¡Nop!

6.7/10

While "Nope" is a visual spectacle I found that it didn't sit as well as I would've hoped when it came to the story. However, it still manages to reach its goal of entertaining on some level.

The film felt slightly long due to the first and third acts feeling fast and somewhat stuffed with a lot of goings ons while the second act felt very slow and drawn out. The long parts put me into a state of boredom, and even further than that, once the reveal of the antagonist happened, the magic and tension disappeared. Before that tension disappeared I found there was some good tension built up due to the soundtrack, but again, things fell short.

As for the horror parts, I assumed there would be more than just the ones shown in the commercial, and while there was, again a lot of the horror/magic disappeared once the antagonist was shown.

I did find the acting to be very engaging. Daniel Kaluuya and Keke Palmer each brought great energy to their roles, and the supporting actors were equally enjoyable.

Overall, a decent film, but if I could go back I would wait to see it on a cheap night. Acting was enjoyable, the cinematography was spectacular, but the story, the length of the film, and the antagonist weren't up to the par I was expecting.

Thank you for reading my review. Until next time.... Enjoy the show!

The biggest praise I can give is the cinematography and camera work. I really enjoy looking at wide shots of landscapes and the slow or sudden movements of the camera pushing the tension and anxiety of the scene without having to rely on dialogue or even any acting.

I think the film will be divisive among its audience though. I think this is due to a couple of reasons. First, the story progression feels confusing at times to what we are used to seeing in a thriller or horror. I think labelling it as horror will automatically steer away some people while those that enjoys horror may be disappointed that it lacks enough scares to be called a horror. The trailer I feel also gives away too much and puts the film in a box that might detract viewers. Ultimately, you really have to be open-minded going to this movie. In respect to the genre, Nope really isn't a horror, but more of a blend of some sci-fi, some mystery, some comedy, and luckily, no romance.

Nonetheless, I enjoyed the film. I think for movie lovers this will generally be a good experience. Peele seem to focus more on our shared love for films more than sticking to a particular formula of a single genre. There are many small things you'll enjoy if you already love movies, but it will probably have a visibly different experience to a casual movie goer.

The themes of the film is also a good one, I feel. It feels like a cautionary modern fairy tale and the somewhat real dangers of chasing fame and disrespecting nature.

Jordan Peele is shaping out to be a director whose name alone will generate an audience and I would put Nope as a more captivating experience than Us, and around the same level as Get Out despite being two very different stories. His vision and creativity continues to remain highly interesting and I'm so curious to find out what he goes to work on next!

I surmise that the idea for "Nope" came out of a clever idea for a sketch. Imagine a film where the main character says "Nope" to terrifying, unexplainable phenomena instead of rushing forward like a courageous, but dumb movie hero.

Except, bucking that trope only takes a movie so far. And that's the point where the movie "Nope" starts to unravel, when it can't adequately explain why the protagonists are sticking around.

Somewhere between halfway and three fourths of the movie, the dialogue just becomes far too cryptic to make sense of. And that's the point where the actions the protagonists are taking really needs to be clear, as it's the climax of the film.

I wished the director Jordan Peele, one half of the successful Key and Peele comedy duo, would try his hand at the horror/comedy movie genre. I believe this is his third and latest film, and the second one that most fits in that genre.

To his credit, some sequences have great cinematography, tension, and horror. And some moments are really funny. One particular sequence is both terrifying and hilarious, and best encapsulates the title "Nope," as a main character goes head to head with a massive, intimidating force and just closes his car door, and says "nope."

But overall, the horror and comedy sides do not feel totally woven together. It's like at some point budget was lost and some sequences just couldn't get follow through. And the characters had to be stretched to make up for missing plot points, or fill the moments with comedy. The writers and actors and visual effects teams are good enough so they manage it. But there is a sense of "what did I just watch" at the ending, which wasn't there with Peele's two other more finished films.

Whatever the back story is that has given "Nope" its rough landing, I still found the film enjoyable. Sometimes experimental. Mostly unpretentious and original good fun. But also, what did I just watch?

The amount of reviews calling this pointless and terrible clearly didn't read much into what happens here. Peele is pointing a mirror up to you and the most ironic part is a lot of don't even seem to notice. No, this isn't a typical horror movie. It's more of a Spielbergian blockbuster satire with some amusing moments sprinkled throughout. The "entity" is creative and can be quite terrifying. The cinematography is top notch and probably the standout feature of the film, while Kaluuya can say an immense amount without even speaking a word. The screenplay is odd to say the least, but it hits more than it misses.

While I still think this is a lesser film than Get Out or Us and it ran a little too long, you have to commend its originality in a summer sea of IP-based films. Peele attempts something profound and unique here, which should be respected regardless of your thoughts on the film.

I can honestly say I have never had any movie grip me with so much curiosity and excitement in the first 30 minutes only to end with so great a weight of disappointment at it's close.

As others have pointed out, it's difficult to understand why - given the plethora of avenues that were available and sure to be imagined by so talented a mind as Jordan Peele - this is where the film was taken.

There was boundless opportunity for storylines that could have classed in the same category of special and original as Get Out and Us - Peele's previous works, but the film became bizarre. No other word for it.

Peele's characters are usually so believable, and it is one of the cornerstones of his work that has best enabled audiences to feel so enraptured and immersed prior to Nope. That convincing forming of character is missing in more than a few here. Not - it should be noted - in the two main characters played by Daniel Kaluuya and Keke Palmer, but when surrounding and still important characters fall so flat and insincere in the majority of the film, it takes a lot away from the strong work Daniel and Keke produce.

I don't know whether I'm more disappointed at the execution of the film, or that so valuable an opportunity for alternative and haunting plot lines was wasted.

It was generally not good - and it really pains me to say that.