CALIFICACIÓN DE IMDb
7.2/10
2.8 k
TU CALIFICACIÓN
Una historia de la vida de Héctor Abad Gómez, un médico destacado y activista de los derechos humanos y su constante lucha en Medellín de los años 70.Una historia de la vida de Héctor Abad Gómez, un médico destacado y activista de los derechos humanos y su constante lucha en Medellín de los años 70.Una historia de la vida de Héctor Abad Gómez, un médico destacado y activista de los derechos humanos y su constante lucha en Medellín de los años 70.
- Dirección
- Guionistas
- Elenco
- Premios
- 10 premios ganados y 14 nominaciones en total
Maria Tereza Barreto
- Mariluz
- (as Maria Teresa Barreto)
Aída Morales
- Gilma
- (as Aida Morales)
Gianina Arana
- Fisioterapeuta Andrea
- (as Gianina Arana Terranova)
Adriana Ospina
- Silvia
- (as Adriana Maria Ospina)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
"El olvido que seremos" is a film with a particular feeling, highlighting the life of a man who fought for causes that are still of interest to the Colombian nation today. The way in which he approaches character development is appropriate and fits the Medellin's Society of the 70s and 80s, with an invaluable accuracy in the sets and costumes. The emotional relationship between shots and color to differentiate two different periods contribute to the greatness of the film, accompanied by good performances.
However, the film continues to depend on the original novel, and certain scenes do not have the same power that they surely have in the book and some errors in the editing that can be, rarely, stressful to the viewer, do not interfere with the fact that this film has a soul. , and very appropriate for our times.
However, the film continues to depend on the original novel, and certain scenes do not have the same power that they surely have in the book and some errors in the editing that can be, rarely, stressful to the viewer, do not interfere with the fact that this film has a soul. , and very appropriate for our times.
The story of Hector Abad Gomez is moving and a perfect example of what has meant to be a thoughtful and honest leader in a country like Colombia, but the movie is not the most interesting portray of that struggle, and tries to be faithful to the book forgetting that cinema is already a new language and therefore a new opportunity to tell a story.
This film represents a reality in Latin American countries, where small elite groups manage politics and make decisions that affect many for their own benefits and economic interests, countries where a football game is promoted more than the importance of a good education, countries where few have all and most of the population nothing. Latin America has suffered since its conquest (NO DISCOVERY) in the 16th century and still continues to suffer new wounds while trying to heal the old ones. I have seen it and continue to see it in Honduras. Thank you for making this type of film, as well as "La Llorona" by Jayro Bustamante, cuz they allow these stories not to be lost as the intellectual authors of these crimes would like, they also help us to cure Latin America but do not forget. The technical aspect that I appreciated the most about the film was the black and white photography, really beautiful.
It is a shocking film that portrays the reality that is lived in Colombia; the plot is decent and the acting is good; it is recommended.
This movie presents a past yet intimate take on an ever disappointing landscape of politics and violence within Colombia.
The story surprised me with the variety of topics that I've never thought they have any relationship between, even some historical facts that were presented had an "oh that's why..." moment, mixed with some very intimate takes on the Abad-Faciolince family.
A few scenes didn't resonate that much because of the acting, especially in the first half of the movie, but overall, the sensation left behind was joy and hopefulness.
A good movie, with very good source material.
The story surprised me with the variety of topics that I've never thought they have any relationship between, even some historical facts that were presented had an "oh that's why..." moment, mixed with some very intimate takes on the Abad-Faciolince family.
A few scenes didn't resonate that much because of the acting, especially in the first half of the movie, but overall, the sensation left behind was joy and hopefulness.
A good movie, with very good source material.
¿Sabías que…?
- TriviaAccording with the Academy, has been selected in a list of eligible movies for the 2021 Awards.
- ErroresThe scene on the plane when they travel to Cartagena, when a flight attendant hands a glass of orange juice to Hector Abad Jr., she can be heard talking but his lips do not move.
- ConexionesFeatures Morte a Venezia (1971)
- Bandas sonorasA la memoria del muerto
Written and Performed by Piper Pimienta
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idiomas
- También se conoce como
- Memories of My Father
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 5,512
- Fin de semana de estreno en EE. UU. y Canadá
- USD 5,512
- 20 nov 2022
- Total a nivel mundial
- USD 1,927,584
- Tiempo de ejecución2 horas 16 minutos
- Color
- Relación de aspecto
- 2.35 : 1
- 2.39 : 1
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By what name was El olvido que seremos (2020) officially released in India in English?
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