Inside Man

This show sets up some contrived circumstances, in the first episode, somewhat rapidly in succession. Without going into details it requires a fair bit of suspension of belief, because literally none of those events would occur anything like that.

There's language that people don't really use in real life, that are somewhat more common in niche circles - and I notice this is for some reason common in British, and in particular BBC television series. I'm not really sure what it is about the BBC, but they have a way of creating TV that is particularly out of touch with reality.

On the positive side the acting is fine, the characters would be fairly compelling if in slightly less contrived scenarios and it isn't boring by any means, it just has a persistent distracting quality about it.

I dont understand why the negative reviews? Moffat developed a tongue in the cheek thriller. I think that people who gave this series 1 star dont understand the quirky, playful script behind it. They take it all very seriously and dont grin as the the story develops.

It is not a drama, it is not a thriller that will make you sit at the edge of your couch. Did you guys watch "The Woman in the House Across the Street from the Girl in the Window"? Did you think that was a real crime show? This is a implausible but playful TV series that will hook you to Netflix for four hours because everything that sounds very illogical will tie to a ending and everything will work out. And your heart will pound to know what will happen in the end!

Relax, just sit and enjoy the show. Dont take everything too seriously! This one will make you disconnected from the world over the weekend! Quite good and very enjoyable light series!

So much talent, actors and writers, but what a farce. They probably had to first come up with a list of plotholes to then write a story around it. I can't imagine running into so many problems when writing the story first... Every possible cliche is present. Should get stars only for that achievement.

• Empty phone battery
• Sudden and irrational change of mind at crucial point in story
• Calling each other and the others ignoring the call
• When they eventually answer the phone, talk about anything other than the thing they WANTED to get across
• Endless trivial discussions to actively ignore the topic you had to get off your chest. Next time, talk about the weather, at least *something* interesting to listen to.

• Ending up at the other side of the world for no apparent reason
• Convenient van to run over the one character that can make a difference.

OK Yep - its imlausable - but how many plausible pieces of fiction are there?

This is an British TV programme by The BBC. Its basically half set in The USA but intertwines with a UK based situation. Quite unique in my view.

I think its really well written - great storyline and really good characters.

At first, when I saw Stanley Tucci - a resident of my home town London (and I see him sometimes around the neighbourhood) - was in this production I was not at all convinced of his suitability - but he is absolutely perfect in this role.

Its a really well produced series worthy of a lot more than the ratings on here. I dont know why the ratings are so low - with the storyline, acting and intertwining production, I think this is just great.

But dont take it all too serriously!

You must watch it until AFTER The Credits on the last episode.

This show is riddled with plot holes, it is inconsistent in tone, and baffling at times, but it's still a fun ride if you sit back and suspend disbelief and avoid analyzing it too deeply. If you struggle with unbelievable storylines or character decisions, this won't be for you. However, the actors performances hold up and you'll be wanting to see what happens next. It's a mix of older BBC murder mystery series, Sherlock, and a bunch of weird writing decisions in between. It's not a show you'll want to go out of your way for, but if you want a short series that's relatively mindless and entertaining, this will do the trick.