CALIFICACIÓN DE IMDb
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TU CALIFICACIÓN
Thomas, el séptimo hijo de un séptimo hijo, debe dejar su hogar para convertirse en mago. Su primera misión es darle caza a Madre Malkin, la reina de las brujas, que a escapado de su prisión... Leer todoThomas, el séptimo hijo de un séptimo hijo, debe dejar su hogar para convertirse en mago. Su primera misión es darle caza a Madre Malkin, la reina de las brujas, que a escapado de su prisión.Thomas, el séptimo hijo de un séptimo hijo, debe dejar su hogar para convertirse en mago. Su primera misión es darle caza a Madre Malkin, la reina de las brujas, que a escapado de su prisión.
- Dirección
- Guionistas
- Elenco
- Premios
- 2 premios ganados y 1 nominación en total
Opiniones destacadas
It isn't easy to make a good fantasy film – as borne out by Seventh Son, which has suffered a particularly arduous journey to the silver screen. Originally slated for release in February 2013, its visual effects house went bankrupt and its studio, Legendary Pictures, parted ways with distributor Warner Bros. The film that's finally stumbling into cinemas almost two full years later (courtesy of Universal Pictures) should be an unmitigated disaster. Surprisingly, it's not. The film isn't exactly great, but it's a largely entertaining romp that's more inspired by than strictly faithful to Joseph Delaney's series of bestselling books.
Tom Ward (Ben Barnes) is the seventh son of a seventh son: a rare genetic lineage that sets him on the path to becoming a Spook a.k.a., a slayer of the myriad evil creatures that haunt the land. He becomes the apprentice of grizzled, alcohol-addled John Gregory (Jeff Bridges), shortly after Mother Malkin (Julianne Moore), an evil witch, escapes her earthly prison to claim the world as her own. With only a week to go before the blood moon rises, Tom trains with Gregory but finds himself distracted by the charms of Alice (Alicia Vikander) – a mysterious young lady with a few secrets of her own.
While hardly groundbreaking in any way, the story unfolds with unexpected punch. Tom's story – one in which he comes of age and comes into his own – is accompanied by plenty of action sequences, courtesy of bone-crunching battles between men and other men (and women) who turn into soaring, swooping, fire-breathing dragons. Tom tumbles over a cliff to avoid a pursuing monster, Gregory battles a gigantic bear, and wraiths of smoke and despair trail after the Spook and his apprentice as they make their way through a dark, brooding forest.
It helps, too, that the film is leavened by a welcome bite of humour. Seventh Son doesn't take itself as deadly seriously as some of its brethren in the fantasy genre do. That's why Gregory plunges into a bar brawl armed with nothing more than his flagon of beer, and Tom is allowed to make quite a few cutting remarks about his purported mentor that are heartily returned with interest.
Ardent fans of Delaney's books should be warned: Seventh Son riffs on elements of the novels rather than staying strictly true to them. For one thing, Tom is considerably older in the film. Most noticeably, Malkin is a very different character than she is on the page. She's given more depth and complexity here, her vile behaviour explained, if not strictly justified by, her past entanglements with Gregory. It's actually quite nice to see a fantasy world that doesn't simply perpetuate the trope of the wicked witch, but instead dreams up characters that fall along a broad spectrum of morality.
Barnes is well-cast as Tom, holding his own as both a hero and quasi-romantic lead. He shares a sweet, though not particularly electric, chemistry with Vikander who is, thankfully, called upon to do more than simper and flirt. But there are considerably more thrills to be had with Bridges, who manages to fold charm, menace and darkness into Gregory; and Moore, who's clearly having plenty of fun cutting her way through scenes as a whirlwind of madness and malevolence.
By all accounts, Seventh Son should really have been an outright flop. It may still play as such to any fantasy aficionados who are demanding greatness on the level of The Lord Of The Rings. But, for pretty much everyone else, Seventh Son is an entertaining, undemanding film with some good ideas and a lot of fun moments. It's not a particularly great example of its genre but, given its troubled production history, that it's not completely execrable is probably nothing short of a miracle.
