JCVD

JCVD (Jean-Claude Van Damme) is a struggling B-movie action actor trying to maintain some artistic integrity despite everyone around him. He has custody problems and returned from family court in LA. He has been sleepless for 2 days. He goes into the bank and shots ring out. He's taken hostage but the cops think that he's the hostage taker.

JCVD shows some acting chop or he's tapping into his inner self. It's so fascinating that he is such a mess. It's also a mess that isn't unrealistic. There is a bit of action but that's not the heart of this movie. It is to watch JCVD break down his public image and then break down his character. The movie could use an A-list actor to be the bad guy as his foil. Nevertheless this is one of the greatest performance from JCVD ever.

There once was a naive young men from the slums of Brussels full of hope and passionate with love seeking his way in life and making his dreams come true by becoming a Hollywood movie star. Boy oh boy, did things turn out to be different from what he expected. After once being type-casted as a martial arts B-movie star, he became easily outdated and in time just food for ridicule. After being walked all over by numerous people he trusted, including the women he loved, and after allowing one of these women to get him introduced to an illegal and addictive substance, he continued to do downhill.

The rise from a simple Belgian boy to Hollywood movie star and the subsequent fall from grace turned the once naive young man into a wise old man. Having seen much of the world and lived both a life of poverty and pain as well as a life of luxury and hedonism, this man has seen it all and done it all. And now he's back with a vengeance.

Of course, the man I'm talking about is Jean-Claude van Damme. Disappointed about the rats and vultures that populate Hollywood, he decided to go back to his roots, pay respects to his homeland and hope he's still welcome there to attempt a new career in movies. And boy oh boy, his first attempt seems promising.

Jean-Claude van Damme showed the world he can actually act and he made sure that everyone watching this film understands why he was involved. His disgust towards the media and the Hollywood movie industry just radiate from this film, but not in arrogance but rather in all modesty and with regret, clinging on to the values and principles once taught to him by his parents and his Karate teacher when he was still a little boy living in Brussels. As a fellow Belgian, I pay respect to this man and hope his second movie career will be better than his first.

Bonne chance, Jean-Claude.

I went into J.C.V.D with all the prepubescent memories of the action heroes of yesteryear; nostalgic roundhouse kicks, horrible dialogue, overdone explosions, one-liners and all. A time where the movie industry churned out the same movie a hundred different ways with the likes of Schwarzenegger, Stalone, and Van Damme in the spotlight. These action movies seem set aside from Hollywood history, not as bad films per say but as their own separate entity where critics and nay-sayers alike had no power to quell the insatiable appetite of young movie goers. A time where this trinity of subpar actors ruled the box offices with their muscles and gun toting charisma. Not that I was expecting J.C.V.D to be one of these films, but it is almost impossible not to be reminded of the better days of mindless entertainment when the film's title is the initials of the King of High Kicking, Jean Claude Van Damme. I was expecting something I have never seen before, something of a reinvention of an American, French, or more importantly, world icon. Which is exactly what I got.

J.C.V.D. is not a Jean Claude Van Damme movie whatsoever, no more than its namesake. There are no drawn out fight scenes, no car chases, and certainly no bad one-liners. Instead, the film is a hybrid, a meta-film, going beyond documentary, mocumentary, or full blown narrative. If I were to categorize it as anything, it would be a documentary of a mocumentary since it isn't afraid to break the fourth wall and does so on many occasions. The narrative is broken up, flipping back and forth if not only for the element of short lived mystery. It is not a character study since Van Damme is almost too well known for that, rather it is reenactment of his life dramatized for Hollywood. It doesn't matter if the story is true or not, the important thing is that Van Damme makes it real. Obviously drawing from his real life experiences, he pours his heart into his cinematic counterpart and proves to the world that he can flex his acting muscles just as well as he can flex his biceps, if not better now in his old age. Van Damme humanizes himself in a way that we have never seen. In a power and telling scene where Van Damme literally is lifted above the fourth wall, he explains to the camera his inglorious life and career, full or mistakes, drugs, and heartbreak. It brings a heart to those action films of yesteryear, of a past where things were simpler and a present where retrospection, as well as introspection, only leads to heartache.

