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The Free State Of Jones tells the tale of Newton Knight a farmer from Mississippi who was at least a century ahead of his times in terms of economics and human rights. After the battle of Corinth he learns that if one is rich enough to own slaves one is exempt from the fight because in this struggle for the rights of one to own another you have to leave some people behind lest the "property" start getting ideas.

The phrase "rich man's war,poor man's fight" never had more meaning than in the situation Knight finds himself in. He just walks away from the Confederate army and before long he's heading a movement back home seceding from the seceding Confederacy. Jones County opts for its own independence.

As played by Matthew McConaughey we see Knight certainly a person of humble circumstances who like Abraham Lincoln is a man who recognizes some great moral issues. McConaughey is humble and modest, but overwhelming in his portrayal. This film might get him a trip to the Oscars.

The two women in his life wife Keri Russell and Gugu Mbatha-Raw, the former slave who develops a relationship with McConaughey are also quite moving in their portrayal. Interracial relationships put McConaughey way ahead of his time. There is a modern story of one of his descendants unable to marry because of Mississippi's miscegenation laws post World War II. I'm not sure it was necessary for this film it kind of interrupted the flow of the main plot. In any event it probably deserved its own film.

Down the cast list there is a very moving performance by young Jacob Lofland in the beginning of the film as a young Confederate soldier who with McConaughey also realizes what business has he in a fight to protect some plantation owner's right to have slaves. You won't forget it if you see Free State Of Jones.

And you should see it.

9.25 of 10. The many shades of slave and involuntary servitude come to light in this story. A film that's true enough that it deserves to be something shown to students to help their interest and expand their understanding of American history, but too gruesome, violent, and explicit in language for the typical school.

It may also be a little too quiet and slow moving for some, but the depth to which the film explores obscure American Civil War facts and events, both during and after, makes one curiouser and curiouser to see where it goes.

This is a rare film that you can watch a trailer of, or not, and not have it ruin the film. In fact, it would be very difficult to anyone to write a spoiler for this. It's also something you want to watch from beginning to end, or at least until the credits shift to white text on black. It may not be the ideal theater film, but it definitely is worthy of a hard copy for your book/DVD shelf.

FREE STATE OF JONES, A REVIEW AND A COUPLE OF ASIDES

My father grew up in Soso, Mississippi. My mother passed away in January of this year. So when the movie came out, and he said he thought he would like to see it, I offered to go with him. He liked that, so today, on my parents 62nd wedding anniversary, which we did not mention, but I am certain was on his mind as much as mine, we went.

The Movies of Lake Worth is in a little strip shopping center out near the Florida Turnpike. It was nice that I could pull up near the curb and let my 84 year old father out with his walker. Nicer still that the walk to the theater where it was showing was the first door inside. The rows were spacious so he could even push the walker in front of him, and we sat.

My father has often talked about the Knight N___gs, of course being an old white man from Mississippi, he uses the word. Funny thing, he doesn't use the "N-word" in conversation, but i guess because the community held the Knights in a "Special" place, this was the title he knows to call them by. He recently told me that his mother, born in 1910 was picking black berries or strawberries and she and her family stopped at the Knight house to get water. That was apparently the only time anyone in his family had anything to do with the Knights.

The movie does a good job of not sugar coating anything, from the battlefield scenes to the trial for interracial marriage (shades of the gay marriage struggle in Mississippi today), to the killings of both white and black folks. The saddest part of the story is how a handful of runaway slaves helped Newton and then many more whites, but in all too common southern white fashion, the white folks, when the war was over and the deserters were safe, they turned on the blacks, even the ones who had saved their lives.

I know the British, the Belgians, the Germans, and 100 other countries, including the US Army has been guilty of equally disappointing human behavior, but this is a story about my people. Some of the people on both sides of the story are probably my ancestors. I know some fought in the Civil War, as confederates. Some probably hid out in the swamp and then betrayed those who helped them when it was time to bring Mississippi out of the dark.

The movie doesn't shy away, it doesn't spare anybody. There are two things I wonder about though.

Knight comes off as being nearly a saint. Maybe he was. Really, with the exception of Rachel and Moses, the Black folks don't have a lot of leadership. Again, maybe because of the times, they didn't, maybe it was understood the being Black and "uppity" was a good way to get killed. I just wonder if it was as much the brave smart white Newt, or if he took a bit of opportunity. Or, more likely, Hollywood has a big bankable white male star and they wanted to give him even more glory than the story had.

I don't know. The whole Free State of Jones is a history so hard to find much truth in. In fact, Mississippi is a place to find much truth in. It is my birth state, but I find more heartache than joy in it. I enjoyed the time with my dad, and it was interesting to see some kind of truth about a bizarre piece of history we have a tangential connection to.

My father's only comment was, "Some people say it was so bad back than, but it was." I think he is right about that.

I was disappointed the theater 100% white people, and with the exception of a 20 something young man and woman who could have been his young mother or older girlfriend, everybody was closer to my dad's age than even my 56 years.

If you are interested in an unvarnished view of parts of American history that you may not know much about, go see the movie. It was well done. It might even be close to the truth.

