The Last Manhunt

The whole treatment of this re-telling of the fact-based Willie Boy story is too minimalist to fully engage the viewer. If I had not had prior knowledge of the story it was trying to tell I'd have given up a short time in (in fact my audience did). The style is impressive with fine visuals and settings, but the screenplay just seems to get lost in itself and leaves the viewer struggling to remain involved.

While the earlier late sixties version (Tell Them Willie Boy is Here) is not that much better it at least does a better job of keeping the story elements on track. Maybe there was not that much of a story here to cover a feature movie - a documentary could have been better.

The Last Manhunt, supposedly based on a true story is an extremely boring movie. The slow pace for sure didn't help making it interesting to watch. Jason Momoa wrote the story. Can someone please tell him to stop writing? Because if that's what he's going to write in the future he'd better stop immediately. He's also supposed to act in this monstrosity but his screen time is about two minutes and his lines could be remembered by a five year old. He's just a poster filler trying to attract people in watching this movie. Another poster name was Zahn McClarnon, an actor that plays in every western where they need an indian, dies after five minutes. He's normally a decent actor but here he's just another bait. The only good thing about this movie is the scenery, you get to see desert images and joshua trees, that's about it. All the rest is garbage. Avoid at all costs.

I can understand some of the other reviews if this is the first time you've heard of Willie Boy. First of all the scenery alone was awesome and genuine. Having lived by Gilman Ranch and hearing of Willie Boy in 1991, reading Mr. Lawton's book, then watching the previous movie, it was so refreshing to see this story told from a native point of view. I appreciated the fact the characters were not based on fiction but on what limited facts have survived, even if that hindered character development. I would trust oral histories passed down through generations before news reporters concocting yet another fairy tale. It's about time!

I was a little confused at first because I didn't recognise the format or genre but gradually as the film played out I began to see it's meaning.

We have grown accustomed to many stereotypes in Westerns and I'm always looking for films that try to portray a more realistic narrative. There are some fairly decent performances in this film and the simple story is reasonably well told but of course some of the actors based their performances on fiction instead of reality which distracts from the overall experience. However this does tend to work in concept and I can see why it was tolerated. It's not easy to develop character profiles without recognisable stereotypes but it would be possible with a good director and better script.

Without a little artistic license this wouldn't be much of a story and certainly not worth making a film of, there is one sentence in text at the beginning and another sentence at the end and that is what the whole film is based around.

Not a blockbuster, more of a curiosity but worth watching in it's own right.

Original, low-budget Native American true-tale period-drama "The Last Manhunt" features some stunning Christian Camargo direction, yet is hamstrung by Thomas Pa'a Sibbett's sluggish & oft confused screenplay. In 1909 when Chemehuevi tribe teen Martin Sensmeier accidentally shoots dead Zahn McClarnon (disapproving dad of his gf Mainei Kinimaka) he & she hide out in the Joshua Tree desert as a bickering posse of regular & Native American po-po (inc Carmago, Raoul Max Trujillo, Brandon Oakes & Jason Momoa (in minor support)) hunts them. More sedate & less tense than it coulda / shoulda been it is interesting, but it's ultimately also disappointing.