Bride Flight

In the present day, successful winemaker Frank de Rooy dies and three women are requested at his funeral. In 1953, a KLM flight breaks a record traveling from London to Christchurch. Frank meets Ada van Holland, Esther Cahn, and Marjorie Mullin who are three of the brides on their way to New Zealand. Frank lost his family in colonial Indonesia during the war. He falls for country girl Ada but she's already married by proxy to Calvinist Derk Visser. She goes on to live a loveless marriage in a bunker having several children. The only passion is the exchange of letters with Frank until he discovers them. Esther is an independent Jewish woman after losing everyone in the Holocaust. She refuses to live with ghosts from the past and charges forward making a career as a successful fashion designer. Marjorie marries Hans Doorman. After Esther gives birth, Marjorie adopts the baby as her own.

It's an old-fashion romantic melodrama. Ada's quiet suffering is devastating and her life is worthy of any pulp romance. This is all very pulpy with Marjorie and Esther. The movie should stop flashing forward to the modern era so much. It should have stopped after Rutger Hauer died. Every time it goes modern, the movie grinds to a halt. The modern era should be tiny bookends. Otherwise, this is a good old fashion melodrama if one is inclined towards such things.

Oh, what a tangled web we weave. But to how many webs do we belong? How many decisions were made outside our comprehension that changed the course of life forever? How many of those decisions became regrets? It doesn't really matter because yesterday happened, but it is interesting to consider the interconnected backstage of existence. And then tremble at the great unknown that is your parent's past. There's just so much we'll never know. And that's mostly OK. Bride Flight is a film that I admired because its leading characters were not only exquisitely defined, but their stories felt distinct and complete, almost separate within a greater whole. These people kept things from one another, and yet they were all so pivotal to each other. The dramatic irony fires on all cylinders. And the ensemble has absolutely excellent chemistry to pull it off. You never doubt the natural unfolding of events because every glance they give or catch is so engaging. New Zealand serves as a breathtakingly epic backdrop to this romance that jumps back and forth on a timeline much more gracefully than so many other examples. When it does jump back you start to become very happy certain rigid social customs have been left behind, and that's a testament to how fully yet subtly its realized. This was a pleasant surprise to watch.

My wife lured me to this movie, she had the evening off and we wanted to do something together. In the theater I was the only male, the rest of the viewers were all women. But I did enjoy the movie. Great acting, the director took the time needed to build the atmosphere for each scene. I must say that sometimes the camera was too close. Very intimate. And also the twist at the end could have been somewhat more dramatic (although I cannot exactly say in which way). But it was enough to make me think about the story (stories!) the whole next day. I even decided to write this review. I agree fully with an other review, that the trailer does not reflect the movie: the latter is much more intense! and Ada, what a great actress Karina Smulders is, the stars came off the screen! The casting (two actresses for the young and old main characters) was also very good. I can recommend this movie to everyone!

On paper the story of Bride Flight might be told in 5 sentences but it's all executed in a convincing fashion with a keen and convincing eye for locale and historic atmosphere. The movie is about three women that fly to find their future in New Zealand in the fifties. On the plane is a man that will influence and tie their lives together in an unforeseen manner. The strength of the movie lies in the characters and the convincing way they are portrayed. Waldemar Torenstra is very convincing as the charismatic and Deanesque Frank that makes the other male characters (but not their performers) pale in comparison. Karina Smulders is delicious with her big naive gazing eyes. In fact the whole cast turns in solid performances and the young and old versions of the characters are very much in line with each other. All in all it's not an epic movie like "de Tweeling", director Ben Sombogaard previous movie, but it increasingly takes you by the throat as the story unwinds and relationships become clearer. A pity we did not see more of Rutger Hauer though.

This is a fantastic film. The trailer for this film tells of a passionate love affair between two people who can't be together. OK, the film is about these two people, but it is about so much more! The bond between these four people who met on a plane in 1953. The secrets some of them kept for 55 years. The expectations of starting a new life in a new country. And the scenery is amazing. I love New Zealand, and I thoroughly enjoyed the background in the film. I recommend this film to anyone. Although, fair to say, I guess it's more of a girl's film. It's an epic drama; there are no car chases or high tech gadgets. This is what a film is supposed to be. And the 130 minutes fly by! Also pay attention to the beautiful song at the end.