Love Ranch

Love Ranch fooled me but good. For some reason, I was picturing a raucous, raunchy comedy about a legal brothel run by Joe Pesci and Helen Mirren. But it's not really that way at all; no, this is a standard-issue melodrama about an abusive misogynist who runs his part of the world, his steely wife who runs the business side of the things, and the hapless pro boxer who gets mixed up with them. It's not funny because it's not supposed to be, and that's kind of sad; there's potential for laughs, but in the end all you get are clichés and bad character choices.

Charlie (Pesci) and Grace (Mirren) Bontempo open up the first legal brothel in Nevada. She's the daughter of a prostitute, he's done a stretch in San Quentin. It's the 1970s. They have a pretty good setup for themselves; good-looking women, steady clients, and the law on their side (and in their pockets). They don't want for much, seemingly. Then Charlie, a hotheaded tempest in a teacup if ever there was one, gets the idea that they'll garner more respect (or, more accurately, he will) if they own a successful professional boxer. So he buys the contract of one Armando Bruza, an up-and-coming Argentinian, much to Grace's chagrin. Charlie's banking on his guy doing well in his next fight, based on the rumor that Muhammed Ali would take on the winner.

Here, Pesci plays a slightly watered-down version of Tommy DeVito from Goodfellas. He's foul mouthed, ill tempered, not very bright about a great many things, and seems to survive on chutzpah and the good grace of, well, Grace. Naturally, being the proprietor of a brothel has its privileges, and Charlie samples the wares with some regularity, an occurrence that Grace idly tolerates. When she's asked to become Bruza's manager - as a felon, Charlie can't get a license - she's reluctant, but the swarthy boxer has other ideas. And so it goes.

Now, there's nothing inherently wrong with predictability. If I expect A to happen, and A happens, that's okay - as long as A wasn't spelled out as a fait accompli. If I expect A to happen, but B happens, that is also okay - as long as B is plausible. Here, I expect A to happen, and A happens, and it's obvious from almost the start of the movie that A will happen. This extends to character development as well. If a character does something, say, out of character (!), that's fine - as long as it propels the plot AND makes some bit of sense. Otherwise, it's just a ploy to get me to keep watching. In this movie, Charlie's character is so one-dimensional that when he makes an attempt to be lovey-dovey with Grace it's not even remotely believable. I can blame Pesci a little for this, but it just seem as if he had much to work with.

And for a movie that uses a brothel as its main background, there's very little naughty stuff going on; they may as well have set it in a video store, if those still existed. There's a side plot about some high-and-mighty moral compass waging a war against the legal brothel, but it's barely touched upon, pardon the pun. (The other puns are unpardonable.) The plot just bounces around from issue to issue, circling the main story threat of Bruza, Grace, and Charlie. The result is sometimes maudlin and hackneyed and other terms writers use to describe crappy writing.

The film has two sags: One very early on in Act I and another late in Act II. In observing a small private audience that was viewing this film, they were all very much engaged in the drama and the action throughout, but they were nearly lost during the two sags. If it were not for those, the film might have attracted a larger audience.

This is not the story of the Mustang Ranch, per se, but rather the story an ambiguous love triangle. (I am thoroughly aware of the Mustang Ranch story, and know Joe Conforte's attorney and best friend, Virgil Bucchanieri, quite well). For example, the film does not use the gimmick of trying to exaggerate the characters that inhabit the brothel, and resists the temptation of trying to replicate the exotica of the Star Wars bar scene.

The real test for a film with this class of story arc is the degree to which we care about the characters mid-way through Act II. Do we care what happens to them in Act III? I and the other audience members all agreed that we did and we shed the expected tears in a tense moment between the dreamer, played by Joe Pesci, and the determined pragmatist, played by Helen Mirren, in the penultimate scene. None of the central or supporting roles were in any way "cardboard" characters.

The production values were quite high and the number of technical errors were minimal (three errors with production sound that really should have been fixed in post plus a couple of continuity errors). Music was very subtle to the point of vanishing at times. There was no attempt at creating a photographic theme: it was all shot color-balanced at neutral without any exaggerated focus-pulls, odd camera framing or moves (but a lot of crane rentals were involved), Pro-mist filters, or too many magic hour shots. That is, the cinematography did not draw attention away from the drama.

The film resolves unambiguously with a shock ending that is well worth waiting for. My final test of entertainment value is: "Are there any scenes in this film that I will remember and repeat in my mind's eye the next day?" I would say that there are such scenes, and I therefore give this picture a 7 out of 10.

The movie entitled "Love Ranch" is a drama based on The world famous brothel located near Reno called the Mustang ranch. The storyline is a thinly disguised telling of the relationship between the Brothel owner Joe Conforte, His wife and a boxer named Oscar Buenovena. Vicki appeared as an extra in street and casino scenes filmed in downtown Reno.

The film scheduled to be released in theaters on Sept 16th stars Joe Pesci and Helen Mirren and takes place here in Reno and at the ranch east of Reno (Ranch scenes for most part were filmed in Albq, NM).

Last night we attended a special screening of the film prior to its release hosted by the director Taylor Hackford (Ray, Proof of Life and others) The film while not as good as I hoped also was not as bad as some rumors had it. Overall if you get a chance worth seeing . The negatives I saw were considerable license took with the facts of the real story and the music used was terrible. Living in Reno the NM set fell short of the real location but if one not familiar with the territory it will pass. Pesci and Mirrin did a decent job of portraying the conforte couple was good I wasn't quite as impressed with the Boxer

I sought this movie out on DVD because it's cinema release was negligible, and anything with Helen Mirren will have some merit. I can only imagine it's almost invisible release was due to the inability of the youthful marketeers to easily identify the box in which to place it, romance, thriller, gangster flic? For those of us who don't care about such trite labels, this is an interesting movie, characters with some depth, it's not really about goodies or baddies, or even right or wrong, it's a story, with some romance, some humour, some sex, some drama, great performances from stalwarts and what should have been a launch pad to international stardom for the young Spaniard...fear not Sergio, we will see you again. I liked it a lot and really recommend it to people who enjoy films about other people rather than machines and/or concepts!

I guess I cannot agree with the ratings here on IMDb every time.

For example I just saw Scott Pilgrim vs. the World rated 8.0 then I seen this movie, Love Ranch only 5.3 -- and while the general public still seems to be in love with the youthful glee based in symbolic fantastic fake X-box gaming TRONlike facade of Scott Pilgrim, they seem to rank an incredible life scenario reality based movie, Love Ranch which is based on a couple in their sixties based on a true story, as it were borderline doggy do. Once again, I guess most movie goers would rather not handle the truth.

I must admit, when I was watching Love Ranch, I was reminded of the movie Papillon, in which they tried to fit a two week read into a two hour movie. I thought I was watching the same kind of movie making from a book being made into 2 hour script reducing it to bits and pieces of condensed scenes. But I guess it was merely a rushed screenplay and not a condensed book when I read about it on IMDb. I suppose part of the problem could have been the spontaneous direction in the seemingly rushed storyline.

Other than that I would give this movie with better editing and direction of script a 9 or 10 rating because the intense reality and grip of the characters like between Helen and the boxer. This was incredibly well done... may sometimes been kind of unbelievable, but in the end their impeccable acting crafts both pulled together a gripping story.

I think without a doubt it could and should have been handled better through production, but the movie itself is infinitely more meaningful than a teeny love triangular crap as in the movie I spoke of earlier.

All in all a great movie that needed to be nurtured a lot more to be made into a fantastic movie.

GT