Tom Ward (Ben Barnes) is the seventh son of a seventh son: a rare genetic lineage that sets him on the path to becoming a Spook a.k.a., a slayer of the myriad evil creatures that haunt the land. He becomes the apprentice of grizzled, alcohol-addled John Gregory (Jeff Bridges), shortly after Mother Malkin (Julianne Moore), an evil witch, escapes her earthly prison to claim the world as her own. With only a week to go before the blood moon rises, Tom trains with Gregory but finds himself distracted by the charms of Alice (Alicia Vikander) – a mysterious young lady with a few secrets of her own.
While hardly groundbreaking in any way, the story unfolds with unexpected punch. Tom's story – one in which he comes of age and comes into his own – is accompanied by plenty of action sequences, courtesy of bone-crunching battles between men and other men (and women) who turn into soaring, swooping, fire-breathing dragons. Tom tumbles over a cliff to avoid a pursuing monster, Gregory battles a gigantic bear, and wraiths of smoke and despair trail after the Spook and his apprentice as they make their way through a dark, brooding forest.
It helps, too, that the film is leavened by a welcome bite of humour. Seventh Son doesn't take itself as deadly seriously as some of its brethren in the fantasy genre do. That's why Gregory plunges into a bar brawl armed with nothing more than his flagon of beer, and Tom is allowed to make quite a few cutting remarks about his purported mentor that are heartily returned with interest.
Ardent fans of Delaney's books should be warned: Seventh Son riffs on elements of the novels rather than staying strictly true to them. For one thing, Tom is considerably older in the film. Most noticeably, Malkin is a very different character than she is on the page. She's given more depth and complexity here, her vile behaviour explained, if not strictly justified by, her past entanglements with Gregory. It's actually quite nice to see a fantasy world that doesn't simply perpetuate the trope of the wicked witch, but instead dreams up characters that fall along a broad spectrum of morality.
Barnes is well-cast as Tom, holding his own as both a hero and quasi-romantic lead. He shares a sweet, though not particularly electric, chemistry with Vikander who is, thankfully, called upon to do more than simper and flirt. But there are considerably more thrills to be had with Bridges, who manages to fold charm, menace and darkness into Gregory; and Moore, who's clearly having plenty of fun cutting her way through scenes as a whirlwind of madness and malevolence.
By all accounts, Seventh Son should really have been an outright flop. It may still play as such to any fantasy aficionados who are demanding greatness on the level of The Lord Of The Rings. But, for pretty much everyone else, Seventh Son is an entertaining, undemanding film with some good ideas and a lot of fun moments. It's not a particularly great example of its genre but, given its troubled production history, that it's not completely execrable is probably nothing short of a miracle.
This is the first is a Joseph Delany trilogy "Wardstone Chronicles."
Based on the book "The Spooks Apprentice" by Joseph Delaney.
The last of the protectors keeping us from the evil that witches do has a habit of having his apprentices dispatched by the opposition. So now he must reach down to the bottom of the barrel and find a seventh son three places, last apprentice. No time for training it's off to get the bad queen-witch. We go along on the adventure and encounter all things bright and beautiful, all creatures great and small, and all things wise and wonderful.
In a movie where people and creatures have a tendency to be dispatched or ride off into the sunset, you have to wonder who will be in the sequels?
Part of the fun is recognizing the actors There is Kevin Flynn from TRON (1982) See how many actors you can find.
The Blu-Ray has: Alternate Ending Deleted/Alternate Scenes The Making of "Seventh Son" The legend and lore of the Seventh son Visual Effects Gallery.
The last of the protectors keeping us from the evil that witches do has a habit of having his apprentices dispatched by the opposition. So now he must reach down to the bottom of the barrel and find a seventh son three places, last apprentice. No time for training it's off to get the bad queen-witch. We go along on the adventure and encounter all things bright and beautiful, all creatures great and small, and all things wise and wonderful.
