- Ganó 1 premio Óscar
- 178 premios ganados y 220 nominaciones en total
Steven Chester Prince
- Ted
- (as Steven Prince)
Sydney Orta
- Elementary School Girl
- (as Sidney Orta)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
"Boyhood" is one of the most original films I have seen and when it was over, it left me wanting more--both signs that it was a terrific film. What is so original about it? Instead of making the film during the usual film schedule lasting a few months, this film was made over 11 years! So, instead of having multiple kids playing the same character, here we see the same child actor as he grows from age 7 to 18. Similar sorts of things have been done with the "Up" series, but these are documentary films. Here, it's a fictional snapshot of a boy's life--and it's so unusual that I strongly recommend you see it.
As for the story, I will admit that it will not appeal to everyone. After all, like real life, some parts are slow and not particularly interesting. Additionally, many viewers will be turned off by seeing the realism--showing kids doing illegal or dangerous things, cursing, teenage sexuality and the like. Plus, a few might not like the political or religious messages that come in the film. However, this last point I could easily overlook as politics and religion ARE parts of real life and discussing them is appropriate to heighten the film's realism--even if you don't agree with the orientation. Overall, an exciting sort of picture--one that must be praised for the care and efforts taken to create such a groundbreaking project.
As for the story, I will admit that it will not appeal to everyone. After all, like real life, some parts are slow and not particularly interesting. Additionally, many viewers will be turned off by seeing the realism--showing kids doing illegal or dangerous things, cursing, teenage sexuality and the like. Plus, a few might not like the political or religious messages that come in the film. However, this last point I could easily overlook as politics and religion ARE parts of real life and discussing them is appropriate to heighten the film's realism--even if you don't agree with the orientation. Overall, an exciting sort of picture--one that must be praised for the care and efforts taken to create such a groundbreaking project.
BOYHOOD...What a great movie! I simply believe in America again! They are also humans, guys, trust me:) Its obviously doesn't matter if you are an American, German or Russian. There are the same problems, the same ways, the same love inside us. As a Russian I must say I understand American people and also myself much much better with this movie. It was like... about me... I just COULD NOT imagine how much we are all the same.. Just love it! If I look at my childhood in the former USSR I see not much difference, the cars and houses are different, we spoke Russian, but that feeling, that pulse of life, that sometimes "lost" fathers and mothers to solve every day problems, fighting for the existence and good life for the children are so familiar to me.. That long hair and piercing.. Oh boy, its all so much alike. And those "Paul was greater than the others...". The movie is just breathing, its a three hours of fresh air!
I do not want to say much about the qualities of the movie.. It is overall brilliant. I do believe, this will be a classical film, and students all over thew world will study it in future at their film schools. P.S. Sorry for my poor English.
I do not want to say much about the qualities of the movie.. It is overall brilliant. I do believe, this will be a classical film, and students all over thew world will study it in future at their film schools. P.S. Sorry for my poor English.
'Boyhood' has a very unique and intriguing concept, in fact there has not been a concept like it (with taking 12 years to make and being encompassed over 12 years as well). But that is not the only selling point of the film, despite what the detractors have unfairly said.
Granted, 'Boyhood' is not for all tastes, although it was almost unanimously praised by critics the IMDb reviews are much more divisive. This reviewer totally understands why people dislike, even flat out hate it, and shares some of their criticisms, and generally hates the incredibly condescending way they have been expressed, nobody who legitimately liked 'Boyhood' for perfectly valid reasons wants to feel that it is a criminal offence to like it, let alone love it.
Does this reviewer think it is quite as good as the hype and critics say? Not quite. Does she think it is a very good, conceptually daring and in some ways misunderstood film, and towards the better end of the films released in 2014? Yes. It does have its problems, it is a case of two inconsistent halves with a great emotion-filled, honest, nostalgic and richly developed first half and a second half where the pace slackens, the story meanders and there are moments of awkwardness.
