Ella Dijo

I totally agree, and 'She Said' is the movie bigger than Weinstein. Rather than focusing on scandalous aspects, 'She said' tries to find the root problem of sexual abuses in the workplace and the culture of building silence, following investigators' footsteps to the core. The spectrum of messages in the movie ranges from personal to structural and systematic. The film starts with things very personal. It portrays motherhood and working mothers' struggle. It allocates much screen time of protagonists interacting with their daughters, signifying that the victims are not 'them'; it could be us and that we have to try hard not to pass this culture to future generations. There are, of course, small but relatable things for women such as unsolicited approach in the bar and postpartum depression. However, this film does not stop there. It questions the integral issues deeply rooted in the societal system. After the sexual misconduct by an assailant who is probably higher in ranking, it's the victim who leaves the company. NDA is used against victims for intimidation of lawsuits. The company which is responsible for an abusive environment forces them to be silent under the name of LAW. It becomes the shield for an assailant with resources and power. Megan and Jodi point out how sexual harassment law is weak, almost non-existent and how Equal Employment Opportunity Commission conceals information dearly needed for public.

I appreciate not only the story itself but also how 'She Said' tells the story. Very realistic portrayal of the newsroom and how the news is made. No frills or dramas, just plainly how it is. In this way, the audience does not get mixed up with dramas but stays focused on the main narrative and the message.

Even though they did not get much screen time, Samantha Morton and Jennifer Ehle steal the show, freaking echoing the whole space with calm demeanor. Breathtaking performances from veterans.

Sometimes a movie is a record of events, a record of the truth, which lifts its importance higher than mere entertainment. There have been some notable films about real events, history changing events, and beyond the independently high value of each film, none have come close to All the President's Men (1976).

There comes a moment in every film about journalism, that the size of the shark is revealed. In All the President's Men it is towards the end: "everyone is involved (...) your lives are in danger". In Spotlight (2015) it's when they realize the number of abusive priests, in Boston alone, is not five or six but over ninety. In She Said (2022) the size of the shark is revealed at the historical notes just before the end credits.

She Said, may not be about a crook of a US President or the systemic cover-up of abuse by the Catholic church, but it is about something that reaches far and wide in every corner of life and of the workplace: the abuse of women and the abusers' standard defense that the victims are making it up, and then paying them off for their silence.

Although the pace of the movie is slow and low key, like any investigative journalism is in real life, I would have wanted a few points of punctuation where we instantly realize we are going to need a bigger boat. Yes, such real-life points have been accurately transferred to the screen in She Said, but you have to look for them, they don't jump out at you, and if you are already sleeping you might miss them. This admittedly very well-made movie could do with a little more catering to audiences that need to be pinched awake once in a reel or so.

For years now I have stopped re-watching Weinstein's excellent movies because they were made by a despicable creature who hurt human beings while making these excellent movies. No Weinstein re-runs for me. And kudos to the New York Times investigative reporters and to the New York Times for going after a world-renowned film producer and, in the beginning of the movie, going after a presidential candidate. The producer is now serving 23 years and the candidate got elected. I wonder how much of this movie was also about our society itself, that harbors such people and promotes them. And, speaking of society depicted on film, I wonder how many negative "helpful's" I'll get as punishment for my previous phrase.

When the Weinstein story first broke out, I was absolutely seething for days. And watching this movie brought all those feelings back again.

I can't imagine what it must have been like for these women to deal with a monster like that, let alone be preyed upon and assaulted by him.

The film is a feminist version of All The President's Men mixed with Spotlight, in which a group of journalists work tirelessly and passionately to research and write a story that will ultimately change the world.

Although there is no character development, there are good performances all around, especially from Carey Mulligan and Jennifer Ehle.

To think that this was going on for literally decades and up until recently is just insane.

Brilliant, powerful film.

The two leading actors did a fantastic job. It was hard for me to find anything wrong with this film. I could not believe how the two hours went so quickly for me.

At one point the frustration for Megan Twohey bubbles over and that scene brought a few tears.

It's important for people to see and understand how prevalent the intimidation and bullying is in the workplace. I have had my own challenges, but nothing like some others. I'm sure it could be difficult to watch if it stirs up unfortunate memories.

I could understand it not being for everyone, but I truly hope that many take the time for it.

Brava to the screenwriting, the direction, and the acting! Pretty sure awards/nominations are coming.

It's a story of the brave and the courageous, of abuse and injury that's so outrageous, a vile predator is caged, you'll feel angered and enraged, as he's abhorrent, evil, heinous, and quite viscous. Jodi and Meghan lift the lid on these events, revealing a hornets nest of disturbing contents, a factual actual can of worms, makes you agitate and squirm, you'll be shouting at the screen, as your spleen vents.

A far from uncommon story of abuse when taken individually but, as they're gradually racked up against one individual the sense of what power and money can achieve, and especially conceal, leaves you questioning what really goes on behind closed doors, and whether those affected will ever come to terms with their past.

Great performances from Carey Mulligan and Zoe Kazan who's tenacity and passion for what they do shines through.