En 1969, el gobierno federal acusó a siete personas de conspiración por las protestas en la Convención Nacional Demócrata de 1968 en Chicago.En 1969, el gobierno federal acusó a siete personas de conspiración por las protestas en la Convención Nacional Demócrata de 1968 en Chicago.En 1969, el gobierno federal acusó a siete personas de conspiración por las protestas en la Convención Nacional Demócrata de 1968 en Chicago.
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- Nominado a 6 premios Óscar
- 59 premios ganados y 195 nominaciones en total
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Opiniones destacadas
Ridiculous ensemble cast, and Sorkin's slick lines to support. Plus i LOVE a courtroom drama. This is liberal stuff with a capital L.
Hoffman and his fellow defendants face off against a Government prosecution and a brazenly unsympathetic judge, Sorkin's screenplay works its magic through the sheer spectacle of the courtroom proceedings. Through testimonies and circumstantial evidence, it becomes clear that the accusations of a conspiracy are baseless, most obvious in the case of Bobby Seale (fiercely portrayed by Yahya Abdul-Mateen II), who is charged along with the Chicago 7 without any reasonable evidence of collusion.
The confrontations between Hoffman and Tom Hayden (a steady, confident Eddie Redmayne) resonate as they explore the tensions between achieving progress through traditional, "respectable" means, versus disrupting the status quo by overturning a failing system.
This movie would have already been a must-see film for its captivating ensemble, Sorkin script and rousing story. But its sincere plea for a more free and fair democracy makes it all the more essential in a pivotal election year for the US.
Hoffman and his fellow defendants face off against a Government prosecution and a brazenly unsympathetic judge, Sorkin's screenplay works its magic through the sheer spectacle of the courtroom proceedings. Through testimonies and circumstantial evidence, it becomes clear that the accusations of a conspiracy are baseless, most obvious in the case of Bobby Seale (fiercely portrayed by Yahya Abdul-Mateen II), who is charged along with the Chicago 7 without any reasonable evidence of collusion.
The confrontations between Hoffman and Tom Hayden (a steady, confident Eddie Redmayne) resonate as they explore the tensions between achieving progress through traditional, "respectable" means, versus disrupting the status quo by overturning a failing system.
This movie would have already been a must-see film for its captivating ensemble, Sorkin script and rousing story. But its sincere plea for a more free and fair democracy makes it all the more essential in a pivotal election year for the US.
A nicely made historical film. Quite shocking to see how the so called liberties and freedoms are not granted when it doesn't suit the corrupt establishment. Some solid performances from a great cast. I hope to see more of these films being made and distributed widely that expose and are transparent to all kinds of corruption and falsehoods that exist in our society. It should never be one rule for the elite and a different set of rules for the rest of us. This is not what the founding fathers hoped for and you ask yourself who are the real patriots.
" I have never been on trial for my thoughts", this one line sums it up about the whole movie. Watch the movie, not only for 5 reasons given by Yayha Abdul Mateen, but the writing, the thoughts, and deliverance. When I decided to watch this movie, it was only for the reason of Aaron Sorkin and star cast and with very limited knowledge of the events which took place in 1968 in chicago. However, with in first 30 minutes of 2 hours, it took me back to days when a one minute long monologue of Jack Nicholson in "A Few Good Men" gave goosebumps to an adult of 18 years of age who was not very fluent in english and not very familiar with american judicial system or revelation in " Charlie Wilson's War" , which was an another vantage point of looking at geo-politics happening in my country and region.
The Trial of Chicago 7 may not have a room to depict drama as seen in previous work of Aaron Sorkins, however in 2 hours and 9 minutes, Aaron and cast of the movie has depicted whatever they could. The script not only provided a dimension to the trial, but the struggles of the main 7 character and the bianess they encountered from the Judicial System.
The Court Room thriller, which also based on real event has become alive with this movie and surely will take back you to the days of "Primal Fear", "12 Angry Men", " Philadelphia", " A Few Good Men" , in which words, thoughts, and real human expression influenced an individual's thinking process.