Ellar Coltrane's performance is also uneven, he is excellent in the first half with a real sense of honesty and integrity, where the protagonist is much more interesting and likable, but rather stilted and not as involved in the second half. The editing is also choppy in places and although a vast majority of the performances are fantastic Lorelei Linklater is somewhat dull as Samantha and would never pass for Mason's sister.
However, aside from the editing 'Boyhood' looks very accomplished with evocative production values and is beautifully filmed. Richard Linklater directs with a real generosity and lightness of touch. The script honest, poignant, thought-provoking and sometimes harrowing, and while not everything about the story works it has a real sense of nostalgia and richly rewarding in its emotional content. Really do not agree that nothing happens, it has a long running time and is deliberate in pacing but this reviewer really loved 'Boyhood's' understatedness, sincerity and subtlety as well as its spontaneity.
Characters are interesting and developed, especially Ethan Hawke's and Patricia Arquette's. Hawke and Arquette are also the standouts in the cast, and deservedly garnered Oscar nominations which Arquette won. Arquette is particularly outstanding, with a genuine fullness of emotion and authority with no sense of over-acting or self-indulgence. Hawke also gives a compelling real performance.
In conclusion, a very intriguing and very good film. Not quite as good as it's hyped to be but it has many more merits than the detractors lead you to believe.
While the criticisms are understandable, this reviewer is having a hard time believing that there are those who cite 'Boyhood' as the worst film they've ever seen, or one of them. There are far worse out there, that are amateurishly made, ineptly directed, terribly acted and written even worse, distinctions that regardless of whether you hate it 'Boyhood belongs nowhere near in any of them. 8/10 Bethany Cox
Granted, 'Boyhood' is not for all tastes, although it was almost unanimously praised by critics the IMDb reviews are much more divisive. This reviewer totally understands why people dislike, even flat out hate it, and shares some of their criticisms, and generally hates the incredibly condescending way they have been expressed, nobody who legitimately liked 'Boyhood' for perfectly valid reasons wants to feel that it is a criminal offence to like it, let alone love it.
Does this reviewer think it is quite as good as the hype and critics say? Not quite. Does she think it is a very good, conceptually daring and in some ways misunderstood film, and towards the better end of the films released in 2014? Yes. It does have its problems, it is a case of two inconsistent halves with a great emotion-filled, honest, nostalgic and richly developed first half and a second half where the pace slackens, the story meanders and there are moments of awkwardness.
Ellar Coltrane's performance is also uneven, he is excellent in the first half with a real sense of honesty and integrity, where the protagonist is much more interesting and likable, but rather stilted and not as involved in the second half. The editing is also choppy in places and although a vast majority of the performances are fantastic Lorelei Linklater is somewhat dull as Samantha and would never pass for Mason's sister.
However, aside from the editing 'Boyhood' looks very accomplished with evocative production values and is beautifully filmed. Richard Linklater directs with a real generosity and lightness of touch. The script honest, poignant, thought-provoking and sometimes harrowing, and while not everything about the story works it has a real sense of nostalgia and richly rewarding in its emotional content. Really do not agree that nothing happens, it has a long running time and is deliberate in pacing but this reviewer really loved 'Boyhood's' understatedness, sincerity and subtlety as well as its spontaneity.
Characters are interesting and developed, especially Ethan Hawke's and Patricia Arquette's. Hawke and Arquette are also the standouts in the cast, and deservedly garnered Oscar nominations which Arquette won. Arquette is particularly outstanding, with a genuine fullness of emotion and authority with no sense of over-acting or self-indulgence. Hawke also gives a compelling real performance.
In conclusion, a very intriguing and very good film. Not quite as good as it's hyped to be but it has many more merits than the detractors lead you to believe.
