Balada

First let me say that there are not enough movies made about WWI. Thats a shame.

I didn't read the book, in fact I had never heard of this until one night in May of 2012, when I had promised to take my daughter to see "The Avengers" only to discover it was sold out when we got to the theater. We came back home and turned on the TV set and this movie was about to come on. Being a fan of WWI movies like "The Lost Battalion","Flyboys" and "The Trench", I thought that I'd give this movie a look.

I was so glad I watched this movie. I was glued to my TV for both nights that it was on. I found the story gripping and moving. I didn't want to get out of my chair (not even to go get a soda from the refrigerator). I found the cinematography to be absolutely beautiful. The battle scenes were very moving, I felt like I was down in that crawlspace with them. I know that most people will call this a love story, but I would call it a human story. Amazing Story about coming of age, falling in love and going to war. I cant praise this movie enough.

The acting is very well done, The Cinematography is amazing, the sets are very realistic, and the music score is good. I loved this movie. After watching a serious emotional movie like this, I wasn't in the mood to see cartoon-ish movie like "The Avengers" for a while.

I loved this movie I purchased a copy on DVD

I was expecting much from Birdsong. I had read the book three years ago for my English A Levels course, and found myself utterly transfixed by the poignant and gut-wrenching story. Since then, Sebastian Faulks' Birdsong has become one of my favourite books of all time. This series does have its good parts. It is photographed beautifully, exquisitely even, the scenery is wonderful in the whole part of the story before Stephen goes off to war, I liked the contrast between the lush pre-war scenes and the bleak colour palette of war itself the music is effective in its simplicity and there are two good performances, the scene-stealing Jack Firebrace of Joseph Mawle and the emotionally complex Jeanne of Marie-Josee Croze. Sadly, I never found myself convinced by the story and characters. This is not helped by a script that is largely incoherent, characters that excepting perhaps Jeanne are lifeless cardboard cut-outs(I know they are not likable characters to begin with but still there is a difference between that and the characters having no life at all) and sluggish pacing. I also found Eddie Redmayne and Clemence Posey miscast, Redmayne is handsome certainly but he was also wooden and uncharismatic while Posey has no chemistry with him and looks like twenty years younger than her novelistic counterpart. The story has scenes that are either condensed(naturally considering the time) or almost endlessly stretched out(not so much), but it was the lack of atmosphere and drama that really spoiled Birdsong. The intimate scenes between Stephen and Isabelle weren't that intimate to me as both actors looked in pain during those scenes, and the war scenes due to the poorly rendered battlefields weren't poignant, tense or gut-wrenching enough. Overall, does have some good things such as the beautiful photography, but the pacing and lack of drama made Birdsong rather dull in my opinion, sorry. 5/10 Bethany Cox

Though I haven't read the book yet and I also had no idea this was split into two TV-movies. It came out as one single very long movie on DVD in Germany, so I watched it like that. It did appeal to me, especially acting, though some choices seemed weird. For a TV movie it is surprising I reckon that there is nudity. For regular TV I guess, but then again, we're way past that already.

The structure does seem fitting for a novel and it makes more sense in the book form (or at least seems to). Even without having read it, you can do more in the head of a reader than in a film. Still this seems more than decent enough to stand on its own, especially if the viewer is unaware of its source material.

Interesting backlash on this adaptation, this is the trouble when you try and put the subtlety of words in to pictures. I thought it was a great adaptation; I read the book and was pleased they got the main themes in (all bar the third storyline). I remember reading the book and not liking Stephen much and I didn't like him much here either and that continuity was pleasing. Yes some of it failed to get going, I thought the scene with the old lady and her daughter in the book was much more fraught and tense. But you know what, that was me reading into the work, you can't really do that when you are watching it. The graphics were a real weak link, the CGI battlefields were pitiful, lots of emotion as usual a distinct lack of blood or pain! With the centenary of the First World War coming up I can imagine they are holding some of their war cards close to their chest, but they could have put a little more effort into that. I enjoyed the acting and what they conveyed in a short space of time. I would have liked to have seen more character development of the soldiers, but hay we can't have everything. In all I thought it was a worthy piece of drama, and to all those who go on about the oral sex scene being unrealistic. Are you all experts in early 20th Century sexual practises?

First of all, BIRDSONG is beautifully filmed and acted. Joseph Mawle is especially memorable as Jack Firebrace--who I quote in my title here--a friend and sort of foil character to the protagonist (Stephen Wraysford) played by Eddie Redmayne. Agree: American audiences may find all the British brogues a bit hard to follow without the subtitles.

While there is a palpable storyline and a good surprise at the end, BIRDSONG appeals more to the heart than to the head. It's quite a sad story, of course, but it avoids going too far in the direction of melodrama. It successfully incorporates some really huge themes: Love, forgiveness, loyalty, and others. There is also a great deal of WWI battle footage: BIRDSONG will probably appeal to most war film aficionados. Warning: Some really graphic scenes of carnage at the Somme and various other battles.

Part I shifts every few minutes from Wraysford's illicit 1910 love affair with the wife of a French business partner to his service in the British army between 1916-18. The two time settings are extremely well-synchronized: The directors and producers did a fine job of making the two stories into one. Part II, though it follows the same general pattern, is a little more of a straightforward, solidified story.

I haven't read Sebastian Faulks's original novel, but I've heard nothing but good things about it. It's probably a hard book to cinematize, but Masterpiece Theater did about the best job possible here.