Transmisiones siniestras

Despite '60's supernatural soap 'Dark Shadows' making an appearance or two, and a villain that looks like 'Texas Chainsaw Massacre: The Next Generation's Leatherface, this is a very talky, turgid affair.

The film goes through all the beats of being fascinating - vaguely arthouse direction, intense performances, much grandstanding - but really, it isn't. There's nothing for the viewer to latch on to and becomes frequently incomprehensible. As a result, it seems to go on for far longer than its 102 minutes.

A couple of creepy moments exist in a vacuum but aren't enough to generate much interest. When it ends, you'll wonder why you stuck it out for so long. My score is 4 out of 10.

These broadcast signal intrusions are really real. Go look it up on google. The one I know about is the Max Headroom pirate video back in the 80's CREEPY --and that's what this movie feeds on. Following a man as he searches for 3 of these specific intrusion to see if it leads to a pattern that has mystified police in the past. Creepy fun but didn't get the ending. 6.3 out of 10.

Not sure what to say, it felt like I've wasted time on a incomplete mess of a movie that tackles conspiracy theories the same way a creepypasta parodies the dangers of the dark web. I'm pretty sure that this film was inspired by the ''I feel fantastic'' robot woman video that surfaced on youtube many years ago, on paper that sounds like a great idea but in reality what we have here is a movie that has nothing to be thrilled about.

I know I'm sounding harsh and someone out there probably enjoyed this and the people behind it had great ideas, but at the end of the day, I was bored, couldn't get invested in the actors and a plot that had potential but kept stumbling, slowing the movie to a snails phase.

Shum Jr is decent in the lead, but he's wrestling with a sloppy script and zero character development. The supporting cast is poor, all hammy hams. Every line is exposition - which I think is meant to be in the style of a 'hard-boiled detective thriller', but comes off as hokey.

It's meant to be set in the late 90s, but the soundtrack seems to think this is a noir movie, full of saxophones and quirky embellishments. But there isn't a single visual noir element, so it never works. Then we'll get some 70s-style psychadelic music for no reason. What a mess. The cinematography flits between hand-held and locked at random, so there is no flow. It all boils down to poor direction.

The story amounts to nothing - it's a simple procedural tale of a man investigating an unsolved mini-mystery with a bog-standard conclusion. For some reason, the movie is labeled as a 'horror', which is laughable. The VHS-style video 'intrusions' he is investigating are too hilarious to be creepy. And too innocuous. The 'crime' he is investigating for most of the runtime is the interruption of TV broadcasts. Why? Because the script says so, that's why.

It's also too slow to be a thriller. It's like an extended X-Files episode, but not one of the good episodes.

Don't worry about spoilers. I'm not entirely sure I know what happened.

I love obscure, ambiguous endings open to broad interpretation...up to a point. The ending here was a bit too "not sure how to wrap this one up, so...here you go." Roll credits. Or maybe it was the result of slash and burn editing. I don't know.

The lead (James) was believable and intense, and the mystery, atmosphere, and creepy imagery definitely held my attention. The music was...ugh. Distracting and, well...intrusive at times. Almost like the composer was scoring a completely different film.

I have my own theory about the ending, but this one requires a re-watch. Few horror movies warrant revisiting, but even with its flaws, this isn't one I'll forget 20min after the end credits. I'm not lazy about probing alternate interpretations, but I need something a bit more solid to work with. That being said, I will watch this one again and scour for clues. I rarely write reviews, but this one was effective as an "experience," if not as a full-fledged narrative.

If you're OK with the slow burn and can tolerate a "WTF" ending, give this one a shot. I can overlook some of the technical drawbacks if a movie is unique, memorable, and brave enough to abandon the horror formula. The cliches are here, too, of course, but this movie is miles above 90% of current horror fare.