divine.

The music/sound department: the exact right amount of everything in the right color.

The actors: each character was perfectly casted. I don't know how they managed to make it so ...wholesome.

The whole composition was quite rich, never rushed though. Never been to russia - it really made me feel as if i was there at times.

You can just feel it. The horror of it all, war, humanity, this terrible incident... despair, the cold. I have to admit i was tearing up.

Also one has to note how they choose to include much of the "known evidence". The carvings in the trees along the way they hiked... the autopsies... I am not sure how much they deviated from the atmosphere depicted in their diaries though.

I could gush and gush - maybe because i was so deprived of good stuff the past 1,5 years... but check it out for yourself.

If you're not glued to the screen by the 2nd, 3rd episode, then there is probably really nothing for you to get out of.

I am wondering what the budget was?

To me, this was the best tv-present since The Terror.