I enjoyed the movie and would have rated it an 8 but for some pacing issues, including how they awkwardly managed the flash forward scenes to the sub-plot with Newton Knight's descendant.

I'm not a history buff, but also not opposed to learn about compelling stories, and this was one. Who knew that there was this sub-war going on in the middle of the Civil War, or about this Lincoln-esque southern guy willing to fight the good fight? Knight was an inspiring guy who somehow saw forest through the trees and had courage to do right in a world with wrong going on all around him.

The acting was quite good. I particularly enjoyed fresh faces like Mahershala Ali (Moses) and Gugu-Mbatha Raw (Rachel). The script was not full of period clichés or overly polish, things I appreciated in a movie like Tombstone, but could have been a distraction in Free State which fortunately kept it real.

Matthew McConaughey was excellent in the lead as the gritty Newton Knight. Not as gritty as his brother Rooster, but the grit suits him. Very believable. But this is not a movie that shines due to his good looks, rather from his good acting.

Some of the more critical reviews made comment about FSoJ as "hopelessly adrift", "trips over its own themes as it stumbles aimlessly," "is confusing", and "It's not that the story itself is hard to follow, but Gary Ross' script and direction fail to make clear key personal relationships in the film, and throughout its 2 ¼ hours, it makes the audience wonder where the story is going and whether this movie has much of a point at all."

Wow! All I can tell you is that I did not know the story, and there were some moments where it fumbles, but I kept up with it just fine. For me the movie's strengths far outweighed its weaknesses. Definitely not an average or sub-par movie — the subject matter alone puts it ahead of so many other films.

At times I questioned the casting on some of the supporting roles, but that may be Hollywood conditioning thing, and on reflection this cast probably showed what people were like back in that day.

After the movie I read up on the Davis Knight story. He was the great grandson who was embattled in a miscegenation trial in 1940s Mississippi. He was 1/8 African American, looked white (in the movie) and married a white woman; a crime back in the day in Mississippi. Have to wonder why they didn't prosecute the white wife. Hmm.

It goes to show you how much times have changed: now days in Mississippi Batman can marry Superman, dogs can marry cats, and democrats can marry republicans. You won't see any of that in Raqqa. It's a crazy mixed up world folks.

To sum things up, it's not a perfect movie, and there were some issues making it hard to track at times, but a fascinating sub-plot to the real Civil War, it kept my interest, and the acting was good. Any movie that has me reading up on its story after the film has got to be worth seeing.

What is a society that knows the price of a man but not his worth as a human being? Probably that's the irony of being an industrial civilization. While it aims to improve the status of mankind, it also requires lot of labour. The cheaper it is, the better. That's where slavery comes into the picture. Slavery is a function of economics alone. Race, colour etc. are merely justifications for it. It's ultimately the conflict between empowered and the weak. Free State Of Jones puts it quite succinctly and with absolute conviction. There's no ifs and buts that blur the issue of freedom. It doesn't try to distract us with metaphors and confusing moralities. Its very clear in intention, much like Newton Knight, who's life this movie is based on.

Free State of Jones is a very entertaining film for its performances. Mathew McConaughey is often joked about for his intense style but in this role is where you can see why he's an Academy Award winner. Never mind those impersonations of him. He is John Woodroof, he is Newton Knight. There are also very astute performances from Gugu Mbatha-Raw and Mahershala Ali. It has a slew of characters like in any historical drama but thankfully all are in proper proportions. No wonder it comes from the director of The Hunger Games! Another striking quality of the movie is the soundtrack. Use of traditional as well as original songs bring a noticeable gravity to the narrative.

Apart from the brilliant cinematography and direction, this movie has a unique perspective to dealing with a subject as sensitive as this. It transcends the time and period when this story takes place. While the main thread of the narration tells the legendary story of Knight who goes absconding from confederate army and later creates the Free State of Jones in the midst of raging American Civil War, the other thread follows his great-great-great grandson Davis Knight undergoing trial for mixed-race marriage. Yes, even after 85 years, it was still an issue. When you watch it, you'll find the ridiculousness of it, all the more blatant. Well, this review does not mean to judge the laws of the land nor the way of life of the society. However, if at all you are concerned about the historical accuracy of the film then you should know that its one of the very few period dramas that carries this impressive a list of academic consultants to its credit.

The story of the Free State of Jones is not merely fascinating. It's a glorious story of a glorious man. Much like his namesake who discovered theory of Gravity, Newton Knight discovers something about man. You may understand why it could be discomforting to watch if not with an open mind. It is a jab at the ages of segregationist politics, but unlike most films with liberal agendas, it is not cryptic and morose. Its too direct. Too simple to fathom. It doesn't paint Newton Knight as the saviour but only as a hero that he is. He is as deceived and victimized by the system as everyone else. Only difference is that he had an idea way ahead of his times and he had a chance to implement it. Nature was in favour of the man and even when the times were exceptionally odd for his principles to find ground, he endured. Newton Knight went on to live to a ripe old age of 84 which in itself is astonishing in the 1800s. Thank you Gary Ross for sharing this incredible story on silver screen. Too bad it didn't do well commercially.