Cuarentena

I had high hopes for this movie when I saw the trailer and felt that the movie delivered what it intended to.

The movie itself takes place from the point of view from a cameraman named Scott. The cameraman is shooting a take on what firemen go through on an ordinary day when their ordinary day turns into extraordinary. They get a call to an apartment complex and get locked inside with what appear to be zombie like creatures.

It is a movie that I would place in between the 28 days/weeks movies and Cloverfield. It has suspense (will be great on DVD w/surround sound in the future) but some of the characters lack common sense. The fact that the movie is shot from one camera had some people disappointed since it didn't involve too much of a story as to what is being "quarantined", but that is to be expected.

I would say that the movie could have been a heck of a lot better with a solid story and a bigger climax/plot. It is worth your time to watch, but if you don't like shaky cameras like Cloverfield and Blairwitch Project, then I wouldn't watch it.

A television reporter and her cameraman occupying to spend themselves the night shift in a fire station. After a routine call take them to an apartments building. There they meet residents,cops, caretaker already in the scenario ; all of them are trapped inside a building quarantined by the CDC after the outbreak of a mysterious virus which becomes humans into bloodthirsty murderers . Acceptable remake full of eerie scenes with zombies and creepy scenes .This following packs a sinister and horrifying atmosphere by means of shaky camera and videotape as well as the former Spanish films titled REC 1, and 2 . The eerie tale deals with a reporter (Jennifer Carpenter )who leads a TV team inside the quarantined building , in which communication means have been cut-off and police agents are not relaying information to those closed inside. They soon learn that a woman living in the building has been infected by something unknown and after that are attacked by the zombie-like creatures . The journalist , a fireman (Jay Hernandez) and his cameraman occupying to spend themselves the night against the zombies . There , they find residents already in the scenario have been possessed by strange demoniac forces . After that , the tenants and inhabitants are brutally attacked by psycho people ; they soon learn that people living in the building has been infected by something unknown. The group attempts the getaway but they only encounter that have been sealed off and try to avoid the bloody attacks .

This sequel to one of the highest earning horror movies of the last years titled ¨Rec¨ is realized in similar premise to original and contains a good cast as Jennifer Carpenter, Jay Hernandez , Johnathon Schaech ,Steve Harris and Rade Serbedzija. It's a solid movie , a terror story plenty of suspense, restless horror, and in documentary style. Film itself takes place from point of sight from cameraman. The flesh-eating zombies appearance deliver the goods plenty of screams, shocks and tension .The horror moments are compactly made and fast moving . It packs tension, shocks, thrills,chills and lots of gore and blood , but the original is far superior . Well worth seeing if you like shaky cameras, such us ¨Blair witch project¨, ¨28 Days/Weeks¨ and ¨Cloverfield¨ . Dark cinematography filmed in Downtown, Los Angeles, California, Hollywood, Los Angeles, and Sony Pictures Studios by Ken Seng .The picture produced by Julio Fernandez (Filmax Productions) is professionally directed by John Erik Dowdle but with no originality and based on the Jaume Balaguero and Paco Plaza film, two magnificent experts on terror genre . Both of whom are directing the third part (in pre-production) titled ¨Rec, Genesis¨ with similar crew and actors . Furthermore another filmed titled ¨Quarantine : the terminal¨ by John Pogue. Rating : 5,5 , passable follow-up that will appeal to horror fans .

The reason a lot of people don't like this just doesn't make sense. Many people complain about the main actresses performance but I thought she did amazing. Many other people complain that its to slow because nothing happens in the beginning, hate to break it to you but thats called developing the characters, something that a lot of horror movies lack. This movie is really good, really scary, and one of the few horror movies that is actually re-watchable. Its such a crime that this has only a 5.9.

