Yunhui-ege
- 2019
- 1h 45min
CALIFICACIÓN DE IMDb
6.9/10
1.3 k
TU CALIFICACIÓN
Yoon-Hee vive con su hija adolescente Sae-Bom. Un día de invierno, Yoon-Hee recibe una carta de Otaru, Japón. Sae-Bom lee accidentalmente la carta y se entera del primer amor de su madre, de... Leer todoYoon-Hee vive con su hija adolescente Sae-Bom. Un día de invierno, Yoon-Hee recibe una carta de Otaru, Japón. Sae-Bom lee accidentalmente la carta y se entera del primer amor de su madre, del que nunca antes había hablado.Yoon-Hee vive con su hija adolescente Sae-Bom. Un día de invierno, Yoon-Hee recibe una carta de Otaru, Japón. Sae-Bom lee accidentalmente la carta y se entera del primer amor de su madre, del que nunca antes había hablado.
- Dirección
- Guionista
- Elenco
- Premios
- 9 premios ganados y 24 nominaciones en total
Hak-Seon Kim
- Yun Hee's brother
- (as Kim Hak Seon)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
I watched this movie because I am a fan of the Korean band Se So Neon who did the song Winter on the movie's OST. The video for the song gives you a good sense of the movie itself. Although the plot isn't overly dramatic and there wasn't a lot of tension, I felt that the actors made me care about them and there is just enough plot to get to know what motivates them. A lot of emotions is shown through expression rather than through talking which is something that I appreciate in Asian films.
I recently watched two other Korean movies with female protagonists House of Hummingbird and Kim Ji-young: Born 1982. There is one thread that seems to run through them all and that is Korea's cultural view of women. In all 3 of these movies there was mention or implication that the boy's in the family were the most revered among the siblings. It's maybe more examined in the two other movies I mentioned but it is something that had affected the mother in this story when she was a teenager. I have been living in Korea for a number of years and often wonder if that male centered ideology is changing with the new generations having kids of their own. I hope so.
I recently watched two other Korean movies with female protagonists House of Hummingbird and Kim Ji-young: Born 1982. There is one thread that seems to run through them all and that is Korea's cultural view of women. In all 3 of these movies there was mention or implication that the boy's in the family were the most revered among the siblings. It's maybe more examined in the two other movies I mentioned but it is something that had affected the mother in this story when she was a teenager. I have been living in Korea for a number of years and often wonder if that male centered ideology is changing with the new generations having kids of their own. I hope so.
Photography, lighting is very beautiful beautiful (especially several snow heaven and earth and indoor arrangement), but the film isn't label her piece, the body is not her mood ji yao, really rare to see such not dog blood clean finished a story of Korean movie, love between women as white as snow and ice crystal and quiet in heart, saw for the first time.
10cc0077
This movie really reminded me of the film Carol, and I literally loved it so much. It's overall pretty chill and slow paced, but it just portrayed winter very well in the film (it's one of those movies i'll be looking for on a winter morning). I also loved this film because it didn't over sexualize queer women relationships, but covered the topic pretty well. 100% recommended!!
Director Im Dae-Hyung skillfully crafted this visual vignette of a woman haunted by time and regret and revisiting her pieces of the past to her journey of acceptance.
Although labeled as "romance", it is not the raison d'être of this film, but the plot does root from unresolved love that will aid them to their present self. I truly believe that this film is a sincere ode to freeing one's self of things that could have been but did not.
Characters were beautifully written and told. They were carefully separated with their own story then, collaborated in quite a climactic fashion and I would not have wanted it any other way.
Its screenplay stood out the most for me as it was neither vague nor shallow, and presented the story and its characters' sentiments with justice.
This film is a hidden gem, underrated perhaps. Slow but definitely not one to bore.
Although labeled as "romance", it is not the raison d'être of this film, but the plot does root from unresolved love that will aid them to their present self. I truly believe that this film is a sincere ode to freeing one's self of things that could have been but did not.
Characters were beautifully written and told. They were carefully separated with their own story then, collaborated in quite a climactic fashion and I would not have wanted it any other way.
Its screenplay stood out the most for me as it was neither vague nor shallow, and presented the story and its characters' sentiments with justice.
This film is a hidden gem, underrated perhaps. Slow but definitely not one to bore.
Much to think about. Although the story is told in a restrained manner, that if you dont pay attention you will lose the beauty of it all. Story develops slowly culminating into a better hope or ending, and in those moments it is calm, silent, intimate and that just hooks you up. The buildup is different which others may not like. We all deserve happiness, at some point we have to live for oursleves and be happy, but not everyone can do that.
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Detalles
Taquilla
- Total a nivel mundial
- USD 777,032
- Tiempo de ejecución1 hora 45 minutos
- Color
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By what name was Yunhui-ege (2019) officially released in Canada in English?
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