CALIFICACIÓN DE IMDb
4.7/10
54 k
TU CALIFICACIÓN
Una joven se enfrenta al espíritu que está poseyéndola lentamente.Una joven se enfrenta al espíritu que está poseyéndola lentamente.Una joven se enfrenta al espíritu que está poseyéndola lentamente.
- Dirección
- Guionista
- Elenco
- Premios
- 1 nominación en total
Odette Annable
- Casey Beldon
- (as Odette Yustman)
Craig J. Harris
- Rick Hesse
- (as Craig Harris)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
I've read a lot of comments on this movie, I didn't think it was all bad. I have seen better horror movies, but this certainly wasn't the worst, someone said, that it was unoriginal, but I thought that the plot was quite original, I don't recall seeing anything similar before, but then, that's my opinion. I thought Odette Yustman was a fair leading actress as Casey and I thought her best friend Romey was quite entertaining. I have this film downloaded onto my computer, I probably would not have paid to see it at the cinema, but it's a good freebie, I've watched it several times and still find it fun to watch. I think it is worth watching.
Having seen the trailers for 'Unborn' and admiring David S. Goyer's writing talents on films such as 'The Dark Knight' I was kind of looking forward to it. I knew it wouldn't be much more than a typical Hollywood attempt at horror but I thought I'd get at least 90 minutes of entertainment out of it. I was wrong.
The story is terribly contrived and goes through the typical horror story motions from start to finish: childhood trauma - check! Nightmares - check! It also takes so much content from other films its unbelievable. More unbelievable is the fact that it botches these 'homages' every time. The film plods on and on attempting to at least get a jump out of you (which it fails at) until finally you get to the finale. Needless to say, the finale is also terrible. More so because at least the one thing the film does manage to do is contain the odd decent special effect. However, the finale for some reason doesn't contain any of these effects and resorts to actors merely wearing contact lenses.
I'm perhaps being a bit harsh giving the film a 3/10 but given the actors involved and David S. Goyer's obvious writing talent, this film really should have delivered far more.
The story is terribly contrived and goes through the typical horror story motions from start to finish: childhood trauma - check! Nightmares - check! It also takes so much content from other films its unbelievable. More unbelievable is the fact that it botches these 'homages' every time. The film plods on and on attempting to at least get a jump out of you (which it fails at) until finally you get to the finale. Needless to say, the finale is also terrible. More so because at least the one thing the film does manage to do is contain the odd decent special effect. However, the finale for some reason doesn't contain any of these effects and resorts to actors merely wearing contact lenses.
I'm perhaps being a bit harsh giving the film a 3/10 but given the actors involved and David S. Goyer's obvious writing talent, this film really should have delivered far more.
Its ironic that this movie came out the week that the nominations for the Razzie Awards were released. I have a hunch that this film may garner a few nominations for that "prestigious" award next year.
This film is awful. It has no clue where it wants to go and takes quite a lot of time getting there. The story is about young Casey Beldon (Odette Yustman). She is a girl in school, working as a babysitter for some extra money. This is when she encounters a four year-old kid that she is sitting who appears to be evil. Soon, she is seeing the evil of that kid in her daily life. To rid herself of this, she begins examining her family history. This includes a mother (Carla Gugino) who was depressed and killed herself, a mysterious old woman in her mothers photos (Jane Alexander) who has had issues in the past, and her friends. Upon recommendation, she decides to have an exorcism performed by the rabbi (Gary Oldman). If you are getting ahead of me in the plot, you've basically got it right in your mind.
The writing is mediocre, and that is perhaps kind. The beginning of the story is simply about showing as much of Ms. Yustman's body that can be allowed in a PG-13 movie. If that couldn't be done in one scene, they come back to it four or five times. The story follows cliché after cliché and takes forever to really begin. The frights are minimal and within 20 minutes I was laughing at what I think was supposed to be scary. This movie is unintentionally funny once you pick up where it is going and what it is trying to do.
The one minor redeeming factor of this movie was some of the camera work. There were a few angles that were used that felt greatly different than the others, felt fresh and felt well placed. Those few shots cannot, however, overcome some of the worst over-acting I've ever seen, a poor script, and a lack of direction for a vast majority of the film. If you are an absolute horror film junkie, go ahead and have a laugh. If you are a fan of bad movies, enjoy. If you are looking for an enjoyable fright, look elsewhere.
This film is awful. It has no clue where it wants to go and takes quite a lot of time getting there. The story is about young Casey Beldon (Odette Yustman). She is a girl in school, working as a babysitter for some extra money. This is when she encounters a four year-old kid that she is sitting who appears to be evil. Soon, she is seeing the evil of that kid in her daily life. To rid herself of this, she begins examining her family history. This includes a mother (Carla Gugino) who was depressed and killed herself, a mysterious old woman in her mothers photos (Jane Alexander) who has had issues in the past, and her friends. Upon recommendation, she decides to have an exorcism performed by the rabbi (Gary Oldman). If you are getting ahead of me in the plot, you've basically got it right in your mind.
The writing is mediocre, and that is perhaps kind. The beginning of the story is simply about showing as much of Ms. Yustman's body that can be allowed in a PG-13 movie. If that couldn't be done in one scene, they come back to it four or five times. The story follows cliché after cliché and takes forever to really begin. The frights are minimal and within 20 minutes I was laughing at what I think was supposed to be scary. This movie is unintentionally funny once you pick up where it is going and what it is trying to do.
