La reencarnación de los muertos

A military group that has turned into bandits during the zombie infestation decides to follow an online infomercial and tries to make it to the peaceful island it promises. At the harbor they realize they have been ambushed by the guy pitching the island. He robs the potential clients and dumps them on the island, which is nothing but zombie-free.

Earlier in the movie we meet this guy O'Flynn, a fisherman on the island. He's runs one of the two Irish clans on the island. His nemesis is Seamus. When zombies infest the island, O'Flynn opts to eliminate them all while Seamus wants to keep them "alive" and chained. They kick O'Flynn of the island leaving his daughter behind.

Now the military guys make it to the island followed by O'Flynn who sees this as an opportunity to avenge himself from Seamus. They find that Seamus is trying to domesticate the zombies, enchained and treated like cattle or horses. His special project is trying to teach zombies to eat animal meat and not human. So far he has been unsuccessful.

Eventually we have the confrontation between the two clans plus the zombies in a bloody and brutal outcome.

As all Romero movies, this one is smart, sometimes funny and with plenty of zombie violence. Even what should be a lame scene, Romero manages to make it interesting. He's particularly good as showing human interaction. And of course there is the usual criticism of human inhumanity in how they treat the zombies. The last minutes are particularly entertaining for those who are into gore. The only problem I have with this movie is that the final zombie mayhem is presented as a comedy. It's unnecessary and doesn't suit the violent tone of the content. Otherwise this is classic Romero in a quickly paced and gory zombie movie.

25 years ago, I sat open-mouthed in awe of the intense visceral horror experience that was George Romero's Day of the Dead; today, I sat jaw agape once more at the director's latest zombie flick, Survival of the Dead, although for a very different reason: utter disbelief!

How could George Romero, the creator of the modern movie zombie, get everything so totally wrong?

With Survival, it looks like the director has finally taken on board the criticism aimed at his last two films and ditched the heavy-handed social commentary (the messages are still there, but are far less 'in-your-face'); unfortunately, somewhere during the creative process, he's also unwisely opted to up the level of comedy, meaning that much of this film plays the global zombie threat for laughs.

Remember how Romero used the slapstick custard pie scene in Dawn of the Dead to momentarily relieve the tension? Well in this one, it's all 'custard pie' and absolutely no tension. During the course of the film, we get to witness several cringe-worthy comedy zombie slayings, a hilarious bitter feud between two stereotypical Irish clans, a zombie woman on horseback, a car ferry strangely moored in six feet of water, zombie fishing, plus loads of other nonsense that beggars belief. Not once, however, do we get a sense of dread. The closest Romero ever comes to delivering the goods is with a couple of cheap jump scares that are accompanied by loud noises and some admittedly splattery gore (that relies a little too heavily on CGI for my liking).

Had Survival of the Dead been made by anyone other than Romero, then I may have rated it as high as 5/10: it's never boring, I suppose. But coming from the guy who practically invented the genre, the film can only be seen as a massive disappointment—easily the worst of his 'Dead' films to date—and therefore fully deserves my lower score of 3/10.

I did not dislike this film for the most part like so many others seem to have. I liked parts of it, I thought it would have been better had it simply followed the national guardsmen of the "Diary of the Dead" film rather than having the feuding island clans plot, but it at least was not boring. I would give this one a seven, but the use of computer generated kills and blood made me lower the score a point. I never thought George Romero would resort to using computers to do his gory kills. Still, there is enough none computer kills that I will only lower the film a point rather than two. The film follows those wacky guardsmen from the Diary movie which I liked as it seems more like a sequel film than any of the previous Romero movies. Though this one can survive independently of the previous movie as well, the only thing one might be curious about had they not seen that movie is the scene where the one guardsmen goes over there scene in that film. Well they end up going to an island where one group believes they should try to kill all the zombies on the island while the other thinks they should try to coexist with them. The zombies look good at times and there are a lot of them. So as far as zombie action goes this one does all right. I just wish the film could have done more with the national guardsmen just going from place to place rather than bogging the film down a bit on the island of the living dead and incredibly stupid people.

I've always complained about so called "Zombie movies" that are actually just movies from any other genre with zombies. That's what this movie is: A shooter with zombies. Romero defined the Zombie genre, and he's now out of it. This was officially not a zombie movie.

There's been many attempts before. When-bugs-attack + zombies, teen flick + zombies, prom-night + zombies, etc,etc. Out of all those weird cross-gender movies, this is one of the best I've ever seen. It'll still get many negative reviews for a simple reason: People is judging it as a Romero movie, and at that, it sucks. And it's fair that people do that. They go to the movies expecting a Romero movie, and they get this. I would've been disappointed too if I'd expected that. I watched this sort of expecting a crappy movie, and I got a better-than-expected non-zombie flick. Not a bad deal.

The plot is certainly shallow, but the characters are still interesting, even if a little bit more empty than the usual lead roles from good old George A.

The deal is, there's nothing more to look for in Romero's movies. The social commentary is still there, except this time it doesn't really make sense. At a point, it looked like it was heading towards an anti- religious view of things (euthanasia), which looked interesting, but it dissipated into an old cheap western ending.

My theory:

George died at the end of the shooting of Land of the Dead, and both Diary and Survival where delivered but the Zombie of George Romero. Not bad (for a zombie).

Man, where do I begin? Survival of the Dead. it could have easily been one of Romero's best, since his beloved Dawn of the Dead, but what went wrong? what did he miss? what moment did he not seize? After getting my UK Blu-Ray I was sort of reserved in what i was going to think about this flick. I mean I thought the trailers looked corny, the feel amateur, even for Romero's standards, but I was willing to give it a go none the less.

Survival should have been the next DAWN of the DEAD. It had the set up, it had the locations, but it missed the story and the vibe. The film is skewered by a weak cast and an even weaker storyline.

Survivals western vibe and feel just seems so out of place and wasted. What should have occurred was trying to rebuild life on Plum island, what should have happened was an exploration of the rebuilding of humanity, something Romero has yet to touch upon in any of his Dead films... which is a goddamn shame.

I will say Survival is slightly OK. I still think Diary is the best of his newer zed flicks, and Survival is way better than Land but it is still a weak film, in fact Romero's 3 newest entries are all weak and devoid of the magic originally on display in Night Dawn and Day. When Romero gets back to that magic he will regain what is lost in the zombie genre, but with him sticking to the cheap thrills and half-assed writing I think his fall from zombie grace will be harder than even he will ever imagine.

These newer entries only seem to alienate his fan-based and this smart zombies back story he is trying to shove down our throats isn't working with the fans. Romero needs to get back to plain and simple story telling. Story telling that will show us why we followed him all these years, but this rushed production, dialog and all around feel is what is giving his series a bad name.

Survival will deliver on the gore, even on its corny moments, and it tries really hard to engage the audience with its characters but it falls apart because the cast and screenplay aren't strong enough.

in the end... another disappointing zed flick from the grandfather of the modern zombie.

George, if you read this... go back to Dawn, and look at it again and give us a film like that... that is what we want, and we know you have it in you, but if you set out to make another disaster like this it may be time to fold up the directors chair.

5 out of 10