La vida de Tove Jansson

Tove Jansson was a Swedish-speaking Finnish author and artist born in the 1910s to an artist family. Internationally she's most well-known as the author of the Moomin books and comics strips. This film is the story of her formative years and how she came up with the Moomin characters.

Upon its release it became the second most expensive Finnish film made to that point. And it does look good, I'll give it that, although I'm still not sure just why it needed such a large budget. But the locations and costumes look good. The film is also shot, edited and acted really well, with special mention going to Alma Pöysti as the leading character.

It's also interesting to see the author behind these beloved characters and how her own life influenced the books. Jansson's own rather bohemian lifestyle is definitely reflected in the books and her various acquaintances and friends that would eventually inspire many of the Moomins are also really interesting.

That being said, the film is not as Moomin-heavy as you'd think. It's more a story about a struggling artist and her various trials and tribulations. Successes and losses in both her career and personal life. And while that is interesting enough, I confess to being somewhat disappointed that there wasn't more Moomin content in this film. Then again, Jansson herself expressed in her later years that she's a tad miffed she's only known for Moomins. So perhaps in that regard this film is more respectful to her than many other sources have been.

Nevertheless, it's a great film to look up. Technically sound, well-written and beautifully acted. Not awe-inspiring or overly emotional, but then again, it doesn't need to be.

Well I watched it, but as someone who was/is enchanted by the Moomins even into adulthood, I felt cheated. I personally have very little interest in most people's sex lives, but I am especially uninterested in the sex lives of people who would have So Much more interesting things to talk about. She obviously grew up inspired by the countryside, and there's a lot of that in the Moomins. This was unexplored. And then there was the delightful mother role, who obviously inspired the character of Moomintroll's mother, but whose character was shamefully unexplored. How anyone can make a film like this about something so fascinating and just focus on sex and longing for romance is TOTALLY BEYOND ME. I was quite disappointed. I am just not very interested in knowing about people's sex lives. Not even if they were gay in a time when it as frowned upon by some. I am far more interested in their intellect and ideas. I consider this film to be full of missed opportunities. They didn't even explore why Vivica, the lover/theatre director had the fantastic idea of making a children's play about the Moomins, which in itself must have been a new, breakthrough genre of theatre. That was genius. If I had made this film it would have been better, and I don't say that lightly.

I wish they could have found more subject matter, to make a film about a great artist and author, than to shove as many "bohemian artist drinking", "look at me, I'm dancing", and lesbian sex scenes, into this film as possible. It gets unfortunately dull pretty quick.

I seldom give 10's but this is a brilliant movie, wonderful ly acted and directed and cinematography just fantastic.

It touched me deeply in its rawness and honesty and though not familiar with this artist before, was taken aback by the beautiful artistic work and the main characters journey into finding her way and her identity through her work.

I stand by scandavian movies and series being the best and possibly grossly undervalued.

This biopic about the artist Tove Jansson opens the Festival, which focuses on her relationship with her great love, not fully reciprocated. Leaving on a secondary plane other relationships that seem more interesting to us, such as the one she maintains with her father, this biopic is conventional. There is an unrequited double relationship, but the script unbalances her interest. Everything is in its place, but nothing stands out especially, except the work of the actress Alma Pöysti.