In a movie where people and creatures have a tendency to be dispatched or ride off into the sunset, you have to wonder who will be in the sequels?
Part of the fun is recognizing the actors There is Kevin Flynn from TRON (1982) See how many actors you can find.
The Blu-Ray has: Alternate Ending Deleted/Alternate Scenes The Making of "Seventh Son" The legend and lore of the Seventh son Visual Effects Gallery.
-Seventh Son (2015) movie review: -Seventh Son is a fantasy/adventure film about the last man in an order of knights that were basically medieval Ghostbusters. He takes on a new, young apprentice who is destined for greatness and blah blah blah prophecy, blah blah blah training, blah blah blah evil threat, blah blah blah fulfil his destiny type of thing.
-The entire film is like a cliché video game complete with boss battles, side-quests, and gaining new equipment. It was not bad, but not good or anything new.
-The story is cliché and predictable as pretty much anything. I knew exactly how it would go down throughout the entire film.
-The pace is somewhat inconsistent, with a few parts that rush and a few parts that drag.
-The acting is fine. Jeff Bridges did his best imitation of himself from True Grit, which was only so-so believable. Ben Barnes did his best impression of himself as Prince Caspian, minus the accent. So he was convincing at least. Julianna Moore is the villain, and she was the best one in it.
-The characters are all cliché and offered nothing new.
-The music . I'm going to go back to this one .
-The CGI was not as bad as the trailer, but not great. The originality the film offered in the villains was not terrible either. They just played Dark Souls and said "Hey! Let's use all of the villains!" -There are some scenes that are pretty witty, and some others that are pretty entertaining. So it was enjoyable to an extent.
-So my least favorite thing about the film was the music . Right off the bat I noticed. Here is what happened: They were done with the editing and somebody said "Oh guys! We forgot music!" and another guy answered, "Oh crap! It's okay, just use music from Game of Thrones, Clash of the Titans, Wrath of the Titans, and Robin Hood! Problem solved!" Oh my gosh I knew every song that played. And they picked two of my favorite soundtracks to use! So totally took me out of the moment. All of the moments. All of them.
-Anyway, Seventh Son is nothing new and has some elements, like the freaking music, that make it not good. However it has some entertainment value to it, so really, if you don't care about predictability and music, Seventh Son would actually be worth watching on Nexflix.
-It is PG-13 for some light violence, scary-ish images, dealings with things like sorcery, and a random F-word. Because that existed?
-The entire film is like a cliché video game complete with boss battles, side-quests, and gaining new equipment. It was not bad, but not good or anything new.
-The story is cliché and predictable as pretty much anything. I knew exactly how it would go down throughout the entire film.
-The pace is somewhat inconsistent, with a few parts that rush and a few parts that drag.
-The acting is fine. Jeff Bridges did his best imitation of himself from True Grit, which was only so-so believable. Ben Barnes did his best impression of himself as Prince Caspian, minus the accent. So he was convincing at least. Julianna Moore is the villain, and she was the best one in it.
-The characters are all cliché and offered nothing new.
-The music . I'm going to go back to this one .
-The CGI was not as bad as the trailer, but not great. The originality the film offered in the villains was not terrible either. They just played Dark Souls and said "Hey! Let's use all of the villains!" -There are some scenes that are pretty witty, and some others that are pretty entertaining. So it was enjoyable to an extent.
-So my least favorite thing about the film was the music . Right off the bat I noticed. Here is what happened: They were done with the editing and somebody said "Oh guys! We forgot music!" and another guy answered, "Oh crap! It's okay, just use music from Game of Thrones, Clash of the Titans, Wrath of the Titans, and Robin Hood! Problem solved!" Oh my gosh I knew every song that played. And they picked two of my favorite soundtracks to use! So totally took me out of the moment. All of the moments. All of them.
-Anyway, Seventh Son is nothing new and has some elements, like the freaking music, that make it not good. However it has some entertainment value to it, so really, if you don't care about predictability and music, Seventh Son would actually be worth watching on Nexflix.