Even at a glance, it is clear that Quarantine has boarded the 'fad' bandwagon it two respects. Firstly, this chiller joins up with the abundance of remakes that choke the gullet of Hollywood, and at an impressively rapid pace I may add, duplicating its Spanish predecessor (Rec) within a year's time. Secondly, it is the successor in a line of films, some from earlier this year in fact, that adopt the hand-held camera technique (which may soon be classified more accurately as a gimmick) to construct a first hand, real time account of events. Yet, despite succumbing to these popular fixations, and the flag of death that is the studios reluctance to screen the film, Quarantine is crisp effective horror.

When comparing (Rec) and Quarantine, the similarities are glaring. In fact, the films are almost identical, save a few altered snippets. Which is good in the sense that nothing was lost in translation and although nowhere near as disgraceful as remaking classics or art films, it still begs to ask the question why? Alas, the average viewer does not wish to read subtitles, especially when watching horror, so the update went through. Directed by newcomer John Erick Dowdle he makes the most of his debut. Procuring a larger budget then its inspiration, Quarantine looks better as a whole (despite more frequent incomprehensible shots involving darkness and jiggle cam) and is able to incorporate some effects into the production, such as a continuous and chilling shot of a person being tossed down a stairwell. Comparisons to 2008's earlier films Cloverfield and Diary of the Dead are unavoidable, and remains squarely in the middle; a far-cry from the ingenuity and atmosphere of Cloverfield, but avoids the horrendous acting and scripting of Diary.

Mirroring (Rec) Quarantine begins with a reporter, Angela Vidal (Jennifer Carpenter) who hosts a late night television program. On this particular night, Angela and her cameraman Scott (Steve Harris) are doing a ride-along with the firemen of a local station in L.A., including Jake (Jay Hernandez) and Fletcher (Jonathan Schaech). After a tenuous night of boredom and anxiety, they are finally called to the scene of an apparent accident in an aging condo, involving an elderly tenant. Things are not as they seem however as soon after, the CDC seals off the building with the foursome, and the reaming residents still inside. Their reasoning is good it seems, as all hell breaks loose as a mysterious rabies virus rips through the building turning those exposed into zombie-like fiends. The survivors must work together to battle the infected, the authorities and each other.

Both films incorporate the inherent problem of the disease itself, which seems to frequently shift in its required incubation period, but is not really a huge impediment for the film as a whole. The opening act which is situated entirely at the station is both surprisingly involving and witty, and works to some extent as character development. The finale is also pulse-pounding, if not entirely inspired, but lacks the sheer terror I felt at the finale of (Rec). When breaking it down, Quarantine's opening is better then the original, and (Rec)'s final act is better then its imitator, so things balance out. Each film boast a superb scene mid to late film, including the aforementioned stairwell plummet in Quarantine and a scene in (Rec]) involving the same stairwell in which the heroes peer down to see the lower floors of infected peering back; eerie stuff. I would encourage horror fans to see both before making their choice, and to be honest I haven't quite chosen myself which is superior. Regardless, Quarantine takes advantage of a ploy that has not yet become stale, and yielding authentic portrayals from its relatively unknown cast and an ominous atmosphere, this flick is infectious to be sure.

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Overall, it was a pretty good movie. It entertained me, and it had zombie-like people (well, it was actually a virus, like in 28 days/weeks later- but still, that concept of zombies is always awesome). The camera was pretty shaky at times, which was a bit much, and at the end, Jennifer Carpenter, as hot as she is, got pretty annoying with the screams, crying, and hyperventilating. Kind of wish she would have shut up near the end.

Pretty good jumps, some decent little gore parts- so overall, not a bad movie. I would probably buy it on DVD. Obviously no movie is perfect, and everyone will have their own views, likes, and dislikes. If you look at all the other past horror movies, this one isn't too shabby. Look, a movie entertains you, then it did it's job. That's why it's called "entertainment." Just because some jackass on the street says it sucks, and just because it didn't get many "stars," doesn't mean it's a bad movie. Plenty of "bad movies" have entertained the hell out of me- in turn, making them good movies- to me, at least.