Nueva en la ciudad

This film is about a business woman from a big city who got transferred to a small town. She encounters much trouble adjusting to the small town life.

"New In Town" is another romantic comedy with Renee Zellweger as a person who achieves despite her mischievousness. She is already heavily typecast, but then she really is adorable and likable so it is OK. The plot is very predictable, but is enjoyable mainly due to the small town warmth. Seeing acquaintances and colleagues help each other out, and giving hand made gifts is refreshing. It enhances the positive spirit of the film, and makes the characters more engaging.

"New In Town" is a heartwarming comedy, I enjoyed watching it.

"do you want me to go over the fireplace?" "no, i'm a city girl but i know how to light a fire. . . . where's the uh the switch?"

I enjoyed this movie and i usually detest romcoms.

this is well written, well acted, well edited and well directed. it has its charming moments and of course a few formulaic ones but all-in-all the cast and writing are so strong it works. great filming too. the music was fitting and the perfect punctuation to some scenes, especially that 10-second tune played as she raises the creative distress flag on her snow-wrecked car antenna. hilarious.

zellweger portrays a believable decisive corporate leader and brings great comedic timing and delivery to the role. i really enjoyed her in this -- she's a very strong lead and her humorous reactions at times reminded me of diaz in The Holiday. despite her corporate trained demeanor you sense a warmer spirit underneath if only it could be thawed, like keaton in Baby Boom.

connick, jr. delivers as always and the easy chemistry between the two makes their interactions relatable and interesting not cringey.

there are laugh out loud moments and only a spare amount of the sentimental romance stuff. and for a union girl like me this movie put the human back in human resources.

a delight.

6.5/10

Guess what is not new in town at your local movie theatre? Another formulaic romantic comedy. This one is called "New in Town" but old in design. Not new= a female protagonist trying to prove that she can tackle any challenge. In this case, a once again mediocre Renee Zellweger plays Lucy Hill; an executive living in sunny Miami who is ordered to reside in cold Minnesota for a few months to play efficiency expert at a company plant. Not new= independent girl bickers with hometown boy and eventually fall in love. In this case, a once again mediocre Harry Connick Jr. plays Ted Mitchell; a Minnesota labor union rep who fights with Lucy and then … well, do I have to repeat myself? Not new= Female protagonist is seen by small town residents as an unruly big city tyrant and then eventually changes her ways because of unforeseen circumstances. In this case, Lucy is seen as the "mad slicer of jobs" by the plant workers until …….. well, do I have to repeat myself again? To say the least, Director Jonas Elmer fuddles and struggles to provide creativity in "New in Town" and does not give Minnesotans justice by copycatting the "Fargo" character playbook. Jonas my brother, sorry to share! Screenwriters Ken Rance and C. Jay Cox did not interject any verbose ingenuity in "New in Town"; in fact, everything sounded kind of old. Now there is something that kind of salvaged the film from the boring cold! That came in the form of another spectacular (also not new, but we like this one) acting performance by the underrated J.K. Simmons as a Plant Foreman. "New in Town" should not be deported from your movie wish list, thanks to Simmons, but then again it is far from being the best new movie in town. *** Average

I think this film, while not a classic by any means, is being underrated at its current score. Admittedly, I came close to turning off the DVD ten minutes in, when it appeared to be little more than a cheesy send-up of life in the country. Yes, there are a few slapstick moments. And yes, the plot and its various "twists" are predictable. But if you suspend your cynicism and just take it in, it's not that bad of a way to spend an hour and a half. The film is somewhat unconventional in the sense that, unlike so many recent films set in small-town America, it does not portray residents as narrow-minded people in need of enlightenment. As the film progresses, the residents of New Ulm are increasingly shown as three-dimensional human beings. Their strong sense of family and communal ties is embraced, and in fact, portrayed favorably compared to the stark individualism celebrated by our mass culture. In its own way, the film suggests to the urban, "sophisticated" viewer that perhaps there is something to be learned from such people, or at least, that their cultural traditions should not be dismissed out of hand. A little sappy, yes, and predictable, but also heartwarming and a nice little glimpse into a slice of Americana we don't see portrayed that often on the big screen nowadays.

In 1953 Richard Bissel wrote a novel titled "7&1/2 Cents." In 1955 his novel became the book for a Broadway Musical titled "The Pajama Game." Then George Abbott had Bissel write the screenplay for a musical film version of the play. In that movie, as in the book, a female Iowa pajama factory worker who is head of the union at the factory falls in love with a male superintendent who has been hired by the factory's boss to help oppose the workers' demand for a pay rise (7 & 1/2 cents.) Take this book and change the male role into the union rep and make the female role to be an executive from a corporation who want to downsize the candy factory or close it down. Then move it from the Sunny South to the frozen north (Minnesota,) remove the music, and you have this film. I just simply could not get the "The Pajama Game" or "7&1/2 Cents" out of my mind as I watched this film. And the ending was exactly the same.