Mum & Dad

What better way to start the new year than with a gritty British horror flick. New horror talent is rising everywhere and the Brits can't lag behind. Not that they can keep up with the best, but they manage to uphold a good standard of dirty and raw horror flicks. Enter Mum & Dad.

Horror films come in all different sizes and flavors. Gore, ghosts, werewolves, suspense, torture and whatnot. Sheil's Mum & Dad is a little different though. Rather than hit the audience with full-frontal ugliness it gambles on weirdness and plays the freak card. While some might call it another variation on the crazy family theme, it holds more in common with a film like Killers (or Real Killers, as it is also known) than it does with the Chainsaw Massacre or Rob Zombie flicks.

One thing about horror flicks is that you can often derive a lot from the title of the film. The cooler and tougher it sounds, the softer it usually is. And so you have to admit, Mum & Dad leaves a good solid base for some slick and freaky horror fun. Central to the film are both characters referenced in the title. Mum and dad might look like ordinary people from the outside, they certainly are a little different from your regular household setup.

The fun starts when one of their children drags in a Polish immigrant girl who gets "integrated" into the family. It quickly starts to dawn that mum and dad are not as ordinary as they seemed at first and off you go for a good 60 minutes of weirdness. Much like Calvaire, the film plays on equal levels of awkwardness, grit and humor which makes for a pretty compelling viewing. As much as you are repulsed, there's always some mad streak that sports a dark grin.

The film is obviously a low budget affair and even though Sheil does his best to conceal this fact, from time to time it does look its budget. Visually there are interesting shots and sequences but the overall effect remains pretty inconsistent, with some rather amateurish shots in between. Same goes for the soundtrack of the film. Some dark ambient background music and good use of sound effects, but it never really gels into an audiovisual trip.

Luckily mom and dad themselves make the film a pleasure to watch. Their appearance alone, especially dad's, gives the film a pretty twisted feel. Fat English accents and an overly greasy facade only add more flair to the family. Both daughter and son are nice additions too, adding their share of weirdness to the whole setup.

While the level of gore is not noteworthy the film is pretty damn filthy in its own right. The creepiness of the family creates a bigger punch for what is actually shown on screen. On the other hand, the film never loses its touch of humor, keeping it clear from the realm of films like Martyrs. Add some nicely built up tension near the end and what you have is a pretty neat little horror flick that is sure to entertain and repulse at the same time.

Mum & Dad is not as good as any of its influences as Sheil's style is a little less refined. Still, there is potential aplenty and if the idea of a mellowed down mix between Calvaire and Martyrs appeals to you this is definitely a film worth watching. 4.0*/5.0*

Someone told me to on a horror forum i liked it for what it is

I thoroughly enjoyed this ensemble piece, despite what has been previously posted the performances were good( newcomer included)as strange dysfunctional 'family'. Perry Benson( Dad) seems have relished in seedy elements of his character, and Dido (Mum)plays it with just enough detachment to make really creepy. As for character of "Birdy", she is just so evil & manipulative .. Oh she reminders of my older sister. Do think some of nuisances will only appreciated by a British audience(especially with regards a Christmas scene) or someone who has been stuck in an after it closes. Seek it out if you like your horror served with a wry smile.

I saw a preview of Mum and Dad at this year's Frightfest in Leicester Square and what a treat it was. Whether a full uncut version will ever reach screens big or small I wouldn't like to say. This was an uncompromising, grim and dark piece of film-making which set itself apart from certain other films at the festival by doing what only the Brit's can do, which is carve a darkly comic streak throughout the film. Not the comic whimsy of Shaun of the Dead, but that most unsettling sort which finds you laughing with the anti-heroes and their macabre family set-up, questioning your own scruples. Considering the budget those involved have proved you don't need to hurl money at a project to make a truly disturbing and gripping film. Excellent sound design and direction give the film the sense of a much bigger budget project. I'm not one to give away too much in a review, I like to go in blind if at all possible so I won't spoil any of the grim details, however this film has some truly gruesome moments which add impact to the already ominous and unsettling context. All I will say is see for yourself, but maybe hold-fire on dinner 'til you get out of the theatre. An excellent feature, especially as a Directorial debut and considering the micro-budget (I believe it was made for £100,000) Impressive stuff, disturbing, funny and utterly disgusting.

I've watched countless horror films and this is one of the very best.

I agree with a previous reviewer that the Americans are generally better at making these sorts of films, but this particular film proves beyond doubt that the best British efforts are at least as good as anything the Yanks can do.

If this really was made on a budget of £100k it just goes to show how much bang for your buck you can get with the right writer/director and cast. The whole feel of the film is effortlessly authentic. The cast is superb throughout and the dialogue completely natural and believable.

The director deserves credit for putting some very brave moments on camera, moments that even in today's battle hardened torture porn times elevate this movie to the sublime.

Far from being in any way inferior to an American production, this is in fact near perfect execution of modern horror storytelling.