El luchador

As someone who's a fan and who has actually worked behind the scenes in pro wrestling, I can tell you that Randy "The Ram" Robinson's story is a very respectful and realistic portrayal of the toll pro wrestling takes on its stars' lives. Certainly not everyone in the biz ends up as destitute and lonely as Randy was - some do, definitely - but those who end up well-off in every sense of the word (like Hulk Hogan, John Cena, Stone Cold Steve Austin, and The Rock, for instance) are VERY, VERY rare. Most end up somewhere in between.

Interestingly, as precarious as Randy's health became, however, if he were in his mid-50's (as was Mickey Rourke at the time), he still had a longer pro wrestling career than many others who abused their body likewise. Randy still was made up of some very tough stuff and in fact beat the odds with his career length.

When asked "is pro wrestling fake?", I always answer, "only where it needs to be" - i.e., the story lines and SOME of the action. No one deliberately sets out to end another one's career, but like any other contact sport such as pro football, the athleticism and subsequent pain & injury are all TOO real. There's no "off season" in pro wrestling, and certainly no astronomically high salaries as other pro athletes make - not by a long shot. But in pro wrestling you'll find the best athletes in the world.

Bottom line: It's a brutal business and an extremely hard way to make a living - period. That's why the men and women who stick with it and suffer all they do is for one reason only - because they love it. May God bless them all. :)

Very rarely an artistic come back is so pointed, so truthful and/or so honest. Mickey Rourke is extraordinary here and I can assure you, he'll break your heart. "It's not over until you (pointing at the audience) tell me its over" Who was saying that? Mickey Rourke himself or his character? Both, I think both. I felt a chill run down my spine, the kind of chill you feel when confronted by an unvarnished truth. Darren Aronofsky is definitely someone to watch and to follow. His characters face limit situations and he finds torturous paths for them to travel. What makes the whole thing endurable is the unmistakable signs of self awareness. In "The Wrestler" the painful meeting between Ram and his daughter (played by Evan Rachel Wood) have the overwhelming weight of the truth without a hint of sentimentality. As we are approaching Oscar season I imagine already a fight to the finish between Sean Penn for "Milk" and Mickey Rourke for "The Wrestler" They both deserve the highest accolade. What a year!

If the phrase "the little movie that could" applies to any movie this year then it most certainly does to "The Wrestler". It is one of the best movies I've seen last year, and more than that it is even more special due to the brilliant and amazing performance of its cast.

The return of Mickey Rourke was overdue, a gifted and talented actor, who in my opinion was wrongly shunned and marginalized because of his past attitude and behaviour which marked him as a "bad boy". Hollywood surely likes to sometimes punish its own, especially those individuals who don't repent and crawl on their knees asking for "cinematic forgiveness" from their peers. What happened to Mickey Rourke was pure hypocrisy on the part of an industry that has no problem tolerating much, much worse behaviour on the part of less talented individuals; an industry that from time to time seeks to attain some kind of superficial saving grace marked by a phony mea culpa and a symbolic sacrificial lamb, in this case Mickey Rourke. I ask, how is what he did any different than the behaviour of let's say Lindsay Lohan, whom many critics where at one point anointing her as the next Jody Foster or Merryl Streep?!?!? Talk about self-imposed blindness! When I last saw Rourke in "Sin City", I was, albeit briefly but forcefully reminded, of how good of an actor he really is. So imagine my pleasure and anticipation when "The Wrestler" came out! At heart this is a story of redemption, but here comes the kick, it is actually an attempt and ultimate failure at redemption, at least in the sense that redemption is understood in today's society. This is a profoundly sad movie, but that fact does not take away one bit from the movie, rather it makes it more believable and even more powerful.

As Bruce Springsteen's song by the same title points out, there are some wrongs that can't be righted and some wounds that can't be mended, and that is the situation Mikey Rourke's character finds himself in. I don't want to discuss the movie in detail, nor give anything away from the plot or storyline, suffice to say that this is one viewing that is more than worth sitting through from beginning to end.

Rourke, Marisa Tomei (another grossly underrated actress) and Evan Rachel Wood are phenomenal and really hold their own and make the most of their on-screen time. Whatever award nominations and wins these actors are likely to get are more than deserved. Darren Aronofsky has really grown by leaps and bounds in his solid and varied career as director. I am personally glad that he decided to helm this project, the end result speaks for itself.

