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IMDbPro

La frontière de l'aube

  • 2008
  • Not Rated
  • 1h 46min
CALIFICACIÓN DE IMDb
6.4/10
1.3 k
TU CALIFICACIÓN
La frontière de l'aube (2008)
DramaRomance

Agrega una trama en tu idiomaA celebrity is caught by her husband with a young lover. She ends the relationship, but slowly goes insane.A celebrity is caught by her husband with a young lover. She ends the relationship, but slowly goes insane.A celebrity is caught by her husband with a young lover. She ends the relationship, but slowly goes insane.

  • Dirección
    • Philippe Garrel
  • Guionistas
    • Philippe Garrel
    • Marc Cholodenko
    • Arlette Langmann
  • Elenco
    • Louis Garrel
    • Laura Smet
    • Clémentine Poidatz
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.4/10
    1.3 k
    TU CALIFICACIÓN
    • Dirección
      • Philippe Garrel
    • Guionistas
      • Philippe Garrel
      • Marc Cholodenko
      • Arlette Langmann
    • Elenco
      • Louis Garrel
      • Laura Smet
      • Clémentine Poidatz
    • 6Opiniones de los usuarios
    • 35Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Ver la información de producción en IMDbPro
    • Premios
      • 1 nominación en total

    Fotos

    Elenco principal31

    Editar
    Louis Garrel
    Louis Garrel
    • François
    Laura Smet
    Laura Smet
    • Carole
    Clémentine Poidatz
    Clémentine Poidatz
    • Ève
    Olivier Massart
    • Le père d'Eve
    Jérôme Robart
    Jérôme Robart
    • Copain de François 1
    Emmanuel Broche
    • Copain de François 2
    Cédric Vieira
    • Copain de François 3
    Grégory Gadebois
    Grégory Gadebois
    • Ami de Carole 1
    Vladislav Galard
    • Ami de Carole 2
    Julie Pouillon
    • Amie de Carole 3
    Stanislas Stanic
    • Le comédien français
    Eric Rulliat
    • Le mari de Carole
    Marion Mitterhammer
    Marion Mitterhammer
    • Une patiente
    Éric Seigne
    • Médecin 1
    Olivier Lidove
    • Médecin 2
    Jean-Alain Velardo
    • L'infirmier
    Hélène Bescher
    • L'infirmière
    Martyne Maillet
    • Colette
    • Dirección
      • Philippe Garrel
    • Guionistas
      • Philippe Garrel
      • Marc Cholodenko
      • Arlette Langmann
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios6

    6.41.3K
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    Opiniones destacadas

    10didierfort

    Return of a genre? Fantastic!

    Enormous responsibility : I'm the first to write for a movie awfully rated by those who took the pain to give a note.

    Last Philippe Garrel's opus, "La Frontière de l'aube" has been booed at Cannes Festival. Can we see it as some homage vice rendered to virtue? I shall.

    Enough for the official reception.

    I won't make it too long to deliver my vision of this movie. In a delicate, dreamy, precise, sensitive way, Philippe Garrel has been giving new "lettres de noblesse" to the genre "fantastique".

    The cast is worth it. Laura Smet shows that maturing can be a blessing for a young woman born in the show business. Her performance is simply outstanding. And director Philippe Garrel gave his best role to Louis, his talented son, often lost in over-written parts under Christophe Honoré's guidance
    1tigerfish50

    Fraudulent Fluff posing as a Masterwork

    This tale of a photographer's amorous misadventures demonstrates cinematic vanity projects still exist in 21st century France. Shot in 'artistic' B&W, the film opens with poetically rumpled Francois shooting some publicity stills of a young married actress, Carole, whose film-maker husband is away in Hollywood. Despite Carole's lack of charisma, Francois falls under her spell, and they embark on an obsessive love affair. Director Garrel shows this with long shots of the couple asleep, smoking cigarettes or staring moodily into the distance. Consequently it seems somewhat capricious when Carole suddenly suffers a breakdown, sets fire to her apartment, and is consigned to an asylum where she writhes around theatrically in a straitjacket.

