Una mirada a las vidas de cuatro familias que exploran la India y sus ricas y diversas culturas en un momento crucial de su historia.Una mirada a las vidas de cuatro familias que exploran la India y sus ricas y diversas culturas en un momento crucial de su historia.Una mirada a las vidas de cuatro familias que exploran la India y sus ricas y diversas culturas en un momento crucial de su historia.
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- 2 premios ganados y 6 nominaciones en total
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Resumen
Reviewers say 'A Suitable Boy' delves into love, family, and social issues in post-independence India, lauded for its cinematography, costumes, and standout performances by Tabu and Ishaan Khatter. However, it faces criticism for not fully capturing Vikram Seth's novel, inconsistent acting, and an artificial portrayal of Indian society. Some found the series slow and confusing, while others appreciated its detailed era depiction and complex characters. The show's handling of Hindu-Muslim relations and political context also received mixed reactions.
Opiniones destacadas
A Suitable Boy is an adaptation of Vikram Seth's eponymous novel brought to life through an ensemble cast, some heartwarming performances and a fairytale directional effort by Mira Nair and Shimit Amin. Set in the 1950's post partition India, A Suitable Boy is a heady concoction of a number of social and personal affairs, most of which remain relevant even today.
The story's mainstay is the subject of the parental control over a girl's future and her arranged marriage, taken to a ridiculous level by the single minded determination of an indulgent mother. In the case of our heroine Lata, her choice of the suitable boy during the modern day "swayamvar" is deemed legitimate so long as she will toe the line drawn by her guardian, and although all is well that ends well, the question about the uncertainty of the future remains. However, the central theme apart, A Suitable Boy also has a meaningful coverage of several other social issues like politics, power, competition, interfaith relationships, the rich and poor divide, rebellious youth and its potential effects, deep family bonding, feudal issues and communal harmony. The directors' ability to intertwine these issues with the central theme keeps the narrative breezy, interesting, diverse even when it plunges from being lighthearted to parlous.
The casting is indeed a coup and possibly the jewel in the crown of this rather larger than life, glossy series with magnificent production values. Tanya Maniktala is charming and effervescent in the central role of Lata, and Mahira Kakkar defines the role of her mother to the precision of excellence in the domain of intolerable indulgence. Our hearts go out to the earnest performances of Ishaan Khattar, Danesh Razvi, Shubham Saraf, Shahana Goswami, Vivaan Shah, Vijay Varma and young Yusuf Akhtar (as the adorable Bhaskar Tandon, the prodigious child). The standout execution of their respective role comes from the ever dependable Tabu as the ageing courtesan in a tumultuous phase of life, Ram Kapoor and Aamir Bashir who redefine friendship and communal harmony and finally, Namit Das, the chosen one, exuding confidence, strength of character, devotion, selflessness and an amiable personality that borders on OCD. Don't miss A Suitable Boy, there's a lot to discover in it, and you may even associate with some of the proceedings in this period drama.
The story's mainstay is the subject of the parental control over a girl's future and her arranged marriage, taken to a ridiculous level by the single minded determination of an indulgent mother. In the case of our heroine Lata, her choice of the suitable boy during the modern day "swayamvar" is deemed legitimate so long as she will toe the line drawn by her guardian, and although all is well that ends well, the question about the uncertainty of the future remains. However, the central theme apart, A Suitable Boy also has a meaningful coverage of several other social issues like politics, power, competition, interfaith relationships, the rich and poor divide, rebellious youth and its potential effects, deep family bonding, feudal issues and communal harmony. The directors' ability to intertwine these issues with the central theme keeps the narrative breezy, interesting, diverse even when it plunges from being lighthearted to parlous.
The casting is indeed a coup and possibly the jewel in the crown of this rather larger than life, glossy series with magnificent production values. Tanya Maniktala is charming and effervescent in the central role of Lata, and Mahira Kakkar defines the role of her mother to the precision of excellence in the domain of intolerable indulgence. Our hearts go out to the earnest performances of Ishaan Khattar, Danesh Razvi, Shubham Saraf, Shahana Goswami, Vivaan Shah, Vijay Varma and young Yusuf Akhtar (as the adorable Bhaskar Tandon, the prodigious child). The standout execution of their respective role comes from the ever dependable Tabu as the ageing courtesan in a tumultuous phase of life, Ram Kapoor and Aamir Bashir who redefine friendship and communal harmony and finally, Namit Das, the chosen one, exuding confidence, strength of character, devotion, selflessness and an amiable personality that borders on OCD. Don't miss A Suitable Boy, there's a lot to discover in it, and you may even associate with some of the proceedings in this period drama.
