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Just weird. A great cast but a truly strange story which makes even the Coen bros films seem normal. Whilst I'm a big fan of Kim Bosnia's I don't think this was his finest hour and I wouldn't watch it again

Terribly Happy is a stylish Danish noir based on actual events. It's a classic "fish out of water" story. Robert (Jakob Cedergren ),a police officer is sent from Copenhagen to a small Danish village as its new Marshall. He soon finds that the village people have their own set of rules and laws and are not ready to accept outside interference with their coda of justice. Although at first Robert tries to play everything by the book, he is soon drawn deeply into the villagers' web of deceit and corruption.

The director Henrik Ruben Genz creates a very bleak atmosphere set against the Danish countryside. The film is full of black humor, reminiscent of Coen Brothers, specially Fargo. The casting is particularly good, with Kim Bodnia outstanding as a wife beating lout. Terribly Happy is tightly directed and is gripping from start to finish. Recommended.

This was one of my top 5 films at the 33rd Cleveland International Film Festival.

In the introductory narrative we are told that "all the events are true". A short story is told of how a cow was stuck in the bog, dug out 6 months later and gave birth to a two-headed calf (one human, one bovine). This sad animal causes distress to the town and is put back into the bog.

Well. We may not know where this is going, but it's sure to be interesting.

Robert (Jakob Cedergren) has a troubled past in Copenhagen and is re-assigned to a remote Danish town, where he is quickly embroiled in its odd business. Does Jorgen (Kim Bodnia), the local force to be reckoned with, actually beat his wife Ingerlise (Lene Maria Christensen)? Is that why their daughter takes her dolly for a walk in the evening, with the squeaky wheel heard by all in the village? Why is the bicycle shop deserted, but the music blaring?

And what is in the bog?

The theme of the small town that runs by its own rules is well presented here. No one wants to get the "big city" involved. Abuse is known but ignored. The Marshall fits in in that everyone seems to have a secret in this town. A twisted ethic exists in just what needs to be done, whether the Marshall is supposed to punch out a pre-teen shoplifter (if he doesn't, Dad Jorgen will), you are supposed to say "mohn" instead of the usual Danish word for hello, the doctor supplies narcotics to the hairdresser/call-girl, and your clothes need to be put on the line to dry in a just-so order. And what do you do about the abused wife, who may just be playing her version of crazy with the newest Marshall?

The various plot twists, the machinations of the local card-playing cabal looking for a new fourth, the (lovely) cat who says "mohn": all provide fit companions to the Bog. The Bog is metaphor here as a place where secrets reside, the past sometimes remains hidden and the future lies in wait. The bog is as much a character as the townspeople and the townspeople are the bog.

The film alternates between disquieting views of the flat fields and frenetic twists (big and small) in the plot. I could not imagine a single scene being left out. Lovely and tense, this Euro-Noir film is well acted and well filmed; a good bet for those who like quirky and creepy.

Nicely done. I am glad I picked this one out. Kind of movie you'd like to watch on a lazy moody afternoon. It will perk up your interest and will get you ready for the evening! Trust me you won't get bogged down! The film is set in a bleak Fargoesque landscape and begins to build up slowly. I found a couple of situations in the plot that could be a bit far-fetched and probably could have been done better but this doesn't affect the overall quality of the film. Even with a low budget the director has come up with a remarkable suspenseful and to an extent, a film with a moral. So go on, get some pop-corn on and get settled in your favorite spot. Go out for a beer later - preferably the local beer joint!

I recently saw this at the 2009 Palm Springs International Film Festival. from writer/director Henrik Ruben Genze based on the novel by Erling Jepsen is a dark and quirky crime story set in a small rural Danish village where everybody knows everything about everyone and they live and die by their own unique code of justice. Robert (Jakob Cedergren) is a cop from the city who has been reassigned as the town marshall because of a mental breakdown he suffered and he has to stay in the demotion until he can work his way back onto the force back in the the city. He immediately discovers the odd and unwelcome clannish ways of border town community and meets Ingerlise (Lena Maria Christiansen), the abused wife of the town bully Jorgen (Kim Bodnia). This is a psychological thriller with suspense and dark comedy woven together in a story that is almost Stephen King-like. The moody cinematography from Jorgen Johansson is excellent and the film moves at a slow pace but never drags down and keeps your interest throughout. I would give this an 8.5 out of 10 and recommend it.