CALIFICACIÓN DE IMDb
5.8/10
12 k
TU CALIFICACIÓN
Un policía obsesionado sigue la pista de un asesino en serie que merodea por las calles de Buffalo, N.Y. pero cuando su hija adolescente desaparece, deja caer cualquier restricción profesion... Leer todoUn policía obsesionado sigue la pista de un asesino en serie que merodea por las calles de Buffalo, N.Y. pero cuando su hija adolescente desaparece, deja caer cualquier restricción profesional para atrapar al asesino.Un policía obsesionado sigue la pista de un asesino en serie que merodea por las calles de Buffalo, N.Y. pero cuando su hija adolescente desaparece, deja caer cualquier restricción profesional para atrapar al asesino.
- Dirección
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- Dirección
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- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
This film has quite polarized reviews from suspicious 10 star glowing reviews to 1 star reviews of 'Most Horrible Movie Ever' and other similar variations.
Okay... I really had to think about how I would rate this one because MANY times I read horrible reviews of films that are made very well, but the 'reviewer' just didn't like it so obviously it's just crap. I honestly thought that technically and quality and acting wise that the film was made very well; the pacing and editing, etc. were indeed quite gripping and intense. The overall premise was mildly intriguing because as you went along you were genuinely curious as to WHY this guy was doing this. And of course as ALWAYS Cusack's performance was good (although, quite honestly he DID look like he was kinda sleepwalking through most of it)
Now, as far as the 'Ending'... Well... Firstly it DID catch me totally by surprise; I was actually sitting here saying 'NO WAY!' out loud. But, that is a double edged sword because it was so incredible that many here found it almost ridiculous. I wouldn't put it that strongly but I personally think it could have been worked a little better than just kind of attached onto the end of an otherwise competent film; and then the continuing scenes after that also not really quite matching the quality of the rest of the movie.
So, again, is it well made? Yes. Thus my somewhat generous rating of 6. If a film is put together well (except for perhaps the last 10 minutes) I think that that should be acknowledged so that others reading reviews and trying to decide whether they should bother to see it will know that. It is really great? Well, no... But, if you can take the ending with a teaspoon or two of salt and just enjoy the intensity, pacing, and entertainment value of the majority of the movie, then you might like it.
Okay... I really had to think about how I would rate this one because MANY times I read horrible reviews of films that are made very well, but the 'reviewer' just didn't like it so obviously it's just crap. I honestly thought that technically and quality and acting wise that the film was made very well; the pacing and editing, etc. were indeed quite gripping and intense. The overall premise was mildly intriguing because as you went along you were genuinely curious as to WHY this guy was doing this. And of course as ALWAYS Cusack's performance was good (although, quite honestly he DID look like he was kinda sleepwalking through most of it)
Now, as far as the 'Ending'... Well... Firstly it DID catch me totally by surprise; I was actually sitting here saying 'NO WAY!' out loud. But, that is a double edged sword because it was so incredible that many here found it almost ridiculous. I wouldn't put it that strongly but I personally think it could have been worked a little better than just kind of attached onto the end of an otherwise competent film; and then the continuing scenes after that also not really quite matching the quality of the rest of the movie.
So, again, is it well made? Yes. Thus my somewhat generous rating of 6. If a film is put together well (except for perhaps the last 10 minutes) I think that that should be acknowledged so that others reading reviews and trying to decide whether they should bother to see it will know that. It is really great? Well, no... But, if you can take the ending with a teaspoon or two of salt and just enjoy the intensity, pacing, and entertainment value of the majority of the movie, then you might like it.
If you like a cat and mouse game type movie and looking for something with a new twist this is a movie that will meet your needs.
The story is a little slow at the beginning but it keeps you wanting to know the next step.
There are some great blindsides that will get you.
The acting was basic follow the script, not bad but nothing special. The movie has many scenes that are at night so a darker screen. Just making it harder to see the movie if you're in a bright room or watching during the day.
I loved what they did and it caught me by surprise and made me want to tell everyone... guess you'll have to watch to know what scene I'm referring to.
The story is a little slow at the beginning but it keeps you wanting to know the next step.
There are some great blindsides that will get you.