This film speaks about the power of the celebrity and the quick to judge public. It brings to light the blood thirsty court system once it has a celebrity to make it famous. And it shows that not all of these superstars are the personalities we see on film. That they are normal people thrust into extraordinary situations with nothing to do but buckle under the pressure of the public. But beyond the serious nature of J.C.V.D. there are plenty of easter eggs to be found for those pure action fan boys. References to all of his previous work and signature high kicks are spread throughout the film that give it it's humor while the performances and solid writing attribute to many laughs as well.

The opening sequence of J.C.V.D. perfectly captures the message it is broadcasting to our time. It features an action sequence where Van Damme is out of breath and sloppily taking out soldiers while the stunt men and actors alike exhibit their heartless effort for a pay check in the film industry while the director throws darts at a picture of Hollywood. It lacks all the magic of his work while accentuating the cheesiness to a point where the fake film is a mirror image of the action industry today. And as Van Damme tries to catch his breath and lobby for a better film, he can only walk away in disgust of what his beloved career has become. J.C.V.D. is a film that knows what it is and what it is trying to say. Yet it somehow goes beyond that to become something more. It breaks down and then raises up one of the most famous action stars of all time only to show him in one of his best roles. Himself. It is not a tribute to those days gone by where I would rent six Van Damme movies and watch the rest of the afternoon away, it is more. It is a fun, funny, entertaining, and a damn good film. One thing is for sure, I will never look at Van Damme the same way again, and that is a great thing.

Interesting concept from french director Mabrouk el Mechri: real action star Jean Claude Van Damme is engaged into a bitter legal battle for his daughter's custody. Said daughter is mocked by her classmates for her father's antics, and prefers staying with her mother. Ridiculed by the media and smarty-pants naysayers, condemned to shoot sub-par B-movies in eastern Europe, almost broke and devastated by his little girl's condition, Jean Claude flies back to his native Belgium in order to find solace. After an odd encounter with small time crooks, his life and perception by the public will be changed forever.

From a direction/scriptwriting point of view, the movie is somewhat lacking focus. It's relying a bit too much on inside jokes and heist movie clichés, for better or worse. There are some truly great moments (the opening scene is hilarious - any scene using Baby Huey's "Hard Times" tune cannot be bad anyway; the court scenes are cleverly written and the very last shot finds a perfect balance of emotion without being overblown or tear-jerking) and the whole film deserves praise for being original and clever. However it stretches some scenes way too much, uses an awful bleached color scheme that could turn off some people (it's just a detail, but it annoyed me throughout the whole screening) and uses unnecessary flashbacks instead of sticking to a more tight storytelling, which could've benefited the movie in my humble opinion.

However, these little flaws are nothing compared to the enormous heart this movie displays. Jean Claude Van Damme may not be Daniel Day Lewis or Sean Penn, but he gives an astounding performance in this film. He's very comfortable in the comical scenes, but his acting chops really shine when the movie gets emotional. His long monologue, looking at the camera, and the audience (and perhaps even God) is nothing short of amazing. In his own words, he really begs for a second chance not only in his career, but in life. He's incredibly moving (acting in his native language helps a lot) and above all doesn't try to pretend he's something more than a washed up movie star, with a somewhat limited vocabulary. He just asks for one more chance, and judging by this flick he truly deserves it.

Overall, a nice surprise for those unfamiliar with "the Muscles from Brussels" and a refreshing comedy. Except a few complaints about the pace and the direction it's a highly recommended movie. And hopefully the beginning of a new career for JCVD.

Jean-Claude Van Damme is a certain icon and one of the most famous Belgians in the world - even non-admirers should acknowledge this... His start as actor was not very smooth as - for a long time - he seemed stiff and the plots he was engaged were trivial and resembling. But improvements took place and Van Damme became a versatile martial actor and, the older he got, the less influence was on kicking-fighting and more on empathy and protection of the weaker. All this is nicely depicted in the film in question, where he plays a fictionalized version of himself, a burn-out action star whose family and career are at stake as he is caught in the middle of a heist in his hometown of Brussels. In line with several fatal scenes, we can snigger over police bureaucracy, thickheaded loafers and people's attitudes towards famous persons.

Definitely one of the best performances by Van Damme - and different in many ways; by the way, Time magazine named his performance in the film the second best of the year.