Ca$h

This is a movie that you watch, get some fun out of it and forget when it's over. And this is meant as a compliment.

We might argue what the purpose of cinema is, but Ca$h has an entertaining story with premises that are mostly believable. The cast delivers an overall decent performance. However, with less known actors it would have been just one of many B-movies.

Sean Bean is excellent and there is no need to elaborate on that. Chris Hemsworth reveals his limitations as an actor. When you see him in Ca$h you understand he's been a logical choice for the role of Thor which came out roughly a year later. Victoria Profeta was my treat in the movie. With her looks and skills i wonder where she'd been before and makes me ponder what it takes to make it in Hollywood.

and nothing more. at first sigh. because the script is not an inspired one and the idea too seductive for explore in the best manner. the acting is far to be bad but not more than decent. a film about a suitcase with money and large references to The Box. but, unfortunately, it is not enough. so, the decent job of Sean Bean who looks to create a mix of humor and thriller who is only in few scenes reasonable. a film of a great idea. not bad, not good, only an exercise to use different ingredients, few actors and crumbs of action movies for a story who could be interesting but remains only chain of conventional solutions.

Not all movies are made to be artistic or masterpieces. This is just a random criminal/drama movie that can be entertaining depending on who's watching. It definitely has flaws but had a lot of unintentional weirdly funny scenes. It was an entertaining movie and that's it; nothing special. Still, the movie was a lot better than 80% of the crap movies these days that do half ass job trying to imitate classic movies from the 70' and the 80's.

The characters' dialogue script writing was a little amateurish but oh well.......

It's a good movie to pass free time!

The first thing you notice about Cash is that there is more Bean. More Bean on screen than any other time in my memory. And that, my friends, is a very good thing. Stephen Milburn Anderson chose wisely with his star for his quirky psychological thriller Cash opening next Friday April 9th. Sean Bean plays Pyke Kubic, a quiet, urbane, mannerly man who knows what he wants and knows how to get it. He's been wronged, or rather, his brother has been wronged, and he sets out to find who took the money, to get back what he sees as rightfully his.

Taking a cue from today's headlines, Sam and Leslie Phelan are in debt and underemployed failing to pay their mortgage for the last several months. On his way home, Sam (Chris Hemsworth of Star Trek and the upcoming Thor) drives under an overpass where a briefcase falls onto the hood of his car. Pulling over, his discovers it's full of cash. A lot of cash. With no witnesses, he takes it home to his wife (Victoria Profeta) and they feel they have discovered the answer to their prayers and go on a spending spree. Meanwhile, Pyke arrives from London to visit his brother Reece in jail, who tells his brother that he threw the stolen money away to destroy the evidence of the heist. Before being stopped by police, he saw the case land on the hood of an old station wagon driven by a white guy. Pyke, a clever, calculating man, doesn't take long in finding Sam and Leslie and sets out to take back what's his.

Sean gets to play the juicy role of twins in Cash. I don't understand why no other director has ever thought of before, given Bean's considerable range. In fact, the scenes you see of him opposite himself are some of the most interesting in the film. The slight nuances that Bean is so damn good at. They're there and it's fun to spot them as you watch one slightly more Americanized twin speak with the more established Brit version. Once Bean is in control, the scene is set into motion and the audience sees Sean do what he does best. We've all known that Bean plays a great villain, bristling with rage in films like Patriot Games, or smiling in smug superiority in Goldeneye, or cleverly conspiring in National Treasure; and just as easily he can put a turn in as the tragic but flawed hero Boromir in Lord of the Rings. With Cash, it's his attention to detail, his impeccable manner of dress, his flawless manners and his charming demeanor that are... unsettling. He's a nice guy, this Pyke Kubic. That is, unless you don't do as he asks. And why wouldn't you do as he asks? If you're Sam and Leslie Phelan, you're the ones who are in the wrong here. And so begins the task of giving back Pyke the money they stole from him. Every single cent, down to the last penny. At one point Sam and Leslie say, "Can't you give us a break on the rest? We don't have it." And Pyke answers, "Are you asking me to assume your debt? No, I won't." Hard to argue, that.

Stephen Milburn Anderson puts Stanley Milgram's experiment into action; Pyke makes them steal, they're too afraid to refuse, the more Sam and Leslie start to steal, the easier it starts to become which leads to something darker. "No consequences," he warns, "until after a decision has been made." It becomes clear in Cash that no one acts without having made a clear decision to do so first. This is where Cash makes you think. We are all where every decision has brought us to in life. Is it really possible to keep blaming everyone else for all your mistakes?

There is also something completely unexpected in Cash, a subtle use of comedy at which Sean excels. Deadpan humor laid with an undertone of seriousness that gives you a feeling that he has been waiting to play a part like this with judicious freedom for a long time. Go see Cash, have a great time with Bean on screen for almost 90 minutes and ponder all the possibilities.

There's some modest potential here in the relationships between the married couple, who accidentally come into some stolen cash, and the mysterious gunman who comes to retrieve it. A better script might have exploited all three ways of these relationships -- how they change, how they twist, how they surprise us as well as the characters themselves. However, while the script occasionally hints at these possibilities, it does little to exploit them and the result is a passable time-killer with most of the limitations of a TV movie. A little tweaking could have made it funnier or scarier or kinkier or more satiric, or could have infused it with more action, but instead "Ca$h" takes no chances and stays in the see-it-and-forget-it mode.

Chris Hemsworth and Victoria Profeta make a blandly attractive couple. Sean Bean is always watchable but he's not knocking himself out here, probably because he has so little to worth with. Curiously, even at age 50 or so, he provides more of the movie's "beefcake" than does young Mr. Hemsworth.