The acting was basic follow the script, not bad but nothing special. The movie has many scenes that are at night so a darker screen. Just making it harder to see the movie if you're in a bright room or watching during the day.
I loved what they did and it caught me by surprise and made me want to tell everyone... guess you'll have to watch to know what scene I'm referring to.
The Factory (2012)
Well, this is a pretty well made movie with some terrible holes in the plot and the writing. So it ends up being just "stupid" in the way that you are pulled along and want to believe the plot and then it's just not believable. Those few large flaws blow out the whole movie.
Too bad. The photography in particular is really good. And the ambiance in snowy Buffalo is terrific. In fact, the constant snow and all the dark scenes with flashlights seems inspired by "Seven" where it's all rain and flashlights. "The Factory" however isn't as well made as a Fincher movie, naturally enough (few movies these days are). And the basic story here is a little contrived from the get-go, even without the holes in the plot.
The idea of a pair of cops pursuing a mysterious serial killer is a cliché of the movies, of course (including "Seven" which didn't invent the idea). And it could work here. A ridiculous coincidence halfway through throws the movie, and the characters, into a tizzy (one of the characters even bemoans his bad luck). But the basic whodunnit is intact and the great filming makes it pulse along pretty well.
The main character is John Cusack who holds his end up well--he's probably a better goofy dad than a relentless cop but he's decent at both. The supporting cast around him is good, though the female cop sidekick isn't especially compelling, just going through the paces of a female cop sidekick (this is Jennifer Carpenter). The daughter is another story, a surprisingly complex character and a good young actress (Mae Whitman, famous for her role in "Parenthood" more than anything, I think). It's not a bad cast.
In fact, the film has the bones of being excellent. It's the story, and the specific writing that went into the story, that kills it. No pun intended.
Well, this is a pretty well made movie with some terrible holes in the plot and the writing. So it ends up being just "stupid" in the way that you are pulled along and want to believe the plot and then it's just not believable. Those few large flaws blow out the whole movie.
Too bad. The photography in particular is really good. And the ambiance in snowy Buffalo is terrific. In fact, the constant snow and all the dark scenes with flashlights seems inspired by "Seven" where it's all rain and flashlights. "The Factory" however isn't as well made as a Fincher movie, naturally enough (few movies these days are). And the basic story here is a little contrived from the get-go, even without the holes in the plot.
The idea of a pair of cops pursuing a mysterious serial killer is a cliché of the movies, of course (including "Seven" which didn't invent the idea). And it could work here. A ridiculous coincidence halfway through throws the movie, and the characters, into a tizzy (one of the characters even bemoans his bad luck). But the basic whodunnit is intact and the great filming makes it pulse along pretty well.
The main character is John Cusack who holds his end up well--he's probably a better goofy dad than a relentless cop but he's decent at both. The supporting cast around him is good, though the female cop sidekick isn't especially compelling, just going through the paces of a female cop sidekick (this is Jennifer Carpenter). The daughter is another story, a surprisingly complex character and a good young actress (Mae Whitman, famous for her role in "Parenthood" more than anything, I think). It's not a bad cast.
In fact, the film has the bones of being excellent. It's the story, and the specific writing that went into the story, that kills it. No pun intended.
Hollywood veteran John Cusack is detective Mike Fletcher, a maverick cop who has a hard time playing by the rules at the best of times, let alone when trying to find his missing daughter. Mistaken for a streetwalker by the creepy-for-the-sake-of-being-creepy Gary Gemeaux (Dallas Roberts), Abby Fletcher (Mae Whitman) is thrown into a makeshift dungeon with a couple of other inmates who are forced to produce children for a mysterious benefactor.
Cusack and Roberts make an honourable effort despite an uninspired script, but that is the only highlight to draw from this film. Part-police procedural, part-torture porn exploitation, The Factory blends the two polarising genres with mixed results; the end product serving more to unsettle than stimulate or entertain.
Many of the film's victims are inherently unlikeable, and as such do not demand audience sympathy for their dire situations to the extent that they should. The Factory is actually tolerable, albeit immediately forgettable, for much of its run time, until an overly ambitious climax shreds any filmic credibility that might have still lingered in the mind of the viewer. The 'twist' ending is both predictable and illogical, resulting in a disastrous conclusion leaving one feeling somewhere between 'unsatisfied' and 'downright cheated'.
