La historia de la casa Targaryen, ambientada 200 años antes de los acontecimientos en Juego de Tronos.La historia de la casa Targaryen, ambientada 200 años antes de los acontecimientos en Juego de Tronos.La historia de la casa Targaryen, ambientada 200 años antes de los acontecimientos en Juego de Tronos.
- Ganó 1 premio Primetime Emmy
- 19 premios ganados y 90 nominaciones en total
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Resumen
Reviewers say 'House of the Dragon' is acclaimed for its storytelling, political intrigue, and Targaryen saga. Exceptional performances by Paddy Considine, Emma D'Arcy, and Matt Smith are highlighted. Stunning production design, elaborate costumes, and CGI dragons are praised. The show balances epic scale with intimate drama and stays true to George R. R. Martin's lore. However, some note pacing issues and lack of emotional connection.
Opiniones destacadas
This work has reached an unparalleled level of awfulness, the worst episodes are in the second season.
I'm tired and angry at this work and the stupid games the writers are playing. I didn't expect the series to reach such a level of triviality and disgust that has reached its peak. In reality, this is the price of GRRM selling the rights to his world after spending a long period of his life on it. You write and leave, and it ends up in the hands of a network that doesn't care about quality, and they team up with some bad writers, who I'm too embarrassed to call them writers, and then HBO put them in an animal barn instead of a writing room.
This ugly quality only comes from an animal barn, and I believe even if you were in an animal barn, you would be able to produce better ideas and writings, better than the work of the writers of House of the Dragons who think they can write innovative and new lines better than the original source... Unfortunately, this is the painful result.
I'm tired and angry at this work and the stupid games the writers are playing. I didn't expect the series to reach such a level of triviality and disgust that has reached its peak. In reality, this is the price of GRRM selling the rights to his world after spending a long period of his life on it. You write and leave, and it ends up in the hands of a network that doesn't care about quality, and they team up with some bad writers, who I'm too embarrassed to call them writers, and then HBO put them in an animal barn instead of a writing room.
This ugly quality only comes from an animal barn, and I believe even if you were in an animal barn, you would be able to produce better ideas and writings, better than the work of the writers of House of the Dragons who think they can write innovative and new lines better than the original source... Unfortunately, this is the painful result.
The first season was so good-amazing world-building, layered characters, and every episode built momentum until that unforgettable cliffhanger finale. Leaving me thinking that Game of Thrones is back!
But then came Season 2, and I couldn't help but ask: what went wrong?
Game of Thrones gave us some of the most fascinating female characters in TV history-Cersei, driven by trauma, ambition, and family; Daenerys, evolving from a powerless slave to a liberator and queen. These characters were complex, flawed, and compelling.
Now, we have a queen who complains about the men around her while making questionable decisions behind their backs. Instead of delving into the nuances of her choices, the writing reduces her to frustration when she's confronted. Meanwhile, Daemon-arguably the most captivating character-has been sidelined, left to have a mental break down. Aemond, who commands attention in every scene, has been reduced to barely any screen time even though every scene he's in is left with intensity.
It feels like the writing has lost its edge. I never thought I'd say it, but I'd rather rewatch Game of Thrones' final season than sit through this again. Season 2 deserves better writing, and so do we.
But then came Season 2, and I couldn't help but ask: what went wrong?
Game of Thrones gave us some of the most fascinating female characters in TV history-Cersei, driven by trauma, ambition, and family; Daenerys, evolving from a powerless slave to a liberator and queen. These characters were complex, flawed, and compelling.
Now, we have a queen who complains about the men around her while making questionable decisions behind their backs. Instead of delving into the nuances of her choices, the writing reduces her to frustration when she's confronted. Meanwhile, Daemon-arguably the most captivating character-has been sidelined, left to have a mental break down. Aemond, who commands attention in every scene, has been reduced to barely any screen time even though every scene he's in is left with intensity.
It feels like the writing has lost its edge. I never thought I'd say it, but I'd rather rewatch Game of Thrones' final season than sit through this again. Season 2 deserves better writing, and so do we.
I've been looking forward to House of the Dragon since the spin-off was first announced. The majority of the reviews and ratings have been great so that only enhanced my excitement. I told myself I'd be happy if it was half as good as the Game of Thrones and I can say that without a doubt that it is. While it's obviously not as good as the original (not much is) but it's definitely still a really good show that is one of the most successful shows on tv. It has the same Game of Thrones feel with all the action, drama, mystery, etc. People who don't like it either didn't want to because they hate everything or are comparing it to the original...don't. Just take it for what it is and that's a really good show! It was the most watched premiere in HBO history and has already been renewed for seasons 3 and 4. This is going to have a long run so I hope it continues to get better and better like the original did.
It is not uncommon for successful shows to experience a major drop in quality from the initial season to the next but wow, the season 2 of House of the Dragon dropped off the proverbial cliff.
After a great season 1, proving to many that the world of Westeros could still play host to interesting story lines, season 2 managed to mess that up. Too many side plots that added nothing to the overall story, too much sitting around and brooding by Queen Rhaenyra and the endless Harrenhal scenes were awful.
As so many others have pointed out, the pacing was completely off for the entire season leaving me zoning out during episodes. Now we are told that filming for season 3 will commence next year so season 3 where we might finally get some dragon-on-dragon action is likely 18 months away? While I looked forward to season 2 after a great season 1, I have to admit to not being all that excited for season 3.
What a shame.
After a great season 1, proving to many that the world of Westeros could still play host to interesting story lines, season 2 managed to mess that up. Too many side plots that added nothing to the overall story, too much sitting around and brooding by Queen Rhaenyra and the endless Harrenhal scenes were awful.
As so many others have pointed out, the pacing was completely off for the entire season leaving me zoning out during episodes. Now we are told that filming for season 3 will commence next year so season 3 where we might finally get some dragon-on-dragon action is likely 18 months away? While I looked forward to season 2 after a great season 1, I have to admit to not being all that excited for season 3.
What a shame.
Despite the high anticipation surrounding the series, it's unfortunate that the only captivating element is the presence of dragons. The actors lack charisma, failing to bring their characters to life in a way that engages the audience. This deficiency in performance makes it nearly impossible to form any emotional connections with the characters. The narrative, which could have been enriched by strong, memorable personalities, instead falls flat, leaving viewers disinterested and detached. The dragons, while visually impressive, aren't enough to carry the entire show and redeem its shortcomings.
¿Sabías que…?
- TriviaThe Iron Throne has been greatly redesigned from Game of Thrones (2011). It is larger and more asymmetrical to more closely match the description in George R.R. Martin's novels, although it is still nowhere near that big: the throne in the books is a 40-foot, immovable, asymmetrical behemoth made from 1000 swords welded together, with the seat 20 feet above the ground, and only accessible by a flight of stairs; the person sitting on it addresses people down below from 40 feet away.
- Créditos curiososThe first season's title sequence is centered on a model of the Old Valyria citadel, with blood trails running across the land and marked by symbols of the Targeryn family.
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idioma
- También se conoce como
- House of the Dragon
- Locaciones de filmación
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- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución1 hora
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- Mezcla de sonido
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