Bride Flight

Oh, what a tangled web we weave. But to how many webs do we belong? How many decisions were made outside our comprehension that changed the course of life forever? How many of those decisions became regrets? It doesn't really matter because yesterday happened, but it is interesting to consider the interconnected backstage of existence. And then tremble at the great unknown that is your parent's past. There's just so much we'll never know. And that's mostly OK. Bride Flight is a film that I admired because its leading characters were not only exquisitely defined, but their stories felt distinct and complete, almost separate within a greater whole. These people kept things from one another, and yet they were all so pivotal to each other. The dramatic irony fires on all cylinders. And the ensemble has absolutely excellent chemistry to pull it off. You never doubt the natural unfolding of events because every glance they give or catch is so engaging. New Zealand serves as a breathtakingly epic backdrop to this romance that jumps back and forth on a timeline much more gracefully than so many other examples. When it does jump back you start to become very happy certain rigid social customs have been left behind, and that's a testament to how fully yet subtly its realized. This was a pleasant surprise to watch.

This is an absolute GEM of a movie that tells the story of 3 women and 1 man who meet on a flight as they are emigrating in the early 50's from the Netherlands to New Zealand, leaving behind floods and terrible economic conditions. Many of the women on this flight(like our protagonists) have already accepted proposals of marriage from New Zealand men whom they have not even met. These 4 actors embark on a new life; but as things work out ,their lives become intertwined in unusual and unimagined ways.As events unfold, we see the consequences of decisions, some of which should have been reconsidered and were not,some which could be renounced and were, and some which were allowed to play out with tumultuous results.This intriguing saga is at times agonizing,at times uplifting, at times poignant but always compelling. The actors are excellent and fully photogenic! If you are interested in a superb,engrossing and captivating drama, get on board,buckle up and enjoy the flight.

My wife lured me to this movie, she had the evening off and we wanted to do something together. In the theater I was the only male, the rest of the viewers were all women. But I did enjoy the movie. Great acting, the director took the time needed to build the atmosphere for each scene. I must say that sometimes the camera was too close. Very intimate. And also the twist at the end could have been somewhat more dramatic (although I cannot exactly say in which way). But it was enough to make me think about the story (stories!) the whole next day. I even decided to write this review. I agree fully with an other review, that the trailer does not reflect the movie: the latter is much more intense! and Ada, what a great actress Karina Smulders is, the stars came off the screen! The casting (two actresses for the young and old main characters) was also very good. I can recommend this movie to everyone!

In the present day, successful winemaker Frank de Rooy dies and three women are requested at his funeral. In 1953, a KLM flight breaks a record traveling from London to Christchurch. Frank meets Ada van Holland, Esther Cahn, and Marjorie Mullin who are three of the brides on their way to New Zealand. Frank lost his family in colonial Indonesia during the war. He falls for country girl Ada but she's already married by proxy to Calvinist Derk Visser. She goes on to live a loveless marriage in a bunker having several children. The only passion is the exchange of letters with Frank until he discovers them. Esther is an independent Jewish woman after losing everyone in the Holocaust. She refuses to live with ghosts from the past and charges forward making a career as a successful fashion designer. Marjorie marries Hans Doorman. After Esther gives birth, Marjorie adopts the baby as her own.

It's an old-fashion romantic melodrama. Ada's quiet suffering is devastating and her life is worthy of any pulp romance. This is all very pulpy with Marjorie and Esther. The movie should stop flashing forward to the modern era so much. It should have stopped after Rutger Hauer died. Every time it goes modern, the movie grinds to a halt. The modern era should be tiny bookends. Otherwise, this is a good old fashion melodrama if one is inclined towards such things.

I saw the trailer of this movie several times and I just hated it. Bombastic overpowering music that overloaded my senses and gave the impression of an average movie. The complete movie is totally different and I loved every minute of it (all 130). The acting is subtle and strong and New Zealand provides a beautiful background for some amazing shots. The story has real power and all twists and turns feel very natural. You get a real good feel about all the characters involved and their motivations. They all evolve together to the end of the movie. Special mention for me are two of the main characters, Frank and Ada. The (erotic) tension between these actors is one of the most intense I've ever seen in cinema. If you like well told drama with great acting this is the movie for you. Forget the trailer, go to see the real thing!