Ambientada en la década de 1930 en Puebla, México, una joven se encuentra en un matrimonio concertado con un destacado político. A medida que avanza su carrera, a ella le resulta más difícil... Leer todoAmbientada en la década de 1930 en Puebla, México, una joven se encuentra en un matrimonio concertado con un destacado político. A medida que avanza su carrera, a ella le resulta más difícil seguir siendo una esposa leal y amorosa.Ambientada en la década de 1930 en Puebla, México, una joven se encuentra en un matrimonio concertado con un destacado político. A medida que avanza su carrera, a ella le resulta más difícil seguir siendo una esposa leal y amorosa.
- Dirección
- Guionistas
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- Premios
- 6 premios ganados y 3 nominaciones en total
- Dirección
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- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Although I never read the novel by Angeles Mastretta, I knew it was somehow accurate, since I hear she is a direct descendant from the story's protagonist Catalina -names are changed in the novel and film. This is shown by the richness of dialogs and curious anecdotes which constantly make you wonder which parts were completely true and which sprung from the author's vivid imagination.
Apart from the richness from the story and how the storytelling evolves smoothly throughout the film, the production design makes you feel completely Mexico in the 1930s. The costumes are great also.
The direction is almost perfect. Roberto Sneider takes you by surprise first at about minute 20, then slowly and smoothly hypnotizes you and never lets go.
Much credit goes to the lead Ana Claudia Talancon whose good looks and very well developed character arc make you fall at first for her beauty and innocence, and later for her humanity, courage and cleverness.
Daniel Gimenez Chaco's performance deserves praise also. He captures the Mexican Macho Persona perfectly, his cynical viewpoint of things and comments, bring humor to a character who would be otherwise despicable.
Second characters like de Tavira's and others feel a bit underdeveloped, but in the end all actors do great jobs with their little screen time and their contribution suffice.
The drama never falls for the temptation to go overly melodramatic and dialogs are kept smart enough - even ironic at times - to make this movie a fresh and satisfying take on the Mexican way of life. It actually feels so accurate that deep thoughts of "nothing has ever changed really" do spring a few times.
The music and editing are very well done also.
Congratulations to everybody involved!
To my agreeable surprise I enjoyed every minute of it, just as much as I did reading the book for the first time. You easily digest a witty yet sarcastic story, picturing a post revolutionary country society that grabs you from the very first second. All the charactersare very well pictured and the scenery is just perfect.
Thank you for this kind of Mexican cinema: enjoyable, brilliant and proudly capable of the quality to be appreciated by any kind of audience of the world.
First, two strong statements: I have not read the book and I'm from Puebla (the city where the story takes place).
I don't know how good of an adaptation this movie is, but as a cinematic product, "Arráncame la vida" works just fine. The leading actors, as well as the rest of the cast, offer solid performances. Giménez Cacho, as always, portrays Andrés Ascencio very nicely. He depicts a son of-a-bitch general, who -despite this characteristics or because of these- is highly enjoyable. The macho humor that this character uses, gives movement to the story. On top of that, we have Ana Claudia Talancón, the astonishing Catalina Guzmán. I'm not the biggest fan of her but I have to say her performance is flawless.
The references to the "poblano factor" (poblanez) gives a proper setting to the actions of the story, which mentions a lot of local moments and characters of the 30's and 40's. However, the universal value of the movie (and the novel, I guess) remains. Caciques, corruption and battles over power exist everywhere, not only in México but all over the world.
About directing and production, again, flawless. With a nearly 7 million dollar budget, "Arráncame la vida" is the most expensive movie in México to this date. However it has the quality of any Hollywood picture that surely would need way more than that to achiev the same results. The cinematography and the powerful music give the final touches to a production which, I'm sure, the audience from Puebla enjoyed and related to their own experiences and long time memories. Some nervous laughs could be heard in a packed premier at Puebla with members of the finest families of the region. You go guess what they thought of this portrait...
Despite of that, people would be satisfied with the story from what I could see and hear.
Summing up: I strongly recommend this picture. It is not the "biggest Mexican picture" but, no doubt, is a solid project with high production values. I've never read any of Mastretta's books but now I want to start.
¿Sabías que…?
- TriviaBased partially in the life of General Maximino Avila Camacho, brother of the Mexican president Manuel Avila Camacho. He was governor of Puebla from 1937 to 1941 and served as secretary of public works in his brother's Cabinet. He was infamous for being ruthless, arrogant and violent with his political enemies.
- ErroresWhen Carlos approaches Andres and Catalina at the restaurant, there are only 2 wine glasses on their table. Then, during the conversation he cheers and drinks from his own glass that appeared out of nowhere. When he leaves the table, there are only 2 glasses again.
- Citas
[first lines]
Catalina Guzman: [narrating] Many things happened in the country that year. Among other things, I met Andres at a cafe under the arches. Where else could it be? Everything happens in Puebla. From courtships to murders. As if no other place existed.
Andres Ascencio: They're a bunch of pricks.
Catalina Guzman: Who is?
Andres Ascencio: Just say yes. I can see in your eyes that you agree.
Catalina Guzman: Okay, but who are you talking about?
Andres Ascencio: All of them. Who else?
Catalina Guzman: [narrating again] Of course I agree. To me, "all of them" were the people from Puebla who acted as if they owned the city. Not us, children of a farmer who stopped milking cows because he'd learned to make cheese. Not him, Andres Ascencio, who became a general out of luck and every trick other than having been born in a military family.
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Detalles
Taquilla
- Total a nivel mundial
- USD 10,031,226
- Tiempo de ejecución1 hora 47 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1