    After her release, Carole breaks up with Francois, telling him she's going to reconcile with her husband, and then drowns her sorrows with a bottle of gin in an over-acting masterclass. Francois seeks solace with a new love interest, but memories of Carole drive him on to a melodramatic destiny. The narrative makes even less sense on screen than it does on paper, and it's easy to see why the Cannes Festival audience greeted the film's producers with whistles of derision for wasting their time.
    8rooprect

    Bleak and beautiful

    If you notice, the two negative reviews for this film are complaining that it's in black & white. If you entertain that sort of criticism for even 2 seconds, then do not bother with this film, or anything by Bela Tarr, Orson Welles, Kurosawa, Godard or any of the other masters known for their bold use of monochrome. If, on the other hand you realize that b&w is an artistic choice that not only sets a particular mood but allows for striking visuals not possible with color (such as, just to name 1 example, the Wellesian "Citizen Kane" trick of having different actors at different distances from the camera yet equally in focus, but with a certain 2-dimensional b&w flatness to the scene that challenges the eye like an MC Escher drawing), then strap yourself in for a great experience.

    Visuals aside, this film impressed me for the sheer fact that it's an artsy film that doesn't get bogged down in its own artsiness. Yes, it definitely has an unconventional style with a laconic, brooding presentation often associated with a maligned subset of artsy films known as "artsy-fartsy", but this film never gets so abstract that you lose sight of the presentation. It has a very interesting story that keeps the film's momentum rolling even though the pace is heavy. Imagine taking the story of a fast paced Hollywood thriller but telling it with poetry and room to breathe, as well as suspense. Just when you think this film has said all it has to say, something completely unexpected happens to ignite your imagination.

    With that in mind, I'll say very little about the plot since this film is best experienced as it unfolds, one surprise at a time. All I'll say is that it is a story of love affairs, but not in any way you've seen. The trailer makes it look like a simple love-triangle type drama, but that couldn't be further from the truth. This is a deep, psychological look at love and madness. And it is the latter half (madness) that makes for some very surprising and thrilling plot elements.

    Some reviewers & critics have compared this movie (both favorably & unfavorably) to the works of cinema master Jean Cocteau ("Beauty and the Beast", "Orpheus", etc). That's a fair comparison, and if you like Jean Cocteau's visual inventiveness and minimalistic special effects (which, to me, stand the test of time far better than anything Lucasfilm ever put out), then you're in for a treat in the 2nd half.

    I would also compare the style (again) to Orson Welles and his films like "Macbeth" and "The Trial" where the camera is not always focused on a predictable target, like the person who's talking, but instead it focuses on some other character. Or conversely, the camera may remain so tightly on the person who's talking that we wonder how the other people may be reacting (angry? sad? compassionate? apathetic?). This was a masterful way of adding suspense and tension. Excellent acting makes those closeup shots absolutely haunting.

    I should also add that the soundtrack is perfect. Simple yet chilling violin/piano pieces, used sparsely, add tremendous character to the story. Most of the film, however, is without music, often giving it the tight feel of a stage play.

    I went into this film expecting to hate it for some reason. Maybe its less-than-inspiring DVD cover and inaccurate IMDb plot synopsis (somebody fix that!) made me think it would be an indulgent, voyeuristic spectacle about a bunch of jaded automatons who can't figure out their love life. But instead it turned out to be an extremely complex, mind-bending mystery that kept me riveted up until its memorable last image.

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    Argumento

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    ¿Sabías que…?

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    • Trivia
      Previously titled as "Heaven of the Angels", an expression Philippe Garrel found in "Blanche ou l'oubli" by Louis Aragon.

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    Preguntas Frecuentes15

    • How long is Frontier of the Dawn?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 8 de octubre de 2008 (Francia)
    • País de origen
      • Francia
    • Sitios oficiales
      • Bitters End (Japan)
      • Leopardo Filmes (Portugal)
    • Idioma
      • Francés
    • También se conoce como
      • Frontier of Dawn
    • Locaciones de filmación
      • París, Francia
    • Productoras
      • Rectangle Productions
      • StudioUrania
      • Canal+
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • EUR 1,800,000 (estimado)
    • Total a nivel mundial
      • USD 242,618
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 46 minutos
    • Color
      • Black and White
    • Mezcla de sonido
      • Dolby Digital
    • Relación de aspecto
      • 1.66 : 1

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