Mum & Dad

What better way to start the new year than with a gritty British horror flick. New horror talent is rising everywhere and the Brits can't lag behind. Not that they can keep up with the best, but they manage to uphold a good standard of dirty and raw horror flicks. Enter Mum & Dad.

Horror films come in all different sizes and flavors. Gore, ghosts, werewolves, suspense, torture and whatnot. Sheil's Mum & Dad is a little different though. Rather than hit the audience with full-frontal ugliness it gambles on weirdness and plays the freak card. While some might call it another variation on the crazy family theme, it holds more in common with a film like Killers (or Real Killers, as it is also known) than it does with the Chainsaw Massacre or Rob Zombie flicks.

One thing about horror flicks is that you can often derive a lot from the title of the film. The cooler and tougher it sounds, the softer it usually is. And so you have to admit, Mum & Dad leaves a good solid base for some slick and freaky horror fun. Central to the film are both characters referenced in the title. Mum and dad might look like ordinary people from the outside, they certainly are a little different from your regular household setup.

The fun starts when one of their children drags in a Polish immigrant girl who gets "integrated" into the family. It quickly starts to dawn that mum and dad are not as ordinary as they seemed at first and off you go for a good 60 minutes of weirdness. Much like Calvaire, the film plays on equal levels of awkwardness, grit and humor which makes for a pretty compelling viewing. As much as you are repulsed, there's always some mad streak that sports a dark grin.

The film is obviously a low budget affair and even though Sheil does his best to conceal this fact, from time to time it does look its budget. Visually there are interesting shots and sequences but the overall effect remains pretty inconsistent, with some rather amateurish shots in between. Same goes for the soundtrack of the film. Some dark ambient background music and good use of sound effects, but it never really gels into an audiovisual trip.

Luckily mom and dad themselves make the film a pleasure to watch. Their appearance alone, especially dad's, gives the film a pretty twisted feel. Fat English accents and an overly greasy facade only add more flair to the family. Both daughter and son are nice additions too, adding their share of weirdness to the whole setup.

While the level of gore is not noteworthy the film is pretty damn filthy in its own right. The creepiness of the family creates a bigger punch for what is actually shown on screen. On the other hand, the film never loses its touch of humor, keeping it clear from the realm of films like Martyrs. Add some nicely built up tension near the end and what you have is a pretty neat little horror flick that is sure to entertain and repulse at the same time.

Mum & Dad is not as good as any of its influences as Sheil's style is a little less refined. Still, there is potential aplenty and if the idea of a mellowed down mix between Calvaire and Martyrs appeals to you this is definitely a film worth watching. 4.0*/5.0*

I saw a preview of Mum and Dad at this year's Frightfest in Leicester Square and what a treat it was. Whether a full uncut version will ever reach screens big or small I wouldn't like to say. This was an uncompromising, grim and dark piece of film-making which set itself apart from certain other films at the festival by doing what only the Brit's can do, which is carve a darkly comic streak throughout the film. Not the comic whimsy of Shaun of the Dead, but that most unsettling sort which finds you laughing with the anti-heroes and their macabre family set-up, questioning your own scruples. Considering the budget those involved have proved you don't need to hurl money at a project to make a truly disturbing and gripping film. Excellent sound design and direction give the film the sense of a much bigger budget project. I'm not one to give away too much in a review, I like to go in blind if at all possible so I won't spoil any of the grim details, however this film has some truly gruesome moments which add impact to the already ominous and unsettling context. All I will say is see for yourself, but maybe hold-fire on dinner 'til you get out of the theatre. An excellent feature, especially as a Directorial debut and considering the micro-budget (I believe it was made for £100,000) Impressive stuff, disturbing, funny and utterly disgusting.

'Mum & Dad' director Steven Sheil cites Pete Walker's 'Frightmare' and Freddie Francis' 'Mumsy, Nanny, Sonny & Girlie' amongst his influences, but this darkly horrific, savagely funny and disturbing debut is a far cry from Walker and Francis' visions. With a constant soundtrack of jumbo jets screaming overhead and an almost religious zeal for making even the most mundane of British customs (cups of tea, Christmas sherry, fried breakfasts) seem perverted and wrong, 'Mum & Dad' stands out amongst the usual horror fare of good-looking teens being bumped off. In fact, despite wearing it's influences (most notably Tobe Hooper's 'Texas Chain Saw Massacre') on its sleeve, the film manages to conjure up a unique atmosphere of brutality and disgust that stays with you long afterwards. Great performances all round and great production values despite the limited budget. Terrific, edgy film-making.

As an obviously low-budget film I'd say this is a job well done within the limitations that such lack of finance offers. From the moment that Lena is taken back to Birdie's house the intensity is sustained, admittedly over the top at times but it held my attention. I don't feel I need to know why the dad is as he is, what motivates the mother or why the other two 'children' haven't tried to escape, as a claustrophobic, hellish situation the film does work. There are the inevitable predictabilities as this scenario is a variation on the theme of plenty of other films but without pointlessly harping on about comparisons I feel that Mum & Dad achieved as good a film as it could have been, an accomplishment which should lead to the writer/director being given a longer leash on his next venture. As a footnote, I'd say that Olga Fedori has enormous presence and I hope the quality of work comes her way to realise what, to me, seems to be great potential.

I'm a big fan of horror films and but I have to say that quite often film makers are too easily tempted into throwing gratuitous sex in as a way of selling their films. To this extent I was quite impressed with the way this film suggested that this was just around the corner but(mostly) just referenced sex (apart from when you first meet 'Dad' - which is probably the most disgusting thing I've seen in a film for a long time) and instead stuck to gore as a way of shocking its audience. As a dark comedy, the elements were very subtle. I know a few comments have centred on the fact that it's not 'laugh out loud' and that's true, but the way it takes what are otherwise normal family interactions but completely twists them with this warped family works very well. To me, that's where the humour lies - sibling rivalry but arguing about theft and murder rather than who has the most chips. There's also some of the most imaginative use of human body parts as decorations that would put Leatherface and his family to shame. If you like horror films, I'd watch this. It's truly shocking but with a subtle humour - like the unnatural union of Fred & Rose West with the Royle Family.