I write this as a Western person with no real knowledge or bias regarding the Hindu religion, Islam, or the people involved in making this film.
The story seems to centre on "Romeo and Juliet"-like themes of "forbidden" love - certainly not an earth-shattering, ground-breaking movie theme. Some of the characters are, to me, overblown; the mother's histrionics about her daughter's affair with a Muslim, the son who behaves wildly and inappropriately at a Holi party, the daughter-in-law who melts down the father's medals for earrings, and the corpulent sultan who seems to revel in causing conflict.
Certainly the scenery and cinematography are exquisite, but I found the story somewhat difficult to follow at times. I chalk this up to my not being a part of the target audience. I did not really understand the significance of the songs and poems. I don't know how the parliament/city council/legislature depicted here works or is constituted. I don't understand the nuances of how people dress for various occasions. I did not grasp that a kiss in a temple was so significant. Other productions about India (Jewel in the Crown, Gandhi Slumdog Millionaire) made these kind of things clear to the Western viewer, but A Suitable Boy seems to have missed that mark.
I don't know and can't comment on whether or not the show was pro or anti Hindu, only on whether or not I understood and enjoyed it. That seems to boil down to a 50-50 split - some parts were good, some were not.
The story seems to centre on "Romeo and Juliet"-like themes of "forbidden" love - certainly not an earth-shattering, ground-breaking movie theme. Some of the characters are, to me, overblown; the mother's histrionics about her daughter's affair with a Muslim, the son who behaves wildly and inappropriately at a Holi party, the daughter-in-law who melts down the father's medals for earrings, and the corpulent sultan who seems to revel in causing conflict.
Certainly the scenery and cinematography are exquisite, but I found the story somewhat difficult to follow at times. I chalk this up to my not being a part of the target audience. I did not really understand the significance of the songs and poems. I don't know how the parliament/city council/legislature depicted here works or is constituted. I don't understand the nuances of how people dress for various occasions. I did not grasp that a kiss in a temple was so significant. Other productions about India (Jewel in the Crown, Gandhi Slumdog Millionaire) made these kind of things clear to the Western viewer, but A Suitable Boy seems to have missed that mark.
I don't know and can't comment on whether or not the show was pro or anti Hindu, only on whether or not I understood and enjoyed it. That seems to boil down to a 50-50 split - some parts were good, some were not.
There is a lot riding on A Suitable Boy. Really enjoyed episode 1 aired last night. Colourful, dialogue simple, beautiful on the eye, against a political background of India-Pakistan partition. I love Art and Slow pace series. Thanks to Vikram Seth and Mira Nair can't wait to watch more episodes
My Rating : 6/10
Great selection of actors, music and settings however it's too bland - too gimmicky and cringe most of the time.
The book is one of the greatest ever - this doesn't do justice to its scale and opulence.
OK for a one-time viewing.
Great selection of actors, music and settings however it's too bland - too gimmicky and cringe most of the time.
The book is one of the greatest ever - this doesn't do justice to its scale and opulence.
OK for a one-time viewing.
When I started to read Vikram Seth's monster novel, 'A Suitable Boy', I found it hard going: had Seth really written 1400 pages about the attempts of a young woman to find a husband? But the story inside this framing ultimately expanded into an astonishingly broad, subtle, superbly written and cunningly plotted epic. This television adaptation can't quite bring the Seth's full vision to life, and feels much more like I first feared the book would be: an essentially simple story about finding the right partner. We do still see a lot of India; but at times it feels that it's merely providing background colour, while the characters are simplified and presented straight up as the people you gradually come to know over the book's many chapters. It's always hard judging a new version of something you already love fairly, but I couldn't engage with this series. Read the original instead: it's a literary masterpiece.
¿Sabías que…?
- TriviaTabu "blindly" agreed to do A Suitable Boy, since it was directed by Mira Nair.
- ConexionesFeatured in Jeremy Vine: Episode #3.152 (2020)
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- A Suitable Boy
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