Aces 'N' Eights

Far too much concentration on a relentless series of bloody, sadistic atrocities, committed by pantomime villains, against stock character, seemingly helpless farmers who are trying to resist a railroad land- grab. Even Borgnine, Boxleitner and Van Dien fail to lift this beyond the hackneyed, mundane and largely predictable horse opera which it patently is. Character development is shallow and unresolved, and the limited dialogue also limits any engaging plot development. Even the slight twist at the end, as regards the ultimate demise of the chief "badhat" comes across as a desperate, but ineffective ploy to at least try to depart from total predictability. Just about worth a watch on a rainy afternoon, but not if you've anything even remotely more interesting to do... which would not be hard to find.

Yes, sadly, we have a look into DVD Perdition, where ex-actors who used to be something are consigned to doing bad films.

This film has three guys who used to have name recognition- Casper Van Dien, Bruce Boxleitner and Ernest Borgnine. Hell, Ernie won an Oscar. (He's also 91 and still acting, that says a lot.)

The plot is that the railroad is coming through, and Ernest doesn't want to sell his land. The railroad hires a bunch of thugs, who used to know ranch hand van Dien. A bunch of clichéd western themes, you aren't going to mistake this for Deadwood, that's for sure.

The movie is plodding and slow, there is little chemistry between the characters. The ending is the typical showdown that John Wayne did 50 years ago and much better. Boxleitner could have been John Wayne 40 years ago, but maybe we've outgrown a need for John Wayne.

Local railroad boss William Atherton sends hired killers Jeff Kober and Bruce Boxleitner to get rid of pesky landowners like Ernest Borgnine, who refuse to sell out. Complicating things for Atherton is progressive thinking railroad executive Jack Noseworthy and Borgnine's hired hand Casper Van Dien.

A competent cast of familiar character actors try hard, but this is pretty much done in by the extreme familiarity of the material (see Once Upon A Time In The West) and the fact that the script focuses on too many characters at once, resulting in a lot of half-formed characterizations, sort of like a television series highlight reel.

As usual with director Craig R. Baxley, it's well made and the action scenes are expertly handled. However, Baxley (as well as most modern filmmakers) seems to have left out the nuances that made many of the older westerns true classics.

One thing I could never understand about these type of westerns is the railroad's desire to to take the whole ranch in order to lay a single five-foot wide track. Didn't those wackos ever hear of an easement?

Casper Van Dien stars in Aces 'N' Eights as a former gunslinger in Jeff Kober's band of thugs for hire who up and quits and decides to settle down and lead a peaceful life. Rancher Ernest Borgnine takes him in and life goes well.

That is until Kober's murderous band gets hired by William Atherton of the railroad and he wants a lot of ranches cleared out. And Kober is a man who enjoys killing to make that happen.

I have to say this was a strange western for someone who's seen more than his share. Most of the time if the plot involved the railroad coming through it was a good thing and it was bad guys who had insider knowledge of that happening trying to push people off their land. In some cases it was the railroad, most famously in the Tyrone Power classic Jesse James that was strong arming people off their property, but just killing them? After all, the railroad just wants a right of way, enough room to lay down their tracks.

Which made this western a rather dubious proposition for me. Still there's enough action to satisfy any western fan. There's also an adroit performance Bruce Boxleitner as one of Kober's men who plays a distinctly lone hand.

The railroad must go through! A reformed outlaw sides with the dirt farmers in a fight with a crooked railroad promoter who uses outlaws to murder the farmers who oppose him. Good script, good acting, portentous music, along with good photography, stunt work and editing make this an above average Western. Uses all the cliches, of course. Lots of fighting towards the end, brutal murders along the way, but surprisingly little gore, which makes the violence all the more effective.