Una productora de televisión con pretensiones acepta el desafío de revivir un programa de programa matutino en apuros con anfitriones en pie de guerra.Una productora de televisión con pretensiones acepta el desafío de revivir un programa de programa matutino en apuros con anfitriones en pie de guerra.Una productora de televisión con pretensiones acepta el desafío de revivir un programa de programa matutino en apuros con anfitriones en pie de guerra.
- Premios
- 1 premio ganado y 3 nominaciones en total
- Channel 9 Weatherperson
- (as Stephen Park)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
All the actors share a warm chemistry. Rachel McAdams gracefully carries the film. She's charming, funny, energetic, spontaneous, ditzy and spot on, which is exactly what Becky is supposed to be. McAdams performs naturally. I was also pleasantly surprised to see that, while she was cast alongside legends like Harrison Ford and Diane Keaton, the two senior actors allow McAdams to own 'Morning Glory'. Ford in turn is splendid as the grumpy and slightly arrogant newscaster. This is perhaps his funniest role and the actor obviously has a flair for comedy. I loved his scenes with McAdams where the two match wits. A laidback Diane Keaton, even though her screen time is limited, makes the best of her scenes and she's simply hilarious. The supporting cast that includes Jeff Goldblum, Patrick Wilson, John Pankow, Matt Malloy, Ty Burrell and Patti D'Arbanville is equally convincing.
Not only does 'Morning Glory' work as a comedy but it also tells a heartwarming story of a workaholic young lady who finally becomes a TV producer but she learns that success comes from good teamwork and in the process she creates a family. Even though the story sounds familiar, the humour and the cast more than make up for it.
On the technical side, 'Morning Glory' is very well made. The behind the scenes look of the morning TV show appeared very real thanks to the art direction. I didn't like some of the songs that played in the background but otherwise the soundtrack works (and it's barely an issue).
To sum it up, 'Morning Glory' is exhilarating and uplifting. I was smiling long after the end credits have finished rolling. This is definitely a movie to watch on a quiet evening after a tired day at work or on a rainy day. It's something one can easily enjoy with a date, with friends and with the family.
I thought "Morning Glory" is just another romantic comedy that happens to be set in a television setting, but it pleasantly surprised me. The plot in fact focuses a lot more on the stress and frustration of being an executive producer, with romance being sidelined as an almost dispensable subplot. The intensity of Becky's job is well portrayed, the two anchors' verbal wars and Mike's indifferent and selfish attitude all makes "Morning Glory" entertaining to watch. "Morning Glory" is a pleasant surprise!
I'll add that I enjoyed this film on a number of levels.
First, was the pure comedic value, which was high. Rachel McAdams owned nearly every scene she was in with not just her drop-dead-gorgeous-good-looks but with her well applied talent invested into this somewhat quirky, high energy character. McAdams' Becky was a finely crafted portrait of a warm, likable, very intelligent, hyper-kinetic, lovable screwball of a young woman. Her every moment on screen exuded lovable charm by the truckload; she's never looked more appealing or more lovely.
But McAdams certainly didn't have to carry this funny film on her own. She was ably assisted by some of the finest people in Hollywood in the persons of Harrison Ford, Diane Keaton, Jeff Goldblum, John Pankow, Patrick Wilson, Matt Malloy, Ty Burrell, Patti D'Arbanville and a long list of equally great supporters. What a great selection of professionals.
Ford was splendid as the emotionally parsimonious codger of an over-the-hill anchor. Not to be outdone, Diane Keaton was as terrific as ever in her turn as Ford's cynical, combative co-anchor; which she carried off with a wonderful exuberance and energy.
Jeff Goldblum - who always seems to land roles as some kind of "different" personality - was excellent as Ms. McAdams' crabby boss. McAdams' colleague Lenny was well worn by John Pankow who seems to add to everything I've ever seen him in. Patrick Wilson as McAdams' love interest wasn't given much material to work with but his time on screen was well spent, adding a quality performance in just the right place. Ty Burrell was funny and at the same time kind of spooky as an unappealingly unctuous departing anchor. Though a small part, it was pleasant to see Patti D'Arbanville play McAdams' mother with appropriate love and concern.
I saved Matt Malloy for last because he was an unexpected treasure. His portrayal of the show's weatherman suddenly thrust into a new and challenging role was particularly hilarious; the proverbial icing on the cake.
The second area of enjoyment was the overall effort put into the sets, art direction, sound and the other technical areas. Everything was first rate which added to the realism.
Finally, their depiction of the behind the scenes areas of a hectic television studio came across as spot on, actually heightening the chaos that seemed to follow McAdams everywhere. You can't go wrong seeing this film if you're looking for a fun night at the movies.
A big thank you to the makers of this entertaining gem! By Bruce L. Jones http://webpages.charter.net/bruce.jones1/
¿Sabías que…?
- TriviaRachel McAdams initially was not keen on making the film - a comedy - as she felt she was unsuited to being funny. Director Roger Michell took her out for dinner several times to convince her otherwise.
- ErroresWhen Becky approaches Pomeroy on the hill, he fires two shots at some birds. As the second shot goes off, it is seen that his finger is not on the trigger, but behind it. Actualy this type of double barrel shotgun has two triggers, one behind the other. When you take a good look you see that his finger is indeed behind the first one but also on the second trigger which is correct.
- Citas
Mike Pomeroy: Nobody really cares that I can do this job, but... but I can. I wanted you to see that.
Becky Fuller: That was a great story, Mike. That was... that was better than a great story, that was great television. I mean, that was bran with a donut. A bran donut.
Mike Pomeroy: I've got a grandkid. Did you know that? Alexander. I haven't seen him since I got fired. I was embarrassed... after all I'd accomplished. And then to... come back to the news... this way. The truth is, I'd... I'd screwed up with my kids way before I got canned. Anyway, I was never at home and... when I was, I took every phone call, watching TV out of the corner of my eye. Why am I telling you this? You're worse than I am. You'd sleep at the office if you could. Let me tell you how it turns out. You end up with... with nothing. Nothing. Which is... which is what I had. 'Till you came along.
Becky Fuller: Wait a second. Did you just say something nice to me?
Mike Pomeroy: I told you I could banter.
- Créditos curiososThe Bad Robot logo fades to the opening scene within the box the robot was in. The box, with the opening scene in it, then proceeds to expand in size until it fills the frame.
- ConexionesFeatured in Richard Roeper & the Movies: Fall Preview 2010 (2010)
- Bandas sonorasFree Me
Written by Joss Stone, Leo Nocentelli, Jonathan Shorten, Conner Reeves, and Eric "Kenya" Baker
Performed by Joss Stone
Courtesy of Virgin Records Ltd
Selecciones populares
- How long is Morning Glory?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Idiomas
- También se conoce como
- Xin Chào Buổi Sáng
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 40,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 31,011,732
- Fin de semana de estreno en EE. UU. y Canadá
- USD 9,203,266
- 14 nov 2010
- Total a nivel mundial
- USD 60,040,976
- Tiempo de ejecución1 hora 47 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1