El olvido que seremos

The story of Hector Abad Gomez is moving and a perfect example of what has meant to be a thoughtful and honest leader in a country like Colombia, but the movie is not the most interesting portray of that struggle, and tries to be faithful to the book forgetting that cinema is already a new language and therefore a new opportunity to tell a story.

This movie presents a past yet intimate take on an ever disappointing landscape of politics and violence within Colombia.

The story surprised me with the variety of topics that I've never thought they have any relationship between, even some historical facts that were presented had an "oh that's why..." moment, mixed with some very intimate takes on the Abad-Faciolince family.

A few scenes didn't resonate that much because of the acting, especially in the first half of the movie, but overall, the sensation left behind was joy and hopefulness.

A good movie, with very good source material.

Very mediocre film that lacks script. Mediocre directing and editing. The only remarkable thing is Javier Camara's and Patricia Tamayo's acting.

I struggled with this question while I was watching the movie, you feel different emotions while reading the book and other completely different watching the movie. Sometimes what happens in the book is not entirely portraited in the movie. Rating the movie leaving behind the novel, is a story very important to know for me as a colombian, and for a foreigner is momentous.

The story line was clear and the director played with the B&W and colored cinematography to execute the transition between the different stages of Hector Jr life. Taking into account the decades, the scenery and costumes where nicely built with some points to improve. Some of the most emotional scenes were strongly performed and filmed, you could feel and get to that moment of catarsis.

Stories like these need to be well known and I think cinema is a really great way to do it.

"El olvido que seremos" is a film with a particular feeling, highlighting the life of a man who fought for causes that are still of interest to the Colombian nation today. The way in which he approaches character development is appropriate and fits the Medellin's Society of the 70s and 80s, with an invaluable accuracy in the sets and costumes. The emotional relationship between shots and color to differentiate two different periods contribute to the greatness of the film, accompanied by good performances.

However, the film continues to depend on the original novel, and certain scenes do not have the same power that they surely have in the book and some errors in the editing that can be, rarely, stressful to the viewer, do not interfere with the fact that this film has a soul. , and very appropriate for our times.