Un grupo de DJs cautivaron a Gran Bretaña, tocando la música que definió a una generación y enfrentándose a un gobierno que solo quería música clásica.Un grupo de DJs cautivaron a Gran Bretaña, tocando la música que definió a una generación y enfrentándose a un gobierno que solo quería música clásica.Un grupo de DJs cautivaron a Gran Bretaña, tocando la música que definió a una generación y enfrentándose a un gobierno que solo quería música clásica.
- Premios
- 2 premios ganados y 9 nominaciones en total
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
The Boat That Rocked sees Carl ( Tom Surridge ) go aboard Radio Rock- a pirate radio station owned by Quentin ( Bill Nighy ) whose DJ's (Phillip Semour Hoffman, Rhys Ifans, Nick Frost, Chris O' Dowd, Rhys Darby, etc. ) broadcast 24-hour rock and roll music to the UK. They are adored by the populace but hated by the government, including the Minister of Communications ( Kenneth Branagh ) and his chief subordinate ( Jack Davenport ) who aim to shut them down.
If that was the extent of the plot then it would probably be a 100 mins film. However the Boat That Rocked has so many little sub-plots- many seeming like excuses to put in another montage or cameo cast appearance that the time has ballooned out to 154mins and it does tell at times. Furthermore, while Richard Curtis is entitled to look back on these days with an air of nostalgia, he sometimes seems to get a little too weepy eyed with the story.
But these faults are more than made up for in the performances; all of which are good- and some are outstanding. Phillip Seymour Hoffman's Count is a lovable character who approaches everything with great gusto, while Chris O' Dowd's Simple Simon has a wonderful part in the middle section of the movie which brings a little bit of emotion to what is a pretty emotionally vacant movie. Nick Frost is cheeky as Dr Dave and finally Rhys Darby- fresh from Flight of the Conchords- simply shines in his role as the unpopular and daggy Angus who nonetheless gets arguably the best line in the whole movie.
Overall the Boat That Rocked is silly and entertaining fun. It does get overweight by a looong script, but the soundtrack and the cast are good enough to carry it through.
I think the real protagonist in "The boat that rocked" is music, that sound pop-rock that in the 60's began to move the world, and to be opposed by the establishment as a dangerous weapon in the hands of the multitudes, as a threat to a well consolidated but no longer valid system. Among unreal situations, a totally-lacking plot, among odd and eccentric characters, what only matters is that power of music to revive one's spirits, to give voice to the most uncontrolled, animal, ancestral instincts of man. And thus becomes, in my opinion, the most vivid scene that of those hundreds of records floating on the water, the symbol of a generation, of an era that was then ready to explode, and that no strict establishment could have wiped away, even once illegal radio stations were shut down.
No revolutionary message is conveyed: it's a good-humoured and at intervals melancholic tribute to a generation who, maybe ingenuously, but deeply, and truly believed in out of time-values, friendship, respect, love, and believed that music was a strong, and powerfully effective means to convey them. Even if you don't belong to that generation, each of us has experienced, one or more times in one's life, the communion of a piece of music with the most sensitive chords of our soul: it's about something emotional, but also physical and that's what the director just wants to celebrate.
If you are fond of music, or simply you have once in your life been moved by a song, you will like this movie, or at least enjoy it for what it is, without the necessity of too much criticism.
I have watched several movies about British music history, and I have enjoyed none of them. So it was a pleasant surprise when I watched "The Boat That Rocked", as I find it very enjoyable.
The plot emphasises on the the character's interpersonal dynamics, their passion for music and their strive to rebel. It is a well written and well told story. Character development is excellent, each of them have different charisma and charm. They engage me throughout to the point that I feel what the characters feel. The film is very good, you have to see it to believe it.
It's a simple, "feel good" movie with the greatest music of the 60's and 70's that will make you smile. Sure it's not realistic when it comes to peoples communications and reactions to certain incidents but thats the charm of it. It even has a little twist of drama but not enough to ruin the comedy.
It was amazing to me how the soundtrack just managed to get better and better, endless amount of rock/pop singles, thoughts like "aaaa i love that song" and " ohh man i had forgotten that one" often occurred to me.
I thought the characters and the actors were great although some of the characters we're a bit useless i liked them after i was about 20 min into the film.
I think we could use some pirate rock stations where i live, stations that will play and say what ever they please.
Final words. A movie witch is fun to watch.
I saw this movie years ago and came upon it again just today and it is still as good as the first time I saw it. Come on, British rock, mini skirts, white boo ga loo boots and everything else that came from Britain. Life was fun, exciting and free. I can only wish that new generations can listen to the wonderful sounds of British and new wave US rock from that era. It was a great time to be alive!
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- TriviaThe scene in which Young Carl sulks about Marianne was originally supposed to be about eight seconds long and contain nothing but Tom Sturridge sitting on a bench and looking sad. Will Adamsdale and Ike Hamilton happened to be there, so executive producer, writer, and director Richard Curtis told them to have a go at what they would have done if their friend was in the same situation. He put on "So Long, Marianne" and they came up with everything that remains in the scene.
- ErroresThe characters frequently use vernacular that was not made popular until much later than 1966. Characters refer to protection as 'condoms,' which were much more commonly called 'Johnnies' in the 60s. Also, Young Carl is told that when dealing with Thick Kevin, it was important to "think outside the box," a term not coined in general use until the early 90s.
- Citas
The Count: To all our listeners, this is what I have to say - God bless you all. And as for you bastards in charge, don't dream it's over. Years will come, years will go, and politicians will do fuck all to make the world a better place. But all over the world, young men and young women will always dream dreams and put those dreams into song. Nothing important dies tonight, just a few ugly guys on a crappy ship. The only sadness tonight is that, in future years, there'll be so many fantastic songs that it will not be our privilege to play. But, believe you me, they will still be written, they will still be sung and they will be the wonder of the world.
Gavin Cavanagh: Hit it!
- Créditos curiososThis film is dedicated to all who worked and broadcast on the pirate stations - all those wonderful years, all day and all of the night.
- Versiones alternativasUS distributor, Universal have chosen to re-title the film as "Pirate Radio" and release it under Focus Features in US territories. This new version will be edited for length by director Richard Curtis after some European reviewers cited its 135 minute running time as a factor in its diminished success.
- ConexionesFeatured in The 81st Annual Academy Awards (2009)
- Bandas sonorasAll Day and All of the Night
Written by Ray Davies
Performed by The Kinks
Courtesy of Sanctuary Records Group Ltd.
Under license from Universal Music Operations Ltd.
Selecciones populares
- How long is The Boat That Rocked?Con tecnología de Alexa
- Is "The Boat That Rocked" based on a book?
Detalles
- Fecha de lanzamiento
- Países de origen
- Idiomas
- También se conoce como
- Pirate Radio
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 50,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 8,017,917
- Fin de semana de estreno en EE. UU. y Canadá
- USD 2,904,380
- 15 nov 2009
- Total a nivel mundial
- USD 36,352,467
- Tiempo de ejecución2 horas 15 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
- 2.39 : 1