*There's nothing I love more than a bit of feedback, good or bad. So drop me a line on jnatsis@iprimus.com.au and let me know what you thought of my review. If you're looking for a writer for your movie website or other publication, I'd also love to hear from you.*
Cusack and Roberts make an honourable effort despite an uninspired script, but that is the only highlight to draw from this film. Part-police procedural, part-torture porn exploitation, The Factory blends the two polarising genres with mixed results; the end product serving more to unsettle than stimulate or entertain.
Many of the film's victims are inherently unlikeable, and as such do not demand audience sympathy for their dire situations to the extent that they should. The Factory is actually tolerable, albeit immediately forgettable, for much of its run time, until an overly ambitious climax shreds any filmic credibility that might have still lingered in the mind of the viewer. The 'twist' ending is both predictable and illogical, resulting in a disastrous conclusion leaving one feeling somewhere between 'unsatisfied' and 'downright cheated'.
*There's nothing I love more than a bit of feedback, good or bad. So drop me a line on jnatsis@iprimus.com.au and let me know what you thought of my review. If you're looking for a writer for your movie website or other publication, I'd also love to hear from you.*
While the pace in "The Factory" is not head over heels fast, then it doesn't really slow down the movie. This movie is built up in a very nice way that slowly builds up suspense and feeds the audience bits and pieces along the way.
What appealed to me about this movie was the storyline, and the way that director Morgan O'Neill managed to entice the audience with the way that the story was presented and still managed to put in some really genius plot twists along the way.
The storyline in "The Factory" was alpha and omega in the movie, but the good cast also helped the movie along quite nicely. It was essentially John Cusack who made me sit down and watch this movie, but it turned out to be Dallas Roberts who ended up carrying the movie with his phenomenal performance as Carl.
I can't claim to be familiar with the true story upon which this movie is based, but the events that took place in the movie were portrayed nicely and realistic. And the fact that some of this actually happened to a certain degree is just disturbing.
"The Factory" might be slow paced, but it is an outstanding movie that really should be watched if you enjoy crime thrillers. Quite a unique movie experience.
What appealed to me about this movie was the storyline, and the way that director Morgan O'Neill managed to entice the audience with the way that the story was presented and still managed to put in some really genius plot twists along the way.
The storyline in "The Factory" was alpha and omega in the movie, but the good cast also helped the movie along quite nicely. It was essentially John Cusack who made me sit down and watch this movie, but it turned out to be Dallas Roberts who ended up carrying the movie with his phenomenal performance as Carl.
I can't claim to be familiar with the true story upon which this movie is based, but the events that took place in the movie were portrayed nicely and realistic. And the fact that some of this actually happened to a certain degree is just disturbing.
"The Factory" might be slow paced, but it is an outstanding movie that really should be watched if you enjoy crime thrillers. Quite a unique movie experience.
¿Sabías que…?
- TriviaWas shot in 2008, but not released until 2012. Originally, it was supposed to get a theatrical run, but in the end, it only received a DVD/BluRay release.
- ErroresWhen Carl comes into the cellar to get Abbey for dinner, she's managed to change into a dress even though her hands are chained together and could not possibly put her hands through the two sleeves without them being unlocked by Carl who has the only key to the locks.
Not only possible, but quite easy. Start by putting the blouse across your arms above the cuffs, with the sleeve holes at your wrists, above the cuffs. Gather the blouse material from the bottom of the blouse to the sleeve hole (one side at a time) and push it through the gap between wrist and cuff, pull it over your hand and slide the sleeve back through the cuff and up your arm. When both hands are through the arm holes, pull the blouse over your head as usual.
- ConexionesFeatures Shuffle Off to Buffalo (1933)
- Bandas sonorasGood King Wenceslas
Written by John M. Neale (as John Mason Neale) and Thomas Helmore
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- How long is The Factory?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- USD 25,000,000 (estimado)
- Total a nivel mundial
- USD 30,640
- Tiempo de ejecución
- 1h 44min(104 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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