Sector 9

"District 9" is a film I was lucky enough to see in the theater when it first released. The marketing for the movie was remarkably good, posters everywhere meant that before you even entered the theater, you had already been primed to see the "Prawns" as a nuisance, larger and stronger than humans, and probably best kept at a distance. The film's opening and narrative bookends being from the perspective of a documentary of news crew meant that everything felt very lifelike when you saw ads running on TV. As a Sci-fi lover, my interest was primed and pumping as I bought my ticket.

Now, 10 years later, my love for this movie is not as strong and has shifted from my previous reasons for liking it, but nevertheless, this is a film I expect will remain on my shelf for years to come.

"District 9" wowed me in the beginning for many reasons. The first one out of the gate that grabs you is the world building. There are hosts of movies that take similar tacks when it comes to informing the audience about the history or rules of a fantasy, sci-fi, or just slightly left of real, world. Relate everything through news stories that play in the background or are featured in scenes that inform everyone as to what is going on. In fact, this approach is so common that it is considered a crutch by many filmmakers and is classically made fun of in the brilliant "Shaun of the Dead"

It is truly rare to find films which spin a tried and maybe tired device into something fresh and even featured as a part of their film but Neill Blomkamp delivers a fresh look at documentary news coverage as exposition that simply stunned. Not only does the footage seem real, immersive, and present important concepts to audiences, it does so in a way that they are used to receiving information so that when they are presented with personal stories that contradict the news coverage, it causes them to ask questions about those same sorts of stories in their own lives, but more about that later.

The next thing that stood out about the film was the performance of Sharlto Copley ("Chappie") which, essentially, launched his international career. One of the most difficult tasks that a writer, director, or actor faces is to make relatable that which is unrelatable. Taking a character like Wikus, who is blind to his prejudice, complicit activities, and general willful ignorance and turn him into someone for whom we have genuine empathy is the essential role of an artist. To not hide from the way that Wikus allows himself to be stupidly used in the beginning of the film and give him a journey which confronts him with the horrific results of his apathy in a way that leaves us hoping for better for him is the essence of good acting and I say Bravura to Copley for his performance.

The reason that I highlight these two aspects of the film is because they are what I find to be essentially brilliant about the film, yet also what was lost on me about it ten years ago. With the way the film tells its story in two ways: through high level news; stories, documentary footage, and interviews with family and friends of Wikus; as well as on the ground personal interactions; between Wikus and his coworkers, the company, his family, and the Prawns; we end up getting the story from two perspectives.

As a young man, I wasn't asking myself the questions I now ask myself so I only saw the interesting story, the horror of realizing something alien is happening to you, and the thrill of some impressive action sequences especially considering the budget. As an older man I realize that while the film is about these things on the surface, it is also about the difference between what we receive through screens, second hand accounts, and media outlets, as opposed to that which we experience personally.

The film is about perception, propaganda, prejudice, and personal connection. It is about what is real and what is not. Questions like this continue to be begged more and more as our world becomes more saturated, debate if you will for good or ill, with screens, vlogs, stories, commercials, news stories, reality shows, and everything in between. "District 9" is a reminder that while our world has gotten wider with the advent of new technologies there is always the threat that it may not get deeper as it grows in breadth. We must remember that the tactile person to person contact which is the enemy of prejudice requires us to seek specifically for the individual and to see them for who they are as an individual and not just what group they belong to.

The Prawn in this film is a stand in for all of the things we fear at a knee's jerk whether it is the immigrant, refugee, Muslim, Jew, Christian, Communist, Fascist, Snowflake, or Boomer. May we all seek to understand each other more despite the efforts of the powerful to shape our understanding through media.

But don't let that stop you from jumping into it. It's an excellent film. Funny, suspenseful & engaging. Highly recommended for lovers of science fiction. Definately worthy of repeat viewing. C'mon though gang, WHERE'S THE SEQUEL!?

This is such an incredibly weird movie that I am not even sure if I can adequately describe it, but I'll try. The film is, through the first half, a mockumentary about a problematic alien problem that will supposedly be happening in the near future. In 2010, an alien ship appears over Johannesburg and just hovers there. When humans eventually decide to cut through the hull, they find the ship packed with over a million aliens--aliens that are starving and look like giant bugs. Well, there seems to be no one in charge and they all are apparently workers who have no real purpose other than to work. When the UN decides to finally do something about it, the aliens are herded into a giant ghetto like those used during apartheid. And, for the most part, they are reviled or exploited--and kept as a permanent underclass.

The film mostly centers around a rather dim civil servant, Wikus Van De Merwe (Sharlto Copley). He is the leader of an organization sent in to move the bugs to a new facility that also totally sucks--but is away from the humans--who have come to totally distrust and hate them. But, in the process he accidentally infects himself...and where this goes next is just amazingly weird! And, once infected, the film stops being a mockumentary and follows his new life as a wanted man. Why is he wanted, who wants him and what this is all about is just too much for this short review--really.

So let's talk about the film. I used to think that movies like "Happiness of the Katakuris", "Scott Pilgrim Vs. The World" and "Delicatessen" were weird films, but "District 9" clearly sets a new standard for weird and creative. You simply cannot find anything like it--and it's wonderful to find a film that is this unique. Plus, like good sci-fi, this one is a great allegory with deeper contemporary meaning--with a lot to say about us screwed up humans! By the way, this movie is rated-R and it clearly deserves this. The language is very, very rough but the film is also very gross--with lots of blood, guys, vomiting and the like. It is NOT for a person with a weak stomach or children...seriously...do NOT let the kids see this one! Because of this, although I loved this film and was blown away by it, I also cannot see it as a perfect film--hence my not giving it a 10. It's just unnecessarily adult when it could have been a great film for a much wider audience.

I do not give out ratings of 10 lightly, but here it is - the first film in years that has been deserving of the rating.

Neill Blomkamp brings to screens a fantastic, gritty, realistic piece of science fiction with District 9. Not since Ridley Scott's "Blade Runner", John Carpenter's "The Thing", or James Cameron's "Aliens" have we seen a science fiction film with a vision of this caliber. After viewing District 9, it will be clear to one and all why Peter Jackson put so much faith in Blomkamp and took him under his wing as protégé.

Abandoning the usual settings of Hollywood sci-fi and placing us in the harsh slums of South Africa, we are given an original piece of work which takes risks in the way it tells its story. Not only does it go against the expectations of audiences who have been trained to expect mediocrity from their sci-fi, it goes above and beyond the call of duty to provide us with spectacle as well as something to ponder after we've downed our popcorn.

There is, thankfully, not an overused, overexposed celebrity in sight, and every unknown face in the film gives a solid performance. The aliens themselves, brilliantly realized with top notch CGI even manage to make us feel something, only rivaled by Gollum from "Lord of the Rings".

District 9 has so much to like. It's spectacular, darkly funny, entertaining and thoughtful all at the same time, and it's all done on a meager $30m budget. There is true talent on show here. If only there were more films like this, the world of cinema would be a more interesting place.

This movie different from the rest of the Alien movies. Though the gross awful looking aliens creeps me out most of the time at but that doesn't distract me from enjoying this the unique story. It kept at the edge of the seat whole time. It surprises, saddens, and amazes me at the same time. I never imagined this movie would end in this way.