El asesino en nosotros

A small town is plagued by an outbreak of apparent suicides. As the death toll rises, in increasingly grisly fashion, it becomes clear that something other than simple self-annihilation could be going on.

FROM WITHIN is a supernatural tale of past sins and retribution. It plays like a really good X-FILES episode. The idea of a curse that acts like a contagion has been done before (in RINGU, THE RING, etc.), but it remains an intriguing concept.

While the characters are all serviceable, and casting Adam Goldberg against type as a volatile redneck is a nice touch, it's the overall creepiness that makes this fear fable work...

FROM WITHIN – TRASH IT ( D ) From within is one of those movies which makes you think, who wrote it and why? And who put money on it? Who agree to direct that Awful Script and then who agree to act in it? And most important question of all, why the Hell I watched it in 1st place! Well my reason was Thomas Dekker, I think he is decent and sensible actor but after tanking his show (Sarah Conner Chronicles), he doesn't have much choice except doing anything comes along. The biggest surprise is that the movie won awards at Solstice Film Festival for best movie, actor and actress. What a joke I think they didn't have some thing better then this to win! Anyways Elizabeth Rice, Thomas Dekker and Kelly Blatz did fine jobs regardless of a dreadful script! Overall Dreadful Experience!

I was lucky enough to see this movie at its premier at the Tribeca Film Festival, and I must say that I truly enjoyed it. Normally, I am not a huge fan of the horror film genre, but this film proved that it was much more than a "put 10 people in a house, and kill them off one-by-one" flick. I found the story line interesting, the cinematography on-point, and the acting, especially that of Elizabeth Rice, excellent. Contrary to the previous person's review, I found the cast to be quite likable, and I also appreciated the occasional shots of humor, particularly those from the visiting female cousin. One final facet of the movie that I thought was compelling was the musical score -- very effective in contributing to the mood. IMHO, From Within is definitely worth seeing, and it should do very well when it is released for general viewing.

I often come across people who prefer horror films that happen to have a good story. I, on the other hand, prefer films with a good story that just so happen to be scary. "From Within" is one of the latter. After having watched it, I'm surprised I had never heard of it before. It has a sense of overall quality unique to its class (relatively unknown, made for a Horrorfest).

The story is the movie's strongest point, with a plot that throws in appropriate twists without wavering from its core. From beginning to end, it is emotionally engaging and suspenseful. The character development exceeded my expectations as well, along with the performances from the cast. There is violence, but the film never drowns itself in gore. Most of the actual deaths happen just off-screen, giving you just enough build-up to use your imagination.

Supernatural horror/thrillers are a dime a dozen, and many of them fall short of expectations. "From Within" stands out among the crowd— proving that given a well-executed plot and the right casting, films of this genre can be as powerful as ever.

After the witness of a suicide starts off a chain of similar cursed deaths in town, a young woman tries to keep her hyper-religious boyfriend from going after the supposed start of the curse long enough to stop it before more deaths occur.

This here was a rather troubling and pretty flawed effort at times, though it does have a couple pretty interesting parts. The film is on when it's dealing with the curse and the graphic deaths that result, and beyond just the surface shocks and entertainment these are surprisingly deeper than expected. Spread throughout by the appearance of ghostly doppelgangers that mark the deaths as suicides, there's much more to this aspect of the film beyond the inherently creepy and thrilling scenes they are just on-the-surface, and altogether these provide the film with a lot of good marks. Unfortunately, there's still a lot wrong here and it's all centered around the backwoods inhabitants and the heavy presence of religion in their lives. Far too often this denigrates into a religious rant that never explains anything other than their backwards and irrational thinking damaging whatever this could've done with the material, and by unleashing a twist late in the film that makes for the whole affair mirroring a similar fate doled out years earlier for the same reason makes this whole part challenging and really tough to get by, making it so severe at times that it drags the rest of the film down considerably. It's still watchable, but not as it could've been.

Rated R: Graphic Language and Graphic Violence.