Ne te retourne pas

Wow!!! This was actually pretty entertaining. I love the way they change the language to French to Italian. Love Monica Belluci she is just to beautiful to see in person as well in film. The suspense and story were very interesting and that what kept me into it. The story develops so beautifully done and it just keeps you until the end of the seat, these foreign films don't mind going over the top in showing us what we the viewers want to see, and men they do deliver what we want to see, packed with a great story, great acting and just a beautiful done twist at the end, I give " Don't Look Back" a 7 out of 10 Stars.

Marina De Van's 'Ne Te Retourne Pas' is a complex psychological puzzle and an engaging watch. Starring the world's two of the most beautiful actresses, it definitely grabs the attention of us straight males and lesbians. One can definitely expect sensuality but this movie is much more than that.

First of all their are various ways to interpret the story and 'conclusion'. It's a layered story but one that is open to interpretation. I won't say much else about it because it is best for the viewer to experience and understand it in their own way rather than me telling them how to see it. The lead character is excellently written and we see most of the film from her point of view. At times the situations are confusing and questions, with many possible answers, are raised.

Right from cinematography, location, visualization, art direction, score and makeup, the execution is solid. The special effects department have done a great job. The only time it is noticeable was the CGI of hybrid Tio's face. The freaky Marceau-Bellucci hybrid is well done. The switch from France to Italy is interesting but it makes sense too. It adds a new dimension to the story. The switch from language is fluidly done and it helps that Bellucci is fluent in Italian and French.

The performances are first rate but it is the two spellbinding lead actresses that walk away with glory. While the beautiful Marceau already has made a name for herself in international cinema, one only has to see the sensational Bellucci's acclaimed non-American films to see what a fine actress she is. 'Ne Te Retourne Pas' is their film as both play the same character with sheer conviction.

This is either the kind of movie one either likes or hates or hasn't formed an opinion of. It isn't everyone's cup of tea but it is one that you will be thinking or talking about long after the end credits have rolled. Personally, I like films that have that kind of effect, positively and while many so-called abstract films do have a pretentious quality to them, in my opinion, thankfully this isn't one of them.

"Ne te retourne pas" was a quite of surprise to me. Psychological drama, with touch of a "Twilight Zone"-type fantasy, moved me in strange directions, and paths the movie so meticulously followed throughout it's course. The story of a parallel reality between the past and the present, told in a narrative style that resembles a dream, focuses the viewer on constant change of pace with twists and turns until the answer is found. Main roles beautifully portrayed by Sophie Marceau and Monica Belluci, two of the most exquisitely beautiful actresses of this day and age, are right on the spot of the story and we follow the plot to satisfying conclusion that gives a perfect explanation to it all. Of course this movie does not appeal to Avatar audiences that expect movies which don't provoke thinking.

This is a first film by Marina de Van that I had a chance to watch, and this young lady is in my humble opinion the future of French and world cinema. Such neatly constructed, no nonsense, cerebral film, which gels as a meticulously structured mosaic is hard to come by these days. Watching it is a fulfilling pleasure. Fantastic!

Many angles are possible to represent personality disorders. Delivering an exciting movie with this subject is a challenge which I believe writer/director Marina de Van succeeded with beautifully. The tension and attention span gradually increase as does the spectator disorientation with subtly changing details to full decors. The physical changes are superbly rendered and here again the spectator starts to loose his/her reference points. In other words, we are inside Sophie Marceau and Monica Bellucci and move with her/them to try and understand. Both actresses perform splendidly and beyond feeling for their life's search, one leaves the movie with a strong bond for both personalities. In summary, I liked the movie for the storyline, the subtle crescendo along the time line, the actresses performance and the total attention span to try and understand (if I had been part of their life, I would have tried to help, but probably to no avail). I am a little sad for the low rating (6 at the time of this review).

I must admit I envy the viewers that raved about this film in their reviews. My intelligence is not that vast. In reality, my intelligence is quite-quite limited, so I can only say that if during the first 15 minutes or so of watching this movie I was enthralled with it, little by little, because of its incredibly twisted story line, I was starting to have so many doubts and questions about the goings on on the screen, that eventually I lost interest in this very confusing dark movie.

Many-many things don't make any sense, for example, Bellucci, all of a sudden develops a very noticeable limping --no explanation for it-- in order to lose it completely for the next scene and thereafter.

What?

What happened?

Was she surgically intervened from an old crippling paralysis while the lights were set for the next scene or was just a shoe too small given to her by an unscrupulous wardrobe mistress?

The change of actresses was done digitally in a very fascinating way, like in "The Legend of the Wolf", but much more subdued.

The intervention of digital effects in straight movies will be, from now on, a fascinating tool to tell stories and also because unexpected in this kind of movies.

Well, the whole thing attempted to be a superb movie, but it fell down on its face with a fatal crush.