While the criticisms are understandable, this reviewer is having a hard time believing that there are those who cite 'Boyhood' as the worst film they've ever seen, or one of them. There are far worse out there, that are amateurishly made, ineptly directed, terribly acted and written even worse, distinctions that regardless of whether you hate it 'Boyhood belongs nowhere near in any of them. 8/10 Bethany Cox
For some people including myself you tend to be able to relate to a lot of the events in Masons life as he continues to age. The nostalgia that these relations create can bring both good and bad memories up and impacts like no other film can. I have to say a lot of the tough situations mason had to endure (drunk stepfathers) I can really relate to and I could feel the strong intensity in some of those moments. However not everyone has these same experiences and thus not having that nostalgic effect.
So basically your enjoyment of the film is really all a matter of how much you can relate to it. Heck at one point in the film Masons journey took a different turn than what mine did thus ending the ability to relate and from there I could see why some people hated it but the way I looked at it to enjoy it was that either way I was watching the life of this person and being given the opportunity to see this new perspective.
When I lost the ability to relate with Mason on his journey i started to almost dislike him for certain things for some reason. When I watched this film I didn't feel like I was watching a movie I felt like I was going through life with Mason. Others may not be able to do that but I was fortunate enough to experience it like this.
In conclusion this is a really love it or hate it type movie. If you can relate to some experiences it can be very enjoyable but for others it can seem very boring and pointless. I can really see both sides but I definitely enjoyed the film and In those final credits I nearly teared up because I just realized what I had experienced. This is hard to explain but if you understand then you obviously get what I'm saying. I hope you don't waste 165 minutes of your life I hope you experience this film the same way I did if not more so. I hope what I said is helpful thanks for reading my review.
So basically your enjoyment of the film is really all a matter of how much you can relate to it. Heck at one point in the film Masons journey took a different turn than what mine did thus ending the ability to relate and from there I could see why some people hated it but the way I looked at it to enjoy it was that either way I was watching the life of this person and being given the opportunity to see this new perspective.
When I lost the ability to relate with Mason on his journey i started to almost dislike him for certain things for some reason. When I watched this film I didn't feel like I was watching a movie I felt like I was going through life with Mason. Others may not be able to do that but I was fortunate enough to experience it like this.
In conclusion this is a really love it or hate it type movie. If you can relate to some experiences it can be very enjoyable but for others it can seem very boring and pointless. I can really see both sides but I definitely enjoyed the film and In those final credits I nearly teared up because I just realized what I had experienced. This is hard to explain but if you understand then you obviously get what I'm saying. I hope you don't waste 165 minutes of your life I hope you experience this film the same way I did if not more so. I hope what I said is helpful thanks for reading my review.
I was nervous going in because I wanted Boyhood to be good. In fact, I wanted it to be spectacular. I've been a fan of Richard Linklater's career since I watched Before Sunrise (a viewing of Before Sunset quickly followed) back in 2010. His ability to capture an experience, a culture, a generation, and a life and translate it into film in such a way that is utterly beguiling, yet doesn't feel manipulated is staggering to watch. News of Boyhood reached me around this time last year, and before I knew much about it, I was hooked. A film from Richard Linklater about a young man growing up around the same time I did? And 12 years of filming were dedicated? It was going to be spectacular. So much for nothing in life being certain.
Allow me, if you will, to avoid the part where I colorfully unpeel Boyhood's dynamics, hinting along the way how well it fairs against everything I've seen. IT. IS. UNBELIEVABLE. The script, the execution, the profoundness, and seamless integration of time are nothing short of astonishing. Subdued in nature as it may be, Boyhood is a vivid, captivating, all-consuming assault on the senses. Not only that, there is a deep seated quality to everything it does. And the viewer is absolutely at the core of the experience. Each element has been created and tuned to allow you to express yourself anyway you wish. And that amazing focus has produced a breathtaking film.
