La linea

An assassin and his partner (Ray Liotta and Kevin Gage) are commissioned to take down the new head of a drug cartel (Esai Morales) that has taken over for the dying drug lord (Andy Garcia). Jordi Vilasuso plays a cartel rival, Armand Assante a padre, Valerie Cruz a woman that befriends the assassin and Bruce Davison a US agent.

"The Line" (2009), aka "La Linea," is a gritty crime thriller taking place in Tijuana that's more moody psychological drama than action flick. It's similar in style, locations and content to "Borderland" (2007), albeit less of a horror flick (yet still containing loads of horror). Like that movie, there are glimmerings of greatness amidst the grey mayhem in the mold of "Apocalypse Now."

Unfortunately, the story's sometimes confusing which would be helped if you use the subtitles since some of the dialogue is difficult to discern (I viewed it on DVD and didn't have that option). But there's a lot to appreciate here, including the quality cast, the style, the melancholy vibe, the music, the poignant drama, the gritty action and several beautiful Mexican women. The movie's obscure, but it shouldn't be.

The film runs 1 hour, 32 minutes, and was shot in Tijuana, the border area, and Los Angeles.

GRADE: B-

La Linea is a great film, but it is also a bit of a trick, which may hurt the film eventually. No doubt that the distributors and the Hollywood machine will try to market this film as a topical action film snatched right out of the headlines. In actuality, La Linea is a classic character study of several complex people who converge and/or collide in the very dangerous city of Tijuana, Mexico.

Ray Liotta plays a hired assassin (whose paymaster we don't know until the end), who heads down in the underbelly of Tijuana to track down a the newly installed head of the Cartel (Esai Morales). The problem is that Esai Morales' character is trying to move the Cartels business from Cocaine (which, in this story, is approved by the US government), to Afghani Heroin. This decision sets into motion an internal struggle for control of the crime syndicate, as well as triggers the US government to send in assassins to get rid of the problem.

Sounds like an action movie for Dolph Lundgren, right? No. Interestingly enough, La Linea is really a multiple character study: An assassin haunted by guilt. An uber-violent Cartel leader that has to go to confession everyday. The assassins sidekick who is more interested in local hookers than getting the hit done. A local prostitute and single mother who takes a stranger in and cares for him. These are all story lines that thread through this very dark tail. I did enjoy the film, and I would definitely recommend it. My only hope is that the powers that be market the film for what it is, so that people who are looking to see a Dolph Lundgren film, don't pick it up and are disappointed. This is a very well done film, with beautiful cinematography and from what I understand, completely independently financed. We need more like it.

This is one of those films that has so many characters in it that it's very easy to lose track of the plot as people discuss their intricate relationships and interactions. I enjoyed the film and was engrossed in it, but frequently lost due to the many twists and turns. Of course part of the appeal is wondering just who is doing what to whom and why, so perhaps this isn't as much of a problem as I'm making it out to be.

It's a very well-made, well-acted film with a great cast and exotic, frightening location. I doubt it will do much for tourism to Tijuana, but it is a very taut, timely movie that will hold your interest. There are a few typical clichés (the hooker with the heart of gold - Mexicans who speak English to each other even when there are no native English speakers around), but these are kept to a minimum. Ray Liota is one of the producers of the film, but it's not "his" movie. In fact, Andy Garcia does a superb job of being quietly creepy and even a bit sympathetic.

If you're looking for a powerful, somewhat dark drama, The Line fits the bill excellently.

Wow, it's getting to where I really can't trust IMDb ratings to decide what to watch anymore. This movie is underrated. I suspect many people who rated it low, wanted more explosions and car chases. This is not an action film. It is a subtle yet intense look at how a person can be extremely tough yet so very vulnerable at the same time. There are no feel good characters. No role model action heroes. No clear cut lines between good and bad.

Other reviewers have noted that it was confusing. Admittedly the script was confusing at first. It wasn't clear who was motivated by what, and what flashbacks meant what to whom. But about halfway through the film it starts to come together beautifully and continues to do so to the interesting and somewhat moving end. If you stop waiting for the gratuitous action scenes which never happen, and just watch the story, it works well. Yes, some plot points seem a little unrealistic, but that's why I put the story at only a 7.

While the story is good, the acting is all around superb. I have never been the biggest Liotta fan. He's good, but like a lot of tough guy character actors, sometimes his tough guy persona crosses the line into bluffery in my opinion. Not here. He was near perfect. Almost everyone was, including minor characters played by people I have never heard of. No fake looking bluffery, nothing overdone. I would give this a 7 for story and direction, but the acting puts it up to 8.

Also, the music was as wonderfully chosen as the actors. There was a point in the middle of the movie where one character began to cry. We aren't shown explicitly why, no details, but we are shown enough to understand and fill in her story for ourselves. I found that one scene, with the song from Melody Gardot, particularly beautiful.

In a nutshell, I would describe this as a smoulderingly intense drama. If you are looking for an action thriller you will be disappointed.

It is very difficult to give something new to the audience. Specially when talking about such a controversial topics as Drug dealing, mafia, terrorism, cartels Etc.

Being Mexican myself I looked forward to see how a new director would portray this "not to take lightly" topic. The first impression I got as I began to watch the movie was the serious influence of Steven Soderbergh's "Traffic", a fabulous movie which provides an unusual vision of the drug underworld. As the movie continued it was not difficult to identify some the similarity with some other movies, not only character wise, but also concerning plot, conflict and even cinematography.

Shields' character is a weird mix of Denzel's Creasy in Man on fire and Pierce Brosnan's hit-man in Matador. Both very well structured characters, but when combined do not have the same effect.

It is difficult to be bring something new to Drug dealing movies, particularly because everything has pretty much been said about dealing drugs; so when a director tries to give some extra dramatic flavor, it has a contradictory effect, It is appealing but not very coherent.

Check out this movie it is not completely dismissible, specially if you take into account its independent nature. But do not expect to see anything worth referring to in the future.