Mudbrick

This slowburn dark folk (not really a) horror tale plays out in a small, derelict village in a pleasant but rather impoverished part of southeastern Serbia, in southeastern Europe. Through nice photography we are witnessing this family drama basically, encompassed by tacked-on pagan/Slavic symbolism and mythology, even some kind of a ''pagan'' cult (which doesn't make too much sense since the Orthodox Christianity in Serbia is already inherently merged with the old Serb/Slavic faith through Saint-Savaism).

Anyway, the decrepit village and eponymous mudbrick house look authentic here, since this ancient type of house-building (with mud as a binder) - can still be seen - or are refurbished for modern rural living, - in different parts of the country. What isn't too realistic though, is the family's grip on this grandfathers run-down old house in the countryside, and to see the brother (Paul) coming down from london like he inherited a castle, makes for a bit dubious premise, and the movie doesn't really offer a secret reason why the house is so much important to them. The other brother (Jakov) is played averagely by Andrew Howard (from a nice little film Mr InBetween, and here he looks and speaks like Niko Belic for some reason, which is fine by me). The rest of the cast, whom I've only seen for the first time here, are equally average.

Film's early promising, but ultimately unfulfilled vague 70's folk horror-reminiscent/pagan aesthetic doesn't offer much, and it barely, let alone deeply, touches upon it and nothing seems really dangerous nor frightening, which is the biggest deficiency here. One wonders if the creators actually even wanted this to be marketed and even made, as a truly 'horror' film, or merely a tribute to the older homegrown folk stories.

It did look nice though, didn't drag too long and I certainly appreciated the effort.

5.8/10.

If you want HORROR, you won't get it here. This is an unwatchably drawn-out, all-talk no-bite family drama in which annoying characters wallow in endless scenes of rural misery, quarrels, torment, suffering, and misfortune.

If you want FOLK horror - you won't get that here either, at least not in a satisfactory form. The story is absurd: in a village in Eastern Serbia, the villagers worship ancient god Veles by praying to a wooden totem on a field, but also to a random tree outside the village, they keep wooden carvings with something they call Veles in their mudhouses, and they constantly repeat Glory to Veles!

If you want SERBIAN horror - you won't get that here either. The film is 95% in English, and 5% in MACEDONIAN, which is not spoken in the part of Serbia where this was shot.

Everything here is offensively fake, forced and unconvincing, starting from the very premise: namely, the father of a man who lived in London dies, and leaves him - a wretched mud hut in a dying Easter European village. And this guy comes from London to Serbia, to that wretched village, and decides to inherit that cottage, to live in it, even though his brother Jakov had always lived there with his wife and daughter!

The film is supposedly inspired by a true event - the only problem is that it happened after World War II, 80 years ago! In a time of post-war misery in some remote village, it made sense for two brothers to have a fierce and tragic quarrel over the inheritance of their father's mud house. Why would a Londoner in the 21st century fight with his own brother in some shithole in the mountains about some mudbrick house - the film doesn't even hint at that. It's taken for granted!

Various things are thrown in this muddled plot, but the execution is unskillful and confusing, so that they produce frustration and alienation, rather than mystery and involvement of the viewer. Instead of horror, we have an unconvincing, rambling and repetitive drama without any receptive elements. Instead of drama we have motivational and character confusion where people do unmotivated and STUPID things all the time, with no consequences.

Mudbrick is a 2024 indie horror film, directed by Nikola Petrovic, about Paul, a man who inherits a crumbling old house in his family's Eastern European village. When he returns to check it out, he starts to uncover disturbing secrets tied to an ancient pagan cult and his own family history. As things unravel, Paul has to face the eerie past lurking in the walls of the house and his own family.

What a trip this movie was! I checked it out after seeing it recommended by Hyped on Horror, and I'm so glad I did. I also took their advice and looked up some of the history and lore beforehand, which I highly recommend-it makes the story way easier to follow. The cinematography really stood out for me. It's super simple and natural but somehow adds so much to the overall vibe as the movie goes on. Philip Brodie and Andrew Howard absolutely killed it, and their screen chemistry was on point. It's definitely a slow burn, but not in a painful way-it keeps you hooked all the way through and wraps up with a really satisfying ending.

This film is so cryptic that it doesn't even tell you what country it's taking place in. It doesn't tell you anything, really. There's also a lot of whispering and mumbling so you won't understand what little is being said either. Something about pagan worship amidst traditionally Christian people, which makes as little sense as the conflict regarding ownership over a worthless house. There are no scares in this film, there is no suspense to speak of, and there is no payoff for enduring the minimalist and confusing plot. The characters are poorly developed and annoying, making any emotional involvement impossible. Random surreal waste of time.

And adding lots to it. I had the pleasure to see this film in a local theatre, with the director and some cast attending. Unfortunately, not many people sat there in the audience. I did end up liking it, the direction was pretty good, good cinematography, music and some of the cast, especially portrayal of the two brothers, were also good. This film is directed as a horror movie, and I enjoy a film, where every scene lets you know what genre you are watching. The first act is accompanied by such an eery score, that you feel uneasy watching it. It features some gory scenes I have never witnessed before. The folklore elements were unfamiliar to me, but I think the director created his own, in a way that works for the story. The plot twists did not disappoint. What I did not like was the editing, some scenes needed to be long, especially in the beginning, when we see the characters for the first time. Jump cuts sometimes confuse, when you have not spent long enough time with the characters. I hope this will be fixed in directors future projects I am looking forward to.