From a technical standpoint, it's everything I've come to expect from Linklater, only finished to a higher standard. Boyhood is a film about life. The script has no rising action, climax, or falling action. There is no plot driven by a narrative driven by a goal. Nothing feels manipulated. Linklater's directing is level-headed and controlled, with quick cuts to whoever is talking and a lack of camera motion for a truly first-person omniscient feel. You are observing, but not fully knowing. And the cinematography... was there even a cinematographer? Boyhood's sets look so painfully boring because everything looks so natural, the background fades and allows 100% of your focus to be on the characters.
Despite a silent car ride home and very much conducive analysis, my brain is STILL buffering from the mind-blowing quality of it all. I wonder how I will view my words when this high subsides. My final scattered thought is this; The best moments in film are when it comes across something; a thought, a feeling, a way of looking at things that you'd thought was special and particular to you. And here it is, set down by someone else, a person you've never met. And it's as if a hand has come out and taken yours. That is what Richard Linklater has done. Boyhood is a great film. More importantly it's a great film from Richard Linklater. Maybe even the greatest. and his career is here to stay.
Allow me, if you will, to avoid the part where I colorfully unpeel Boyhood's dynamics, hinting along the way how well it fairs against everything I've seen. IT. IS. UNBELIEVABLE. The script, the execution, the profoundness, and seamless integration of time are nothing short of astonishing. Subdued in nature as it may be, Boyhood is a vivid, captivating, all-consuming assault on the senses. Not only that, there is a deep seated quality to everything it does. And the viewer is absolutely at the core of the experience. Each element has been created and tuned to allow you to express yourself anyway you wish. And that amazing focus has produced a breathtaking film.
From a technical standpoint, it's everything I've come to expect from Linklater, only finished to a higher standard. Boyhood is a film about life. The script has no rising action, climax, or falling action. There is no plot driven by a narrative driven by a goal. Nothing feels manipulated. Linklater's directing is level-headed and controlled, with quick cuts to whoever is talking and a lack of camera motion for a truly first-person omniscient feel. You are observing, but not fully knowing. And the cinematography... was there even a cinematographer? Boyhood's sets look so painfully boring because everything looks so natural, the background fades and allows 100% of your focus to be on the characters.
Despite a silent car ride home and very much conducive analysis, my brain is STILL buffering from the mind-blowing quality of it all. I wonder how I will view my words when this high subsides. My final scattered thought is this; The best moments in film are when it comes across something; a thought, a feeling, a way of looking at things that you'd thought was special and particular to you. And here it is, set down by someone else, a person you've never met. And it's as if a hand has come out and taken yours. That is what Richard Linklater has done. Boyhood is a great film. More importantly it's a great film from Richard Linklater. Maybe even the greatest. and his career is here to stay.
¿Sabías que…?
- TriviaRichard Linklater cast his daughter Lorelei Linklater as Samantha because she always sang and danced around the house and wanted to be in his movies. At about the third or fourth year of filming, she lost interest and asked for her character to be killed. Linklater refused, saying it was too violent for his planning (Lorelei eventually regained her enthusiasm and continued with the project).
- ErroresWhen Mason Jr. and his stepbrother are playing Halo 2, although the scene is shot as a single uninterrupted game, the map changes every time the TV screen is shown.
- Bandas sonorasYellow
Written by Guy Berryman (as Guy Rupert Berryman), Jon Buckland (as Jonathan Mark Buckland ), Will Champion (as William Champion) and Chris Martin (as Christopher Martin)
Performed by Coldplay
Published by Universal Music - MGB Songs on behalf of Universal Music Publishing MGB L.T.
Courtesy of Parlophone Records Ltd.
By arrangement with Warner Music Group Film & TV Licensing
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- How long is Boyhood?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- USD 4,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 25,352,281
- Fin de semana de estreno en EE. UU. y Canadá
- USD 387,618
- 13 jul 2014
- Total a nivel mundial
- USD 48,137,666
- Tiempo de ejecución2 horas 45 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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What is the streaming release date of Boyhood. Momentos de una vida (2014) in Canada?
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