-It is PG-13 for some light violence, scary-ish images, dealings with things like sorcery, and a random F-word. Because that existed?
This film tells the tale of a seventh son from a village, who is chosen by a master to fight the evil witch who will rule the land.
"Seventh Son" is one of the rare mediaeval fantasy film, that don't seem to be made anymore. This fantasy tale is entertaining, and Julianne Moore gives a good performance of a cold blooded witch. The story itself is not particularly interesting or engaging, and there is little thrill. The film is heavily reliant on computer generated graphics, but we have been wowed by "The Hobbit" and "The Lord of the Rings" already. Hence, "Seventh Son" offers nothing new, and only offers a brainless way to kill two hours.
"Seventh Son" is one of the rare mediaeval fantasy film, that don't seem to be made anymore. This fantasy tale is entertaining, and Julianne Moore gives a good performance of a cold blooded witch. The story itself is not particularly interesting or engaging, and there is little thrill. The film is heavily reliant on computer generated graphics, but we have been wowed by "The Hobbit" and "The Lord of the Rings" already. Hence, "Seventh Son" offers nothing new, and only offers a brainless way to kill two hours.
I have read a few books from the Spook's Apprentice series and I can tell you with certainty that this movie is very far from the plot there. Worst than that, every decent scene in the film is in the trailer and the rest are just filling. No real fights, no real drama, the acting was abysmal, but it pales in comparison with the script, which seems to be have been written by a banker worrying he is giving the world too much. It is a horribly bad film that I advise against watching.
The books themselves are a sort of Harry Potterish thing for children, replacing Hogwarts with a grumpy fighter against the creatures of the dark and Harry with a rare "seventh son of a seventh son" that is traditionally employed in this "spook" business. There were several things that went against this series becoming very popular: first is the term "spook" which in the US was controversial due to some colloquial racial meaning, so they changed the name with which they published the book into The Last Apprentice. Then the name of the author, Joseph Delaney, which is pretty common and easy to confuse with other writers named Delaney.
However the plot of the books is easy to follow, interesting, sometimes engaging; Delaney had just as much right for fame as J.K. Rowling. Alas, this film pretty much cements his failure. Too bad.
The books themselves are a sort of Harry Potterish thing for children, replacing Hogwarts with a grumpy fighter against the creatures of the dark and Harry with a rare "seventh son of a seventh son" that is traditionally employed in this "spook" business. There were several things that went against this series becoming very popular: first is the term "spook" which in the US was controversial due to some colloquial racial meaning, so they changed the name with which they published the book into The Last Apprentice. Then the name of the author, Joseph Delaney, which is pretty common and easy to confuse with other writers named Delaney.
However the plot of the books is easy to follow, interesting, sometimes engaging; Delaney had just as much right for fame as J.K. Rowling. Alas, this film pretty much cements his failure. Too bad.
¿Sabías que…?
- TriviaThe mountain is called Pendle Mountain after Pendle Hill in England. In 1612, 12 people from the area around Pendle Hill were tried for witchcraft. Mother Malkin was most likely named after Malkin Tower, the house where Demdike (one of the witches tried in the Lancashire Witch Trials in 1612) lived. Malkin was local slang for excrement.
- ErroresEvery shot of the moon (except for once during the credits) shows a partially-lit moon with the illuminated portion angled upward and away from Earth. This is possible during daytime, but not at night, which all of the scenes with the moon were.
- Citas
Tom Ward: [sniffs a flask and retches] That is disgusting. What does that kill?
Master Gregory: [drinks from the flask] Cowardice.
- ConexionesFeatured in Troldspejlet: Episode #50.11 (2014)
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idioma
- También se conoce como
- Seventh Son
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 95,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 17,223,265
- Fin de semana de estreno en EE. UU. y Canadá
- USD 7,217,640
- 8 feb 2015
- Total a nivel mundial
- USD 114,178,613
- Tiempo de ejecución
- 1h 42min(102 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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