Colisión

Johannesburg, a city where the drugs are cheap, and life is cheaper.

Bright, posh girl, Niki, defies her loser father and snobby mother to date sexy singer, Larry. Meanwhile the middle level aspiring gangster, Bra Sol, is trying to set up trafficking deals.

The father daughter dynamic is further propelled by shopkeeper, Cecil, and his beautiful daughter, Palesa.

The three strands play out in intercut shots and sequences with mounting tension and violence leading to a tragic denouement.

The lights go out for the final scene in more ways that one.

This film describes the inter-tribal tensions of South Africa, with more than a whiff of corruption in big business. Whether this is true to life I am not equipped to say, but the exposition is well laid out. The story moves on with increasing pace as we see the tragic inevitability unfold before our eyes.

The photography and direction is good with the claustrophobia closing in as we reach the final moments of this hour and forty minute feature. It is no blockbuster with grand over paid Hollywood mummers, but is gritty, real, and emotional.

Worth a watch.

There's not much to say really as it just goes through the motions and fails to keep anything interesting. None of the characters are likeable and it's a film you'll forget overnight.

This movie is just a front for you can ONLY guess what,..You KNOW it isn't an Israeli gal who is being tossed around by the indiginous of South Africa,..It's an English gal of course and of course her father is an evil person and yadda yadda yadda,. The story is only a front,. That's why you don;t see any LOW rating because even dumb people KNOW why this movie was made.

Actions have there reactions in this story set against the backdrop of a modern evolving South Africa where the consequences leave the players with few victories pursuing there goals. Well worth a watch.

'Collision' does contain some rather pedestrian acting and arguably clumsy editing, but it has far more merit than a series of harsh reviews would suggest.

The opening device of presenting the final crash and the dark progression of events create a mood of bleak inevitability which is, in itself, a comment on the social and political plight of South Africa today. It's a borrowing of the late Renaissance 'Spanish Tragedy' concept in which the personal faults of the main characters combine with circumstances to bring about the final catastrophe. The fact that the audience can 'see it coming' creates a sense of helplessness among them.

It's a good effort - not perfect, but definitely not deserving of the 'put downs' it's receiving!