La casa del dragón

Season 1 was awesome. I was still defending the show untill this episode 6 of season 2. Enough is enough, the writers have no new ideas anymore, they don't follow the book and now this season is just super boring episode after episode. It's a Mexican soap opera now. I find it disgraceful. And it kinda is a bait and switch as well. They baited us with a very good season 1 just so they now use season 2 to push all their propaganda and personal beliefs. Is it so hard to follow the original story from the book?

The western world is having a really big writers Crisis in the entertainment industry.

Anyway, I might still keep watching this, but not with the same excitement as before. Might put it on just as background noise and go check it out when I hear a dragon. A shame.

Despite the high anticipation surrounding the series, it's unfortunate that the only captivating element is the presence of dragons. The actors lack charisma, failing to bring their characters to life in a way that engages the audience. This deficiency in performance makes it nearly impossible to form any emotional connections with the characters. The narrative, which could have been enriched by strong, memorable personalities, instead falls flat, leaving viewers disinterested and detached. The dragons, while visually impressive, aren't enough to carry the entire show and redeem its shortcomings.

This work has reached an unparalleled level of awfulness, the worst episodes are in the second season.

I'm tired and angry at this work and the stupid games the writers are playing. I didn't expect the series to reach such a level of triviality and disgust that has reached its peak. In reality, this is the price of GRRM selling the rights to his world after spending a long period of his life on it. You write and leave, and it ends up in the hands of a network that doesn't care about quality, and they team up with some bad writers, who I'm too embarrassed to call them writers, and then HBO put them in an animal barn instead of a writing room.

This ugly quality only comes from an animal barn, and I believe even if you were in an animal barn, you would be able to produce better ideas and writings, better than the work of the writers of House of the Dragons who think they can write innovative and new lines better than the original source... Unfortunately, this is the painful result.

The first season is great, second season I just don't wanna watch it anymore I put it only to fall sleep faster. Never tough game of trones story's could be so boring.

Great escenarios, great image picture, great music. But I'm not attached to any character, they are little lame. I don't wanna follow up any stories, the only one I was little attracted got stuck in a mental breakdown.

I believe they didn't chose the best cast.

Compare to GOT this is just another serie to watch to mark the checklist.

Rhaenyra could be this strong, powerful and amazing woman who changed story but instead she is just someone that can't make decisions on her own.

No emotional connection whatsoever with characters, and this is why it is not working. In 'House of the Dragon,' the narrative struggles to engage viewers on a deeper level. The characters, while visually striking and well-portrayed, lack the development needed to foster genuine attachment. Unlike 'Game of Thrones,' where complex backstories and evolving relationships drew audiences in, 'House of the Dragon' fails to provide sufficient depth. Without this emotional investment, viewers find it challenging to care about the fates and motivations of the characters. The intricate political plots and spectacular battles cannot compensate for the absence of heartfelt connections. Consequently, the show risks becoming a mere spectacle, losing the compelling human element that once captivated fans. For 'House of the Dragon' to succeed, it must cultivate richer character arcs and more intimate storytelling. Adding more personal stakes and emotional dilemmas could help bridge this gap, making the audience genuinely care about the characters' journeys.