Lost in Austen

I've enjoyed Jane Austen's writing but I wouldn't consider myself a big fan. However, I loved LOST IN AUSTEN and I found it to be a readers' fantasy come true.

What would happen, what would it be like, if you had a favorite novel, one that you revisited frequently, a novel that you absolutely loved, one that you could get lost in, and suddenly you did? What would it be like to discover yourself in the middle of that story, not as one of the characters, but as yourself? Wouldn't that be totally amazing?

Well, that's exactly what happens in LOST IN AUSTEN and I loved every minute of it, as anyone who loves to read would also. This is as much a celebration of both reading and storytelling as it is about Jane Austen.

A lot of attention to detail, a cast who look and behave exactly as you expect them to look and behave, a story you're already familiar with, but now toss in the reader herself and stir the mix. WOW!

Magic!

I had a wonderful time watching this and I hope you do as well.

Three episodes in and I feel now is the time to say a big well done to all concerned. As a long time Austen lover and a fan of period/costume drama I was unsure what to expect from this reworking of a favourite story. As others have commented this bears similarities with 'Life on Mars', a person taken out of modern day life and deposited into the past, albeit Jane Austen's fictitious one. Fortunately Amanda (played by Jemima Rooper) is a devotee of the novel and is genuinely pleased to meet her favourite characters. However, and this where the series really takes a life of its own, the characters are not as she (or we) imagined them from the book, and events start taking different paths than those in the book. Amanda, horrified, tries to restore the story to its proper track but events spiral out of control and she herself is unsure whether she is now part of the story, and if so does she 'become' the character who in the novel was Elizabeth Bennet? A wealth of talent is here and I pick Hugh Bonneville as Mr Bennet and Alex Kingston as his wife for special mention. Who would have thought that they would be as enjoyable as Benjamin Whitrow & Alison Steadman in the 1995 P&P, but they are - and if this was a straightforward P&P remake they would do very well indeed! There are moments of complete hilarity where old and new collide, in music and manners and speech and it is done brilliantly, and, if you know the story, you wonder what liberties with the plot will be taken next. Casting is first rate...none of the characters are quite 'right' but in the context of this story they are brilliant, the obnoxious Darcy, the drunk Bingley and the threatening Mrs Bennet! Locations costumes and period detail are excellent and I look forward to the rest of the series which I recommend to you.

I suppose that we can expect more in a similar vein as there are many stories that could be re-jigged. Holmes with a modern day Watson anyone? I think it is probably more entertaining to see a modern person cope with the privations of life in a bygone age than say to tell Elizabeth Bennet's story in our 21st century. Anyone remember Adam Adamant Lives? I almost find myself hoping that they manage to spin this out for longer and embellish the book even more! Full marks so far - it's very good!

. . . in Longbourne.

I may be asked to hand in my Austen Purists card but I liked it. And I think ITV are far better advised to try and cash in on the Austen market with this type of product than with the anaemic reproductions of BBC period drama they treated us to last year.

It's limited but it's funny. One of mainstays is that the characters are all subtly different and we are mostly offstage with scenes from the novel happening elsewhere. Lydia is attractively vivacious rather than promiscuously giddy, Jane is not that pretty, Darcy is not offensively haughty, the stranger from the future is not offensively gauche, and Mrs Bennett who has been very quick to understand the threat the newcomer poses to her daughters AND take action, is set up for very interesting developments - more a fearsome adversary so far than a cringing embarrassment.

Lizzie even looks like Lizzie should, but since she's hardly been in it so far, we'll have to wait and see what Gemma Arterton comes up with when she gets a few lines. It's a big ask, so I'll be interested to see whether she and Jemima Rooper can carry it off.

But you can count me in. Definitely.

I didn't make the mistake of reading reviews before watching this so I went in with no expectations. Before going any further I have to admit to having watched the 90's version of P & P and read the novel dozens of times. A true Austen freak, I am.

Like other reviewers, at first I was offended by the crudeness and lack of tact displayed by the Amanda character when she entered the world of the novel. How dare any true Austen fan behave in a way that displays such ignorance of Lizzie's world? She should have fit right in. But then I realized the choice to NOT make Amanda a perfect Eliza Bennet clone made for a much more dynamic story and more amusing moments between the characters. Instead of giving her the perfect accent, the perfect deportment, and the perfect manners right from the start, it took her some time to fit in. Her clumsy manner and bluntness caused her to make some mistakes that would seem impossible for a true Austen fan but enabled unexpected twists and turns in the story. And its these twists and the what ifs that I loved. I loved that the wrong people fell in love. I love that everything she thought was supposed to happen didn't happen. If I wanted to watch a P & P imitation, I would just watch the real thing again. I found the movie Becoming Jane, which attempted to follow a truer Jane Austen style, to be a sappy and insipid imitation that was truly forgettable and predictable. No one else can do Jane Austen and Lost in Austen doesn't try to. Instead, its fun and impertinent in a way that I think Jane herself would appreciate.

Hard to imagine how this could be better. The casting is close to perfect. Mr and Mrs Bennet as played by Hugh Bonneville and Alex Kingston quickly outshine previous inhabitants of these roles. This Mrs Bennet is neurotic but also strong, and Mr Bennet is suitably acidic but also very affable and easy to like. The Bennet sisters are very well presented. Jane has a very gentle quality. Kitty and Lydia and Mary are a pleasure to see on screen. Gemma Arterton is as impressive as we would expect in the role of Lizzie. Best of all is Jemima Rooper as Amanda, a fine young actress who here gets the chance to take centre stage and to properly show us what she can do. The men inhabit their parts well - some very good work from Tom Riley as Wickhan, Eliot Cowan as a smouldering Mr Darcy and Tom Mison as a very winning Mr Bingley. Christina Cole is on great icy form as Mr Bingley's sister. And Mr Collins is truly repulsive as played by Guy Henry, looking like the grim reaper and finding a grotesque comedy in this very oily character. But what is most clever about this new 'spin' on Pride and Prejudice is the way it takes a story we all think we know and then turns it upside down. Guy Andrews writes very funny dialogue for both Amanda as a modern woman and the characters we know from Jane Austen. The comic set pieces are directed with real aplomb by Dan Zeff, but it's also surprisingly moving at times. Costumes and sets all look good. Having seen this I don't know how we'll take another 'straight' Austen adaptation seriously again!