The Narrow Road to the Deep North

One of the hardest things I watched yet one of the best things I watched.

Do yourself a favour and press play. Photography is just alluring, poetic and yet so descriptive that you just can't look away. Storytelling is compelling and keeps you constantly engaged, its tragedy and mourning, and romance, and longing and suffering and friendship and companionship. All together, all at once.

Despite being a short series, you get to know every character in such a way that it becomes personal, you suffer with them, you laugh with them and you miss them when they are gone.

It's a shot straight to the heart but oh such a lovely one.

You can rarely see a good series or movie from the australian perspective. It's a short series but keeps you engaged at almost every scene. The brutality of the japanese or the POW struggling for survival really comes through the screen on an emotional level.

I would say it's a unique World War 2 series, can't put it in a category. It's not really about the war but how we humans sometimes lack the humanity, emphaty or the communication so we could understand each other. When we can't communicate or express ourselves then we just move on instead repairing the thing that brings us the most joy or even who brings us the most love.

A must watch for anyone who enjoys war series with less action and more emphasis on the emotional and personal struggles for both the character and You, the viewer.

I'm not up to scratch on the history of the POW during WW2, but this programme has made me look into it. The actors/actresses are amazing and deliver their characters perfectly. Some of the true stories I have read on the internet are unbelievably horrific, and these are reflected in the programme.

Parts of the programme made me feel sick to my stomach during the torture scenes, and I like to think I am pretty desensitised to TV brutality (long time horror watcher).

If you come away from watching this series without feeling affected in some way, maybe you are a robot, because the emotions it evokes are so strong.

In response of some critics about... The cinematography is one of the best I've ever seen. Mist, darkness, murkiness... it feels like material heaviness... rain, mud, humidity... It's so rare to 'feel' the visual in contemporay cinema... It is the meaing of the supersensible, synaesthetic overtones that Ejzenstejn spoke of, perfectly reproduced with digital tools. As for the plot: the first two episodes are absolutely solid and convincing. Kurzel proves to be one of the most prepared directors, in the name of a certain incandescent naturalism that borders on material evocation, as already underlined. TV at its best.

Yes, this series suffered from a lack of lighting and nonlinear storyline, but for me these served to exentuate the enderlying tones of this dark story.

To those seeking entertainment, I cannot recommend this series. Knowing that it's grounded in actual events it was a painful experience to watch this pretty much from beginning to end. The cruelty, the suffering. No attempts were made here to sugar coat brutal realities or wrap them up nicely with a classic hollywood happy ending. But it is precisely this that made it so compelling and important tp watch.

I also appreciated that the main characters weren't wholly good or bad, but complex - as often is the case in life.

Bottomline: not for the fainthearted, and have a box of tissue nearby.