The entire cast of the movie has performed their best and Aaron Sorkins in his second direction venture has given a classic. The movie which for first few minutes appeared to be political satire eventually turned out to be a great political case, as told by Sacha Baron Cohen.
The Trial of Chicago 7 may not have a room to depict drama as seen in previous work of Aaron Sorkins, however in 2 hours and 9 minutes, Aaron and cast of the movie has depicted whatever they could. The script not only provided a dimension to the trial, but the struggles of the main 7 character and the bianess they encountered from the Judicial System.
The Court Room thriller, which also based on real event has become alive with this movie and surely will take back you to the days of "Primal Fear", "12 Angry Men", " Philadelphia", " A Few Good Men" , in which words, thoughts, and real human expression influenced an individual's thinking process.
The entire cast of the movie has performed their best and Aaron Sorkins in his second direction venture has given a classic. The movie which for first few minutes appeared to be political satire eventually turned out to be a great political case, as told by Sacha Baron Cohen.
Legal historians and courtroom drama fans will have a field day with this Aaron Sorkin film which depicts the trial of eight radical protesters who made a name for themselves in Chicago during the 1968 Democratic National Convention. A disparate array of left-wing activists who took it upon themselves to demand an end to the Vietnam War instead became involved in the ghastly legal aftermath of the riots and thus faced criminal charges for allegedly instigating the violence. This film portrays the sham trial that took place.
Jospeh Gordon-Levitt, who has not been in anything good for a long time, is solid as the lead federal prosecutor who reluctantly takes on the assignment of trying to put the radical protesters behind bars. Mark Rylance's modest, down-to-earth demeanor makes him a rather peculiar fit to portray defense attorney William Kuntsler, the famous defense attorney well-known for his outspoken courtroom oratory and publicity hound antics. Frank Langella is flawless as Julius Hoffman, the judge who presided over this trial and whose combustible temper and tenuous mental faculties made him a ready target for ridicule from many, including those involved in the case. Edie Redmayne is excellent as Tom Hayden, the more pragmatic but equally passionate protester and defendant. Sacha Baron Cohen and Jeremy Strong are both stellar as defendants Abbie Hoffman and Jerry Rubin, respectively. Finally, Yahya Abdul Mateen II is eloquent as Bobby Seale, a Black Panther Party co-founder and the lone African-American defendant in the case.
There are discreet details about the trial I was hoping the film would cover. There is no mention of Bobby Seale's many colorful nicknames he assigned to the judge. It mentions the poet Alan Ginsberg only as a fellow protester, when in fact he was also called as one of several celebrity witnesses. So was the musician Judy Collins who began singing an anti-war song during her testimony. These, however, are minor oversights because the fundamental essence of this circus of a trial is effectively captured in the film. Unlike much of Sorkin's earlier work, the dialogue in this film is less grandiose and more straightforward. There are less pyrotechnics and more re-creation here. I mean that as a compliment. It's the perfect portrayal of a trial which turned out to be a low point in the history of American jurisprudence. It also expertly captures the schism within the American left and how the idealists and pragmatists often locked horns even back in the 1960s. Gripping, frightening and instructive in today's world, it is not to be missed. Highly recommended to all.
Jospeh Gordon-Levitt, who has not been in anything good for a long time, is solid as the lead federal prosecutor who reluctantly takes on the assignment of trying to put the radical protesters behind bars. Mark Rylance's modest, down-to-earth demeanor makes him a rather peculiar fit to portray defense attorney William Kuntsler, the famous defense attorney well-known for his outspoken courtroom oratory and publicity hound antics. Frank Langella is flawless as Julius Hoffman, the judge who presided over this trial and whose combustible temper and tenuous mental faculties made him a ready target for ridicule from many, including those involved in the case. Edie Redmayne is excellent as Tom Hayden, the more pragmatic but equally passionate protester and defendant. Sacha Baron Cohen and Jeremy Strong are both stellar as defendants Abbie Hoffman and Jerry Rubin, respectively. Finally, Yahya Abdul Mateen II is eloquent as Bobby Seale, a Black Panther Party co-founder and the lone African-American defendant in the case.
