The Girlfriend Experience

Soderbergh satisfies because he is fearless in a way that Herzog could never be. Herzog goes toward danger in order to capture experiences, but he relies on cinematic methods and narratives models that are safe. Indeed, he never innovates or experiments here. As a result, we get lush operas about violent nature.

Soderbergh on the other hand seems ready to risk his soul, to destroy his career, to make an audience very unhappy if it allows him to surround his art. You never know; you never do. This is structurally less risky than the film he make with and about his wife, 'Schizopolis.' But it is about much the same experience.

The risk is only partially in building the character of a hooker around a genuine porn star. It is more in the assumption that close observation of the near-real will snap us into the ultrareal. Who else does this? Who else among successful filmmakers would put themselves on the line like this. Jarman perhaps, if he had been more widely seen.

And that is what happens. Because the insights here come not from what is written or what the actors do, but by what we see. The filmmaker is the character that is revealed because we define ourselves by the world we make. And he makes this, by looking for certain things between men and women. The killer risk is that he won't find it, or worse, if he does, he shows us who he really is.

The idea is remarkable. The we see through is actually interesting; he makes Sasha an attractive subject and casts his own foibles onto her boyfriend.

Ted's Evaluation -- 3 of 3: Worth watching.

The Girlfriend Experience got headlines due to its casting, sparking discussions over the nature of porn in the mainstream without anyone ever pausing to realise that this film does not represent porn in the mainstream, but rather someone who does porn also doing "proper" acting. I say this because this is not a film about sex or pornography or prostitution but rather one about commodities, trading, money and the nature of relationships where these things are involved. What this translates into in reality is a film that has lots of discussions that provide material on relationships that are some variant on personal, sexual, financial or a mix of all three. In terms of actual plot it must be stated that there is not really a start, middle, end in a traditional narrative sense but rather more of a flow of discussion and characters.

To a point this engages reasonably well because the whole time I was watching it I was working to try and relate what was being said about the business world with what was being shown in regards the escort service. Here and there I made sense of it but too often it seemed to be deliberately hard to grasp or indeed perhaps just not hold together as well as it should have done. Although it is a very short film this work did start to tire me and I'll be honest and say that it didn't really work for me. The film was so clearly "saying" something (as opposed to "doing" something) that it became frustrating to me that it didn't say it clearer and with more conviction. OK so it still mostly held my attention and I understood the obvious narrative parallels between the lives of the various characters in how the "became" something for others in return for money but this is not the same as it working and being as intelligent as it thinks it is – it isn't.

Soderbergh directs with a dimly lit but yet attractive view of things, giving the film a real good feel that would have done well to enforce the material if it had been stronger. The key PR move was of course the casting of Sasha Grey and she does do a really good turn here – although why everyone is shocked about this I'm not sure. There is a school of thought that pornography involves no acting skills at all, usually people think this until they see porn with a woman who cannot act to save her life – it is awful stuff and Grey's adult roles show she can perform there as well as she does here. She has a naturalism and sadness to her character that works well and does both convince and engage. Santos works well with her as he does the same sort of role but in a different trade, while the various clients are all solid turns that don't detract.

The Girlfriend Experience is not that great a film unfortunately. It has much of interest in the visuals, specific dialogue scenes, the parallels in the characters and the casting/performances but it just never comes together in the way one would hope. It is worth seeing because of the nature of it but even with an open mind it is likely that it will not take over you the way that you would want it to.

OK, somewhere between 1 and 5.. Look, I'm a fairly big Soderbergh fan, Solaris - perfect!, Kafka (where can I buy this now!!), Sex Lies., The Good German and etc.. But what the heck was this movie? I was waiting during the entire movie for the "it's about to get interesting", it has to get interesting because the acting sucks.. right?.. "it's just about to get.. " nope. It never was interesting. And oh I had high hopes for Sasha, not that I know who she is because I had to look her up on Google. But because I love to root for the underdog - thinking just maybe a porn star really could break into mainstream. Oh right, that kinda sorta did happen once from that porn star from the 80's Traci lords.

Despite how 'high brow' Sasha is supposed to be, she was anything but barely interesting during the entire movie. I'm not sure if it was her acting or the script. Hard to tell.

Seriously, this is bad indie at best. It was almost like it was trying to be an indie film, but Sasha Grey didn't have really any interesting lines, she just sat there with uninteresting (understatement) responses. She did cry well, that was about the most challenging part - again the script.

Too bad, I thought this was going to be good by reading those reviews on the box (ah, suckered in by the reviews again!),

I never write reviews about anything. I had to sign up for IMDb just to write this. :) Other than this film, however, Soderbergh rocks, and Sasha Grey probably could act if challenged. She is certainly interesting to look at both in the screen charisma sense and in the other sense.

Well, it was only 5 bucks at BB and 2 hours of my time.

A brilliant little film, economic in its resources and smart in its complex editing. However, this is not destined to be a box office hit. It is the kind of film that Soderbergh does once in a while in-between pop flicks to avoid getting bored.

Sasha Grey delivers some good acting as an ambiguously shallow and ambitious prostitute who tries to survive the post-Obama post-Crisis world of depressed clients and worried boyfriend. Her relationship with her costumers and other professionals who are part of the escort world is built little by little in several out-of-order scenes. Most people will find the movie's timeline confusing, but all you have to do is pay attention to her wardrobe and everything will be fine.

I must also note the soundtrack, that makes use of very interesting unknown music. I specially liked the street drummer.

The images are beautiful enough to make one think "well, not bad for a movie shot on digital". Besides the old-school narrative (in the sense that it belongs more to the Bergman era than to the "Wolverine III" era) this movie looks and feels like the new kind of cinema that cheap digital shooting offers. And I like the way it feels.

IN A NUTSHELL: For Sasha Grey and Soderbergh fans and people who actually care about cinema language. If you like Soderbergh because of "Ocean's Eleven", stay away.

New York City glamour, extremely real acting and scenarios followed by CNN circa 2008 mumbo-jumbo, annoyingly flashy cinematography, and wanna-be American Psycho depravity-in-materialism preaching. Rarely do it want to shut off a movie every five minutes, and if so, even more rarely do I find something to respect in the next five.

As to Sasha Grey and her acting abilities, I think she's OK at it. Many reviews scathe her for "deadpan", but I think that's what high-class dumb sluts actually are probably like. Pretty much empty. Making the most of what god gave them in a depraved way. To me it seems real. The "hooker's boyfriend" character was great, which is hard to pull off in my mind. I really empathized with this guy in a weird situation.

What's not real are the characters of many, though not all, of the "rich assholes". That's about as eloquent as Soderberg is with these characters, "They're just rich assholes" when "the rest of us are hurting" as we are reminded again, and again, and again.

The script and plot line isn't great, often forced by some contrived circumstance, and really goes nowhere in the end. Maybe 5 is too generous. I guess I was intrigued.