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IMDbPro

Al tercer día

  • 2021
  • Not Rated
  • 1h 25min
CALIFICACIÓN DE IMDb
4.6/10
876
TU CALIFICACIÓN
Al tercer día (2021)
While on a trip with her young son, Cecilia has a car accident. Three days later, she finds herself wandering a lonely road with no sign of her child - and no memory of what happened since the crash. Cecilia's desperate search for her son leads her on a wrenching and tumultuous journey to face off against a religious fanatic who holds the shocking key to it all.
Reproducir trailer2:19
1 video
48 fotos
DramaFantasíaMisterioTerrorThriller

Cecilia y su hijo Martín tienen un accidente de coche. Al tercer día del accidente, ella deambula sola por una ruta solitaria y no hay ninguna pista de su hijo. No recuerda lo que pasó duran... Leer todoCecilia y su hijo Martín tienen un accidente de coche. Al tercer día del accidente, ella deambula sola por una ruta solitaria y no hay ninguna pista de su hijo. No recuerda lo que pasó durante ese tiempo y busca desesperadamente a su hijo.Cecilia y su hijo Martín tienen un accidente de coche. Al tercer día del accidente, ella deambula sola por una ruta solitaria y no hay ninguna pista de su hijo. No recuerda lo que pasó durante ese tiempo y busca desesperadamente a su hijo.

  • Dirección
    • Daniel de la Vega
  • Guionistas
    • Alberto Fasce
    • Gonzalo Ventura
  • Elenco
    • Federico Aimetta
    • Mariana Anghileri
    • Octavio Belmonte
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    4.6/10
    876
    TU CALIFICACIÓN
    • Dirección
      • Daniel de la Vega
    • Guionistas
      • Alberto Fasce
      • Gonzalo Ventura
    • Elenco
      • Federico Aimetta
      • Mariana Anghileri
      • Octavio Belmonte
    • 10Opiniones de los usuarios
    • 34Opiniones de los críticos
  • Ver la información de producción en IMDbPro
    • Premios
      • 1 premio ganado y 2 nominaciones en total

    Videos1

    Official Trailer
    Trailer 2:19
    Official Trailer

    Fotos48

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    Elenco principal18

    Editar
    Federico Aimetta
    • Voz Antiguo
    Mariana Anghileri
    Mariana Anghileri
    • Cecilia Amato
    Octavio Belmonte
    • Martin Garro
    Susana Beltrán
    • Ofelia Beltrán
    Arturo Bonín
    Arturo Bonín
    • José
    Sergio Boris
    • Comisario
    Diego Cremonesi
    Diego Cremonesi
    • Fernando Garro
    Lautaro Delgado
    Lautaro Delgado
    • Hernán Pastori
    Mathias Domizi
    • El Antiguo
    Pochi Ducasse
    • Irma
    Nicolás Galvagno
    • Oficial D. Schiaffino
    Verónica Intile
    • Lucía Fígaro
    Osmar Núñez
    • Noriega
    Rodolfo Ranni
    Rodolfo Ranni
    • Fermín
    Alejandra Rincón
    • Enfermero
    Gerardo Romano
    Gerardo Romano
    • Padre Enrique
    Osvaldo Santoro
    • Ricardo Ventura
    Sebastian Sewrjugin
    • Enfermero
    • Dirección
      • Daniel de la Vega
    • Guionistas
      • Alberto Fasce
      • Gonzalo Ventura
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios10

    4.6876
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    Opiniones destacadas

    5lathe-of-heaven

    Good stylistic try, but ultimately just does not quite work...

    I'm afraid that I agree with the 2 other reviews here (at this point) I did give it a '5', which is generous, for the nice lighting and at least the EFFORT to create a good Gothic mood.

    When I saw Del Toro films in the intro I was very hopeful, because Guillermo Del Toro is indeed one of my VERY favourite living directors. BUT... sadly, for some odd reason the story just did not want to gel in an effective way. The elements by themselves and especially the VERY effective mystery created from the beginning certainly seemed to promise a strong, Gothic film. But, and I'm not really sure why, it simply just did not come together in an effective way.

    The visuals were very good, I really liked the lighting, the soundtrack, and even the acting was pretty decent across the board (with the one exception of the dopey policeman - I don't know WHERE the hell they dug him up) But, this is just one of those rather mysterious cases where you can't quite tell exactly what went wrong or precisely what the filmmakers did badly, since I feel taken in segments, the story seemed like it SHOULD have been very good. It's not like you can say, 'Oh, the acting is really bad', or 'The writing was poorly done', or 'The direction could have been done better' The reason is kind of uncertain as to why this didn't exactly work. The overall mood and atmosphere was created well. There was a palpable sense of Mystery right from the beginning which effectively draws the audience in, making them wonder what is going on. Even the ending was indeed surprising and not predictable at all. It SOUNDS like it should have worked, but somehow it really didn't...