There are discreet details about the trial I was hoping the film would cover. There is no mention of Bobby Seale's many colorful nicknames he assigned to the judge. It mentions the poet Alan Ginsberg only as a fellow protester, when in fact he was also called as one of several celebrity witnesses. So was the musician Judy Collins who began singing an anti-war song during her testimony. These, however, are minor oversights because the fundamental essence of this circus of a trial is effectively captured in the film. Unlike much of Sorkin's earlier work, the dialogue in this film is less grandiose and more straightforward. There are less pyrotechnics and more re-creation here. I mean that as a compliment. It's the perfect portrayal of a trial which turned out to be a low point in the history of American jurisprudence. It also expertly captures the schism within the American left and how the idealists and pragmatists often locked horns even back in the 1960s. Gripping, frightening and instructive in today's world, it is not to be missed. Highly recommended to all.
I don't really think there is a whole lot to say about this film, it was perfectly good.
Is it the best thing Iv even seen? No. But it was good.
I think the editing was pretty good. It was cohesive even though scenes were not always chronological. And it also clipped along pretty well. It was surprisingly tight considering it was 2 hours long. It didn't feel like it.
The script was good too. I think so parts were sharp and especially in the beginning it was really kinetic and bouncy and run to watch. It also has lots of comedic beats that shocked me. Some land great mostly Sacha Baron Cohen's lines. I think he was fantastic. Others kind of fall flat and feel out of place in this "drama". They kind of dampen the serious tone when they are coming at you a mile a minute.
I didn't know much about this trial so it was interesting to learn. As with all movies like this however I think there were some liberties taken. I do however think the ending was really well done and really fitting.
I would say definitely watch it. It is worth your time.
Is it the best thing Iv even seen? No. But it was good.
I think the editing was pretty good. It was cohesive even though scenes were not always chronological. And it also clipped along pretty well. It was surprisingly tight considering it was 2 hours long. It didn't feel like it.
The script was good too. I think so parts were sharp and especially in the beginning it was really kinetic and bouncy and run to watch. It also has lots of comedic beats that shocked me. Some land great mostly Sacha Baron Cohen's lines. I think he was fantastic. Others kind of fall flat and feel out of place in this "drama". They kind of dampen the serious tone when they are coming at you a mile a minute.
I didn't know much about this trial so it was interesting to learn. As with all movies like this however I think there were some liberties taken. I do however think the ending was really well done and really fitting.
I would say definitely watch it. It is worth your time.
¿Sabías que…?
- TriviaSacha Baron Cohen admitted he was "terrified" of having to do an American accent for the film. He had used a few different variations of the accent before for comedic reasons, but never for a dramatic role. He knew the real Abbie Hoffman had a unique voice, having a Massachusetts accent but also having gone to school in California, and was worried he would "sound wrong". Aaron Sorkin had to reassure him that the role was "not an impersonation, but an interpretation", which Baron Cohen claimed did not help much.
- ErroresAt the start of the trial, Bobby Seale claims that the eight defendants are called the "Chicago Seven". In reality, they were originally called the "Chicago Eight". The defendants became known as the Chicago Seven after Seale was severed from the case.
- Citas
Judge Julius Hoffman: And the record should reflect, that defendant Hoffman and I are not related.
Abbie Hoffman: [sarcastic] Father, no!
Judge Julius Hoffman: [bangs his gavel] Mr. Hoffman, are you familiar with contempt of court?
Abbie Hoffman: It's practically a religion for me, sir.
- Bandas sonorasTruly, Truly, True
Written by Wayne Carson Thompson (as Wayne Thompson)
Performed by Jon & Robin
Courtesy of Sundazed Music
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- The Trial of the Chicago 7
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- Presupuesto
- USD 35,000,000 (estimado)
- Tiempo de ejecución2 horas 9 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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