CALIFICACIÓN DE IMDb
5.7/10
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TU CALIFICACIÓN
Una mujer abandona una sala psiquiátrica después de un ataque de nervios, solo para comenzar a escuchar misteriosos golpes en su apartamento.Una mujer abandona una sala psiquiátrica después de un ataque de nervios, solo para comenzar a escuchar misteriosos golpes en su apartamento.Una mujer abandona una sala psiquiátrica después de un ataque de nervios, solo para comenzar a escuchar misteriosos golpes en su apartamento.
- Dirección
- Guionistas
- Elenco
- Premios
- 7 nominaciones en total
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Resumen
Reviewers say 'Knocking' delves into mental illness, gaslighting, and societal invisibility through Molly's story, who hears knocking sounds post-psychiatric ward. Cecilia Milocco's lead performance is lauded for its vulnerability and resilience. The film's cinematography and sound design create an eerie atmosphere, enhancing its themes. However, the slow pacing and ambiguous ending elicit mixed reactions; some find it intriguing, while others seek more resolution. The exploration of trauma and supernatural elements is noted, though their execution varies in audience reception.
Opiniones destacadas
Great performance from the lead. I felt her fear and anxiety the entire runtime. My wife and I were both felt so stressed and empathetic to the protagonists suffering.
After sitting with the ending overnight, I also really enjoyed it. It leaves me feeling happy, oddly enough.
Perhaps my favorite horror from Sundance? Censor was good too.
Give it a watch and stress out with our hero!
After sitting with the ending overnight, I also really enjoyed it. It leaves me feeling happy, oddly enough.
Perhaps my favorite horror from Sundance? Censor was good too.
Give it a watch and stress out with our hero!
A psychological thriller that is handled with a certain suspense, although from the visual point of view it does not have bright ideas. The story benefits from an adequate length (short film based on a short story), although it gives the impression that the path takes us not very far from where we were at the beginning. Good performing by Cecilia Milocco, which is above the predictability of the story.
Knocking, directed by Frida Kempff, is a slow-burning psychological thriller that is equal parts haunting and frustrating. The film follows a woman named Molly who is released from a psychiatric hospital and moves into a new apartment, only to be tormented by a persistent knocking sound that nobody else seems to hear.
The film's cinematography and sound design are excellent, with Kempff using close-ups and atmospheric soundscapes to create an eerie and unsettling atmosphere. The film's lead actress, Cecilia Milocco, also delivers a strong performance, conveying both the vulnerability and the resilience of her character.
However, the film's pacing is a major issue, with the slow-burn approach feeling unnecessarily stretched out and repetitive at times. The film also struggles to balance its psychological and supernatural elements, with the latter feeling tacked on and underdeveloped.
The film's themes of trauma and gaslighting are timely and relevant, but the film's execution falls short of fully exploring them in a meaningful way. The film's ending, while intriguing, is also frustratingly vague and leaves too many unanswered questions.
The film's cinematography and sound design are excellent, with Kempff using close-ups and atmospheric soundscapes to create an eerie and unsettling atmosphere. The film's lead actress, Cecilia Milocco, also delivers a strong performance, conveying both the vulnerability and the resilience of her character.
However, the film's pacing is a major issue, with the slow-burn approach feeling unnecessarily stretched out and repetitive at times. The film also struggles to balance its psychological and supernatural elements, with the latter feeling tacked on and underdeveloped.
The film's themes of trauma and gaslighting are timely and relevant, but the film's execution falls short of fully exploring them in a meaningful way. The film's ending, while intriguing, is also frustratingly vague and leaves too many unanswered questions.
Knocking is about a woman who leaves a psychiatric ward after a nervous breakdown, but she soon begins hearing mysterious knocking sounds in her apartment. Of course, any midnight horror movie is going to catch my attention and this happened to be one of the ones I really wanted to see. Unfortunately, it didn't live up to what I wanted it to be. Knocking follows a typical indie slow-burn about someone who may or may not be crazy. The movie tries to play smart, but we're all immune to any shock factor that comes our way. Everything is something we've seen before, yet I still found the movie entertaining. Cecilia Milocco gives a good performance that drives the whole thing. We know her history in mental health and an event that has scarred her which is fine for character development. My issue is because we know this, the whole time we're thinking she's crazy and hearing this. The end does play around with us leaving an ambiguous answer. For a 78-minute runtime it didn't feel all there, but maybe as a short this would've worked wonders. It's serviceable but nothing too special.
Well not really - on the other hand what do I know? Not that much to be truthful. I could tell you what happens at the end of the movie - but it would be - well there are certain ways to interpret what actually happens or rather happened there (and before).
The central performance is qute something. Yes this is a slow burning independent movie - I don't think this should come as a surprise. Neither that it uses certain proven tropes (or I guess you could call them "cliches"). Still and because of that powerful performance and because the movie keeps you guessing ... this may tickle your interest. And if it does and it manages to tickle all the right parts ... you will be entertained - for sure.
Having said that, you have to be in the mood for this. And for possible explanations. I read one about the ending and I have to admit that ... well it's not that I disagree, but whoever wrote that, seems too certain to know what the ending meant and how we should interpret it ... I on the other hand am telling you ... you can read it exactly opposite to what I read and what someone else wrote. So if ambiguity does not get you annoyed, I can recommend the movie for sure.
The central performance is qute something. Yes this is a slow burning independent movie - I don't think this should come as a surprise. Neither that it uses certain proven tropes (or I guess you could call them "cliches"). Still and because of that powerful performance and because the movie keeps you guessing ... this may tickle your interest. And if it does and it manages to tickle all the right parts ... you will be entertained - for sure.
Having said that, you have to be in the mood for this. And for possible explanations. I read one about the ending and I have to admit that ... well it's not that I disagree, but whoever wrote that, seems too certain to know what the ending meant and how we should interpret it ... I on the other hand am telling you ... you can read it exactly opposite to what I read and what someone else wrote. So if ambiguity does not get you annoyed, I can recommend the movie for sure.
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- ConexionesFeatures El pecado compartido (1966)
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- También se conoce como
- Knocking
- Locaciones de filmación
- Dagsbergsvägen, Norrköping, Östergötlands län, Suecia(Highrise apartment buildings)
- Productoras
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución
- 1h 18min(78 min)
- Color
- Relación de aspecto
- 1.66 : 1
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