    The only thing I can come up with is a GUESS that perhaps just the way the story was plotted, or the pacing, or maybe the way the events were ordered. I honestly couldn't say.

    I mean, the look and mood of the film was most definitely Del Toro, absolutely. But, ultimately the story just didn't work. So, I can't honestly recommend this movie despite its nice look and atmosphere. Perhaps there may be some people who are able to appreciate it more so at some level. But, like I've mentioned, to me personally, for some mysterious reason it just was not that effective.
    8PutneyTrope

    Overused tropes brought together in an interesting and attractive fashion.

    Stylish horror worth checking out for light fun. If you enjoyed Terrified (2017) - this would be an ideal companion film for a double feature. This movie is a bit kitschier. The story is skeletal, occasionally predictable, and just enough to keep things always moving forward. It seemed to be a love letter to Bava and Argento in almost every way...Gothic overtones, and some of those characters! The flow made the viewing experience similar to reading a graphic novel or comic (better than Creepshow ever did). Some very striking and beautiful sequences and the lighting always seemed spot on. The hypnotism scene was so ambitious, fun, and well done. The basic Horror aspects of this film are rather common. Nothing here hasn't been seen before. The way they were put together, however, definitely held my interest. I was interested and curious which direction things would go. There are even a few genuine surprises. Some outrageous bits that were unintentionally amusing. Excellent practical effects. It was nothing I'd take seriously...but a very fun watch. For those confused by the ending - there is a post-credits sequence that spells it out.
    5jmbovan-47-160173

    Good production but simplistic plot

    This film is well made, looks wonderful, and is acted well. The problem with this film that brings it to a mediocre spot is the simplistic nature of the plot. The story details a woman who after a car accident doesn't remember what happened or what happened to her son who was in the car.

    The rest of the film is an effort for this woman to find her memory of her son. A police investigation is happening at the same time as this woman tries to unlock her mind with a supernatural method. But, what is uncovered is more horrifying than having to face the disappearance of her son.

    Unfortunately, the rest of the plot unfolds similar to the standard ideas of this type of film. Nothing really new or inventive. But, it is crafted well.
    8THE-BEACON-OF-MOVIES-RAFA

    Argentina ( A+ Movie) My Ratings 8 /10

    RESERVED ONLY FOR HORROR FANS.

    Very unique low budget film

    On the 3rd Day is a great lesson in building suspense. Almost at the beginning of the film, we know something horrific has happened, but we don't know what. The filmmakers take a non-linear method of storytelling, relying primarily on flashbacks, in order to gradually reveal clues leading up to the final shocking moments. There is also a lot of unique mythos created for the film around some familiar concepts to horror fans, making things a bit more interesting. The pacing is perfect and the storytelling method perfectly keeps the audience on the edge of their seats. Anghileri gives an especially powerful performance as Cecilia, making sure the audience truly cares about what happened to her and her son. On top of that, On the 3rd Day has a beautiful musical score to add to the tension as well as delightfully disturbing practical effects. I will say, the practical effects for the final big reveal and an end-credit scene are not my favorite, but a majority of the film is near-perfect.
    5matthewmillerwriter

    So much wrong lol

    Where do I begin?

    1. A bunch of characters who seem pretty unrelated and you have no idea what they have to do with one another.

    2. Either dubbing from Spanish, or a drunk audio engineer.

    3. Make up your mind: is it a demon or vampire movie, or something completely different?

    4. The first 90% of the film had nothing scary and no relevance.

    I only gave it 5 stars because the "monster" looked good.

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    Argumento

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    • Trivia
      The film title presumably is a nod to the Resurrection Of Christ. It may also be a reference to certain Vampire Lores in that it usually roughly takes three days for someone infected with Vampireism to be reborn a Nosferatu.
    • Citas

      Martin Garro: [on said vampire] Is It Now Gone?

    • Créditos curiosos
      After the credits Martin comes back to life as a vampire in front of Inspector Ventura moments before he is slain by vampires

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    Preguntas Frecuentes

    • How long is On the 3rd Day?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 22 de junio de 2021 (Polonia)
    • País de origen
      • Argentina
    • Sitio oficial
      • Producer's site
    • Idiomas
      • Español
      • Inglés
    • También se conoce como
      • On the 3rd Day
    • Locaciones de filmación
      • Los Cipreses, Futaleufú, Chubut, Argentina
    • Productoras
      • Del Toro Films
      • Furia Films
    • Ver más créditos de la compañía en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 25 minutos
    • Color
      • Color
    • Relación de aspecto
      • 2.39:1

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