The one minor redeeming factor of this movie was some of the camera work. There were a few angles that were used that felt greatly different than the others, felt fresh and felt well placed. Those few shots cannot, however, overcome some of the worst over-acting I've ever seen, a poor script, and a lack of direction for a vast majority of the film. If you are an absolute horror film junkie, go ahead and have a laugh. If you are a fan of bad movies, enjoy. If you are looking for an enjoyable fright, look elsewhere.
OK, let me get this out in the open immediately: this movie is pretty predictable if you have been watching any 'new' American Horror flick within the past five years, complete with gratuitous shots of Fox's, excuse me, Yutsman's backside. To its credit, the movie does have a great amount of potential from the source material, but fails to give birth to it. The effects are well done, the acting is decent (for the genre at least), and I left the movie feeling that I was at least entertained for the last 87 min (although I did wish that they would have cut out 10min. or so in the middle and made the final confrontation longer and better).
If you already like watching these kinds of movies, the Unborn certainly doesn't try to do anything different then what has already been done, and is worth watching; But you are expecting a radical departure from the typical Horror flick, this ain't it.
If you already like watching these kinds of movies, the Unborn certainly doesn't try to do anything different then what has already been done, and is worth watching; But you are expecting a radical departure from the typical Horror flick, this ain't it.
The Unborn is terrible on all levels. Making use of awful horror clichés, packed with unintentionally funny moments that the director thought would be scary, and putting a dent in the careers of Gary Oldman & Idris Alba, there isn't a thing about this turd that's redeemable, for it is one of the worst examples of its kind.
The Unborn tells the story of a young woman who starts having nightmarish hallucinations about a kid with bright blue eyes, which soon escalate & continue to intensify in the subsequent days, thus compelling her to get to the root of all this. Eventually, she learns that an evil entity is trying to take possession of her body.
Written & directed by David S. Goyer, The Unborn jumps right into the middle without any proper introduction or foundation, and expects the viewers to jump aboard just like that. The characters are cardboard cutouts who have to utter garbage dialogues for 87 long minutes, and none of them are worthy of any emotional investment.
Even worse are its cheap attempts to scare, for most of those moments simply turn out to be lame, silly & predictable. Cold colour palette is finely utilised yet camera-work is sluggish, Editing isn't up to the mark either, for it is unable to provide a smooth narrative flow & also paces it unevenly. And further hurting it are its slew of bad performances.
On an overall scale, The Unborn is a poorly directed, lazily scripted & shoddily performed horror that's never for once compelling, takes uninspiring shortcuts at every available opportunity, and concludes with a wholly uninspiring finale that's devoid of any tension or terror. In a sentence, it's one of those instantly forgettable flicks that aren't worthy of your time & money. So just skip it.
The Unborn tells the story of a young woman who starts having nightmarish hallucinations about a kid with bright blue eyes, which soon escalate & continue to intensify in the subsequent days, thus compelling her to get to the root of all this. Eventually, she learns that an evil entity is trying to take possession of her body.
Written & directed by David S. Goyer, The Unborn jumps right into the middle without any proper introduction or foundation, and expects the viewers to jump aboard just like that. The characters are cardboard cutouts who have to utter garbage dialogues for 87 long minutes, and none of them are worthy of any emotional investment.
Even worse are its cheap attempts to scare, for most of those moments simply turn out to be lame, silly & predictable. Cold colour palette is finely utilised yet camera-work is sluggish, Editing isn't up to the mark either, for it is unable to provide a smooth narrative flow & also paces it unevenly. And further hurting it are its slew of bad performances.
On an overall scale, The Unborn is a poorly directed, lazily scripted & shoddily performed horror that's never for once compelling, takes uninspiring shortcuts at every available opportunity, and concludes with a wholly uninspiring finale that's devoid of any tension or terror. In a sentence, it's one of those instantly forgettable flicks that aren't worthy of your time & money. So just skip it.
¿Sabías que…?
- Trivia(at around 44 mins) The doctor that Sofia is talking about as she recounts her time in Auschwitz is the infamous Dr. Josef Mengele. He was notorious for selecting those that came off the cattle carts for those who lived or were sent to the gas chambers. He was particularly interested in experimenting with people, whether it be freezing people in sub-zero water or changing the color of the iris of eyes. He also had a deep interest in twins and would do organ switching, blood transfusions or sewing twins together.
- Errores(at around 21 mins) Twins of different gender are fraternal one hundred percent of the time. Fraternal twins are obviously conceived when the mother releases two or more eggs during ovulation which are then fertilized by two of the father's sperm cells. Therefore, fraternal twins have separate amniotic sacs one hundred percent of the time and as such it would be an anatomical impossibility for the umbilical cord of one fetus to strangle the other.
- Citas
Matty Newton: Jumby wants to be born now.
- Créditos curiososThere are no opening titles
- Bandas sonorasHere Again
Written by Derek Whitacre (as C. Derek Whitacre)
Performed by Derek Whitacre
Courtesy of pigFACTORY USA LLC
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Detalles
Taquilla
- Presupuesto
- USD 16,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 42,670,410
- Fin de semana de estreno en EE. UU. y Canadá
- USD 19,810,585
- 11 ene 2009
- Total a nivel mundial
- USD 76,514,050
- Tiempo de ejecución1 hora 28 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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