Ultimately there is redemption to be found in this movie, but it comes at a heavy price, to me that redemption takes the form of the triumph of the human spirit against insurmountable odds and seemingly impossible choices. These days that is a bold statement to make!

I caught an advanced screening of The Wrestler starring Mickey Rourke last night in Hollywood, CA. Following the screening was a Q&A session with Mickey Rourke, Darren Aronofsky, Marisa Tomei, Evan Rachel Wood, and film composer Clint Mansell.

Mickey Rourke delivers one of the most honest and heart breaking performances I've seen from an actor. Very rarely do you see an actor come back with such a role. He is truly extraordinary in The Wrestler. There are times in this film when I wonder just how much of this is Mickey in character as "The Ram" or Mickey reacting as Mickey to a situation similar to what he went through in his "lost years". The parallels are astounding. There is a scene when Randy "The Ram" is in the ring and he points to the audience "It is not over until you tell me it's over". Is it Mickey or Randy talking there? As a newly revived Mickey Rourke fan, I can tell you this audience member says it's just beginning Mickey!

Marissa Tomei delivers a stellar performance as an aging exotic dancer the parallel story to Mickey's character "The Ram". Evan Rachel Wood really brings it as "The Rams" angry, abandoned and emotionally exhausted daughter. The chemistry between Mickey and Evan is breath taking!

Darren Aronofsky delivers this story to us with honesty, realism and artistic skill. I think this young director will be around making fantastic films for some time to come. At least I hope he is!

You can't go wrong with this film. It is rock solid to the core!

Facts from the Q&A

Only the 3rd American Film to with the Golden Lion at the Venice Film Festival.

The film was made for $7 Million.

The filmscore is more atmospheric as the composer did not want to interfere with the documentary feel of the film.

Mickey Rourke trained for 6 months to get to the wrestling weight of 235 for the film. Weight training, wrestling training and eating 5,000 calories.

The scenes of Mickey Rourke and Evan Rachel Wood were as real as they could get. The actors put on music before the scene and just talked about their real life and Mickey's parallels to the film. When the director felt they were there he would yell action and they would work through the scene.

The scenes back stage with the wrestlers were all real as well. The crew would go to wrestling matches and film the wrestlers before/after matches. Mickey would walk in and introduce himself (in character) and the scene was improvised.

The film was about 20-30% improvisation from the actors.

"The Wrestler" is a beautiful movie, but it wouldn't be half as good if Mickey Rourke hadn't given the main character a face and a heart. There's virtually no other Hollywood actor that could have embodied Randy "The Ram" Robinson as perfectly as Rourke, and it's shocking to think how the movie could have turned out had someone else, say Bruce Willis or - as originally planned - Nicolas Cage played the part. With Rourke it's not so much an actor memorizing lines and delivering them convincingly, it's like watching a guy having gone through hell and now showing his scars. Rourke's performance even lets one overlook some rather clichéd elements in the story (the exotic dancer with a golden heart, the neglected daughter, a dance in a romantic dilapidated ballroom). It's all good, because one look at Randy's face reminds us of all the hits and punches he must have taken in the past, and it all becomes real again.

So, Rourke obviously makes the movie, but that's not the only remarkable thing. Besides a very good performance by the beautiful Marisa Tomei, "The Wrestler" is also worth mentioning because it marks the first time Darren Aronofsky has made a straight forward drama that's not heavy headed or laden with too much symbolism. After the highly pretentious "The Fountain" such a movie was more than due. "The Wrestler" proves that Aronofsky is not only capable of stylistic extravaganza, but can also handle the art of "plain" storytelling.

The fine title song by Bruce Springsteen must not be forgotten, either. After "Streets Of Philadelphia" and "Dead Man Walking" this is his third soundtrack contribution that captures the feel of a movie beautifully. Props to Aronofsky for putting an emphasis on that song by letting it play over a black screen for a couple of seconds before the closing credits start to roll.

In the end, "The Wrestler" is such a huge success because Aronofsky made the right choice by insisting on Rourke to play the main role, and because Rourke more than lived up to the director's expectations. Sean Penn may have been very good in "Milk", but the character of The Wrestler is a thousand times more interesting and memorable, and considering that fact that Rourke will forever be remembered for this great performance, he would really have deserved the Oscar.